Entrance antiphon, psalmody: Source and Summit
Lo the angel’s food (short)
Ordinary: Mass of St Francis - Buchholz
Motet: Ave verum - Mozart

Godhead here is hiding ADORO TE
Jesus my Lord, my God, my all SWEET SACRAMENT
Holy God GROSSER GOTT

Additional Eucharistic hymns for the procession

Mass XI
Weber / Graduale / MRT chant
O Sacrament Most Holy
Tallis: Verily, verily
Byrd: Ave Verum Corpus
Werner: O Salutaris
Divine Mercy Chaplet (Sung)
Isaac: O Esca Viatorum

(I know my hymn choices are off the beaten path, but they are such good fun.)

Why is the Credo after the Offertory?

Prelude: Pange Lingua (de Grigny)
INTROIT Civabit eos Mode II
Kyrie: Mass XI (w/Byrd Mass for 5)
Gloria: Heritage Mass
RESPONSORIAL PSALM: Source & Summit with Anglican psalm tone
SEQUENCE Lauda sion English
ALLELUIA: S&S (with Gregorian verse melody)
Credo I English
OFFERTORY Portas caeli Mode VIII
ANTHEM Sacerdotes Domini (Byrd)
Sanctus: Mass XI
Agnus Dei: Heritage Mass
COMMUNION Qui manducat Mode VI
Anthem: Ego sum panis vivus (Palestrina)
Communion Hymn: Jesus, My Lord, My God, My All
Recessional Hymn: O Sacrament Most Holy
Postlude: Jesus Christus, unser Heiland BVW 665

I’m borrowing this list for the future. Your oratory and Old St Mary’s in Cincy have inspired us here (well, me anyway). We just did the Byrd Deo gratias a few weeks ago.

@Charles_Weaver

Yes, the Bruhns is a lot of fun to play and not terribly difficult. (We had our Mass on Thursday.)

We sang the complete Byrd propers for the feast back in 2024. It was a wonderful change to sing polyphonic propers with everything else in chant instead of vice versa as we usually do for big feasts.

I dream of directing the great Josquin Missa Pange Lingua one day (I've sung it a couple of times). It will take us many weeks of rehearsal but it's well worth it.

St. Aelred Catholic Church
Madison, Georgia
The Ordinariate of the Chair of St. Peter

11am Mass
Ordinary: Merbecke w/ Scottish Chant Gloria
Prelude: 5e Strophe, Procession "Adoro Te", Wely
Processional: Alleluia, Sing to Jesus
Introit: Palmer and Burgess Plainchant Gradual
Gradual: St. Peter Gradual
Alleluia: St. Peter Gradual
Sequence: Anglican Use Gradual
Offertory: Palmer and Burgess Plainchant Gradual
Offertory Hymn: Let All Mortal Flesh Keep Silence w/ v.4 organ reharm.
Communion: Palmer and Burgess Plainchant Gradual
Communion Other: "Ave Verum" a 2 (basically a metricalized version of the chant sung in parallel 6ths, found it here on the forum but have no idea who arranged/composed it)
Procession: "O Salutaris" (DUGUET), followed by a good many of the typical Eucharistic hymns
Tantum Ergo (mode III), Adoremus, Holy God at benediction upon our return to the church
Postlude: Grand Choeur, Procession "Adoro Te", Wely

At St. Adelaide Church in Peabody, MA:
12 noon
1962 Missal
Organist and choirmaster: Kevin Lyczak (DMA cand.)

Prelude: Ich ruf' zu dir, Herr Jesu Christ, BWV 639
Processional: "Jesus, My Lord, My God, My All"

Ordinary: Palestrina, Missa Papae Marcelli

Plainchant:
Asperges, Introit Cibavit eos (sopranos, altos), Gradual Oculi omnium (tenors, basses), Alleluia Caro mea (sopranos, altos), Sequence Lauda Sion (TB and SA, alternating), Credo III

Offertory: Palestrina, Sacerdotes Domini
Communion motet: Tallis, O sacrum convivium
Communion antiphon: Quotiescumque (TB)
Procession hymn: plainchant, Pange lingua (all)
Benediction: plainchant, Tantum ergo (all)
Recessional hymn: "With all the powers my poor soul hath" (ROCKINGHAM)
Postlude: Prelude and Fugue in G major, BWV 541

Besides the glories of the solemnity, the occasion was also a thanksgiving for the (first) 50 years of priestly ministry by the celebrant, Rev. Raymond Van De Moortell, retired seminary professor.