St David's Parish became part of a 'cluster' last year, but we hadn't felt the bite until last week when we learned there will be no Midnight Mass. Here's what we rehearsed, and will, after singing as planned at my wife's church's early Service, perhaps repeat at a favorite Chinese restaurant instead:
This day Christ was born Byrd Hodie Christus natus est Palestrina Ave Maria Bruckner Bogorodiste devo Rachmaninoff Today the Virgin Tavener O magnum mysterium Ann Callaway Verbum caro factus est Callaway There were shepherds…Glory to God Handel
I'm sorry to hear that. By nature I'm pretty goal-oriented, but this is a situation where you have to try and take satisfaction in the process and effort, to which God, of course, was witness.
At St. Ann's, Hamilton.
Carols: Silent Night, What Child is This, Gaudete, Good Christian Men Rejoice, Angels We Have Heard on High, Lo How a Rose, Once in Royal David's City, Of the Father's Love Begotten.
Missa O Magnum Mysterium (Victoria) Introit, Gradual, Alleluia, Offertory, and Communion (with verses) from the GR Credo IV (couldn't manage the polyphony) Tollite Hostias (Saint-Saens) after the Offertory proper O Magnum Mysterium (Victoria) after Communion The First Noel for recession
No Christmas Mass at all at my gig (thank you Pope Francis). So "Christmas" for us is Sunday Within the Octave. But I'm guesting, and here's what we're singing.
St. Paul Akron OH: Midnight Mass (Missal of Paul VI)
Choral prelude: Psallite (Praetorius/Robinson) Jesu Redemptor Omnium (Monk of Strasbourg/N. Montani) Gaudete (arr. RJ Batastini) Ave Maria (solo) (Lorenc) In natali Domini (anon Specialnik Codex) Puer natus in Bethlehem (arr. CCRS) Ave Maria ("Arcadelt") Plus instrumental bits TBA
Nativity proclamation Processional: Adeste fideles Dominus dixit ad me (chant) Mass VIII Tecum principum (chant) Alleluia Dominus dixit (chant) Credo III Tollite Hostias (Saint Saens/Montani) Silent night In splendoribus (chant) Ave verum Corpus (chant, arr. Heath Morber) Alma Redemptoris mater (simple tone) Recessional: Joy to the world
SAB sextet (including the DM Heidi Guttermuth when she's not at the organ) and a violin. Decent people, clean product.
St. Aelred, Madison GA (Ordinariate of the Chair of St. Peter)
Mass in the Night, 10:00pm Prelude of carols begins at 9:30pm
Ordinaries: Englished Mass IX (Communion Service Four) Prelude: Chorale Prelude on Puer Nobis Nascitur, Willan Blessing of creche, sung Christmas proclamation Procession: O Come, All Ye Faithful Introit: Graduale Romanum w/ Viadana fauxbourdon Gloria Patri Gradual: Graduale Romanum Alleluia: Graduale Romanum Credo: Credo I, Englished (#720 Hymnal 1940) Offertory: Graduale Romanum Offertory hymn: Angels We Have Heard on High Communion: Graduale Romanum Communion Other: - Quempas as a choral motet, arranged by our very own NihilNominis - Silent Night during ablutions Recessional: Hark, the Herald Angels Sing (Willcocks organ reharm v. 3) Postlude: BWV 729 "In Dulci Jubilo"
We also have sung Masses w/ cantor/organ only at 7pm and 9am.
No Christmas at all for me on account of ditching the parish life for academia...
But here's the hymn sing my wife and I did a couple nights ago, plus the readings for Catholic Lessons and Carols, while the cat made a nuisance of herself:
Compline Es ist ein Ros' entsprungen, Op. 122 no. 8 - Johannes Brahms Once in Royal David's City - descant by Sir David Willcocks Lo, How A Rose - first verse by Jan Sandström O Come All Ye Faithful - descant by Sir David Willcocks Conditor Alme Siderum - Guillaume Dufay O Magnum Mysterium - Tomás Luis de Victoria Ave Maria - my setting based on Kapsperger Silent Night - descant by me Reges de Saba - Sethus Calvisius Verbum caro - Sethus Calvisius Viderunt Omnes - Léonin Hark! The herald-angels sing - descant by Sir David Willcocks
On the plus side, not a single person complained about "too loud" or "too much Latin," but attendance was rather sparse.
