See last year's thread:
https://forum.musicasacra.com/forum/discussion/21517/simple-settings-of-athanasian-creed/

Oops, I had forgotten I asked about this last year. Thank you for the reminder, Patrick. Serviam, what you've posted is exactly what I'm looking for. Could you link me to where I might purchase it? I'm sure it's user error on my part, but I'm having trouble finding it on your site.

The above examples are nice but they are not Anglican chant.
All Anglican chant has the following rhythm -

For a single chant: - | . . | - || - | . . | . . | - ||

For a double chant: - | . . | - || - | . . | . . | - || - | . . | - || - | . . | . . | - ||
(I have on [thankfully] rare occasions seen a triple or quadruple chant.)

While the venerable M. Jackson Osborn is right that Anglican chant proper is pointed as he describes, I am yet to find an Anglican psalter which points the Quicunque vult according to ordinary Anglican chant methods. Almost without exception, it is set to a shorter single chant by Tallis. Please see a few examples attached.

I am repeating myself, with the item I mention upoaded.
In this very odd book, "The Free-rhythm Psalter: The Words Pointed and Accented...," by Francis Pott (translator of 'The Strife is O'er'), The Athanasian Creed is given twice. I think this might well be considered a curiosity, although Psalm Tone 8 with the short termination is worthy of a second look.

The James O’Donnell version is definitely an Anglican chant. He repeats the reciting tone as the first chord in the cadence formula. It functions as an accented upper neighbor sort of chord, but since it’s the same harmony as the reciting tone, it might seem like there are not enough chords to fill out the usual Anglican chant formula.

Excellent, and right in time. It'll get used at our little parish this Sunday. You've made my boss a happy man.