Prelude: Lo, How a Rose E’er Blooming In the Bleak Midwinter (Darke) Let All Mortal Flesh Keep Silence - Bairstow Good Christian Men, Rejoice Lullay, My Liking (Holst) It Came Upon a Midnight Clear O Holy Night (Adolph/Le Bas)
PROCESSIONAL: O Come All Ye Faithful (Arr. Willcocks) INTROIT: gregorian MASS ORDINARY: Missa de Angelis RESPONSORIAL PSALM: Rice/Schmitt ALLELUIA: Easter Alleluia OFFERTORIUM: gregorian OFFERTORY: Verbum Caro Factum Est (Hassler) Communion chant: gregorian COMMUNION:O Magnum Mysterium (Victoria) COMMUNION: Of the Father’s Love Begotten (Wohlgemuth) POST COMMUNION HYMN: Silent Night SMH #747 RECESSIONAL: Hark the Herald Angels Sing (arr. Willcocks) POSTLUDE: BWV729
The day Masses are very similar, swapping out the gregorian propers, Pueri Concinite (Herbeck), O Little One Sweet (Bach) and See, Amid the Winter's Snow for a few selections.
The 4pm Mass Christmas Eve Mass with Children's Choir is featuring Saint-Saens' Tollite Hostias, Yon's Gesu Bambino, Marier's A Boy is Born in Bethlehem, and Ravanello's Jesu Redemptor Omnium.
Also playing In Quiet Joy by Dupre and a few other quiet organ preludes.
Prelude at 11:30: 1. Handel, Pifa from Messiah 2. O little town of Bethlehem (St. Louis) 3. What child is this? (Greensleeves) 4. Praetorius, In dulci jubilo à 2 & à 4 5. Holst, In the bleak midwinter 6. Guerrero, Niño Dios 7. Silent Night
Mass at Midnight (Extraordinary Form) Adeste Fideles (Willcocks but in Latin) Gregorian propers Charpentier, Messe de minuit Victoria, O Regem caeli Victoria, Christe redemptor Victoria, O magnum mysterium Postlude BWV 729
Christmas Day Gregorian propers Victoria, Missa O magnum Lassus, Resonet Sweelinck, Hodie
I won't doxx myself except to say that I will be at a NO Mass with Darke's "In the bleak midwinter" accompanied by me on a late Romantic American organ. That instrument is a Godsend!
St. John Paul II Scioto Catholic Parish, Portsmouth, OH St. Mary of the Annunciation
Prelude: Of the Father’s Love Begotten (Wohlgemuth) Nativity Proclamation Procession: Hark! The Herald Angels Sing Introit: Gregorian Ordinary: De Angelis Psalm/Alleluia: Bartlett/S&S Offertory Proper: Gregorian Offertory Hymn: Silent Night Communion Proper: Bartlett/S&S (English) Communion Motet: O Magnum Mysterium (Victoria) Recessional: O Come, All Ye Faithful (Willcocks) Postlude: Adeste Fideles (Dethier)
Prelude Carol - O Little Town of Bethlehem (arr. Aaron David Miller) Carols and Lullabies: Christmas in the Southwest - Conrad Susa Carol - It Came Upon the Midnight Clear Carol - Go Tell it on the Mountain Magnificat - J. S. Bach Carol - Angels We Have Heard on High Carol - Joy to the World (arr. ADM)
Proclamation of the Birth of Christ
Introit - Graduale Romanum
Entrance - O Come, All Ye Faithful
Kyrie & Gloria - Mass of St. Gregory the Great - Luke Mayernik
Psalm 96 - Michael Emmerich Alleluia - Mass of St. Gregory the Great - Luke Mayernik
Preparation - Echo Jubilate - Samuel Scheidt
Mass Ordinary - Mass of St. Gregory the Great - Luke Mayernik
Communion Carol - Silent Night Carol - Away in a Manger Communio - Graduale Romanum Away in a Manger - arr. Peter Latona There is no Rose - Jessica Nelson Carol - Of the Father's Love Begotten Carol - Christ Was Born on Christmas Day
Recessional - Hark the Herald Angels Sing
Postlude - Organ Flourish on Joy to the World - Michael Dell
Not the question at hand, but if anyone is interested this is the lineup for the Mass in Spanish that precedes this:
Prelude Organ - Nun komm, der Heiden Heiland, BWV 659 - J. S. Bach Carol - Como Estrella en Claro Cielo - arr. Richard Proulx Organ - Divinum Mysterium - Craig Phillips Carol - Vamos, Pastores, Vamos Organ - Lullaby - Bill Ives Carol - Divino Mesías, Venid - arr. Yves Castagnet
Introit - Graduale Romanum Processional - Venid, Fieles Todos - arr. Willcocks
Kyrie & Gloria - Misa de la Inmaculada Concepción - Cerisier (GIA)
Psalm 88(89) - Cerisier (available on CRCCM Repertoire site) Alleluia - Mode 6 (with Meinrad tone for verse)
Preparation - Ha Nacido el Niño Dios - arr. Yves Castagnet
Mass Ordinary - Misa Melódica
Communion Communio - Graduale Romanum Pastores - Carlos Cordero Carol - Noche de Pas, Noche de Amor - arr. Cerisier (available on CRCCM Repertoire site)
Carols at 11.20p Oratory Choir, Laudate Pueri Children's Schola (37 children) Modern Instrumentalists (2vln, French Horn) Historic Instrumentalists (Vln, Cornetto, Sackbuts)
Once in Royal David's City Lo, How a Rose - with historic instruments Angels We Have Heard - with modern instruments O Holy Night - verses sung by trebles, with modern instruments Gaudete
Interludes: Christum wir sollen and Von Himmel hoch, S. Scheidt, Geistliche Konzerte - historic instruments
Mass at Midnight Oratory Choir, St. Philip Neri Choristers (13 children) Historic Instrumentalists
Procession: Adeste Fideles / O come, all ye faithful Proper: Full Gregorian Ordinary: Missa 'O magnum mysterium', Victoria (with historic instruments) Credo III, Et incarnatus est, Botkins Motets: Quempas, Praetorius (with historic instruments - trebles solo verses) O magnum mysterium, Victoria Alma Redemptoris, Palestrina Puer natus in Bethlehem, plainsong Silent Night / Stille Nacht Joy to the World
Interludes: In dulci jubilo, Hans Leo Hassler (instrumentalists only) Elevation, Dom Paul Benoit (a Christmas tradition for me)
Postlude: In dir ist Freude, BWV 615 or, if the fatigue has gotten to me, I may punt to BWV 729
That does look like a great lineup. Praetorius is one of my all-time favorite composers/arrangers. We didn't do the Quempas-Lied, but we did one of the duets on In dulci jubilo, and his two-part writing is a masterclass in inventiveness (as is every other kind of writing he does).
Which words did you use for Lo how a rose? I love P's harmonization of that dearly, but I find the protestantization of the words unfortunate. Several years ago I stumbled on the very nice Hymnal 1940 version, which has an English translation of the older Catholic words, in which Mary is the rose.
Vespers I Gregorian antiphons, English Psalmody Victoria’s Magnificat Octavi Toni, even verses
Introit (Prelude before lector welcome): Hodie scietis Entrance Hymn: O Come, All Ye Faithful Kyrie: Missa O Magnum Mysterium (Victoria) Gloria: Heritage Mass Responsorial Psalm: Source and Summit Alleluia: Source and Summit Offertory Hymn: Angels We Have Heard on High Sanctus: Missa O Magnum Mysterium (Victoria) Benedictus: Mass XVIII Memorial Acclamation: We proclaim (ICEL) Agnus Dei: Missa O Magnum Mysterium (Victoria) Communion: Revelabitur Communion Hymn: Silent Night Recessional Hymn: Joy to the World Postlude: Gaudete, Christus est Natus
Sacred Heart Church (Savannah, GA) Christmas Day - Extraordinary Form
Due to illness we found ourselves without tenors, but still managed to keep the spirit with S(S)AB.
Mass Ordinary - VIII Missa de Angelis Credo I with fauxbourdon at "Et incarnatus.." Gregorian Propers
Motets: Gaudete (traditional) Beata Viscera (Perotin) There is No Rose (trad., Carols for Choirs II) Angelus ad Virginem (trad., Oxford Book of Carols)
Procession Out: O Come, All Ye Faithful (Willcocks)
@NihilNominis is that Et incarnatus by Nick Botkins by chance or is there another Botkins out there?? Anyway I would love to have it. I’m looking for ideas there.
Thank you all so much for sharing your music lists!
A question: I'm noticing that a lot of you have restricted all (or nearly all) the carols to the prelude/pre-Mass caroling, and then during Mass you have either all chant or more ancient texts/pieces mixed in with some carols.
Is this a standard practice? There's such a treasure trove of ancient texts and hymns that I would love to incorporate into the Nativity Mass, but I'm not sure how to do it.
Yes, multiple recordings were made as it turns out! Attached you’ll find the Quempas. Taken by one of my basses with his phone somewhere in the loft, but it came out quite well.
I’ll hold off on sharing other things until the downstairs recordings become available to me!
In German we use the Catholic words, but I was unaware that there was an English translation that mirrored them. I will have to bear that in mind for next year!
Praetorius and I met in middle school, at the hands of a very disinterested general music teacher who shared the recordings that she was supposed to share with us one day in class. It was mind-blowing for me. He’s been an absolute favorite ever since.
The same! Years ago on Facebook he posted a video called, “Fun with Credo III” which included this stunning Et incarnatus and a fanfare for Et resurrexit. I asked him for the music once, and he said it was probably something he had just scribbled down. I believe he’s OK with the fact that I transcribed it and sing it now… If he’s not he can let me know here ha ha!
There’s a sackbut player in town called Sean McGhee (I was led to him by a gamba player that I have worked with). He had a friend willing to come in from Bloomington to join him (cornetto), and another who was in town on a different gig for the other sackbut.
My violinist, who is a member of our choir, brought her gut instrument, but unfortunately we couldn’t tune it up to the organ reliably, so she’s on modern strings, but I think she does a fantastic job getting it to fit in with the sound.
Our lineup is basically necessitated by liturgical expectations. Carols are great, but I do hate to see them displace the actual liturgical music of Christmas. Once the culture is built, however, the carols reinforce the liturgical music, and vice versa. Especially if you line up the carols right, there is a sense of going deeper and deeper into the mystery that is naturally answered by the deeper and more resonant liturgical music.
Out on some vacation golf/beach island in the south - Prelude - Organ works by Franck and Guilmant Carol arrangements for horn and oboe of STILLE NACHT, O Holy Night, and GOD REST YE Schubert Ave Carols: IN DULCIS JUBILO, GLORIA Dominus Dixit, GR ADESTE FIDELIS a Mode I Kyrie from the Simplex Heritage Mass Gloria Source and Summit Psalm Duncan Alleluia ANTIOCH Heritage Mass Sanctus a Mode VI Agnus from the Simplex Source and Summit Communion STILLE NACHT He Shall Feed his Flock MENDELSSOHN Franck Postlude
For the "Et incarnatus est" with Credo III, I've used an excerpt from the Lassus Missa Pilons l'orge, as sung by the Westminster Cathedral Choir in this video (score at CPDL).
Sts. Cyril and Methodius Oratory, Bridgeport. Connecticut (Institute of Christ the King) Carols before Mass carol: Angels We Have Heard on High Blessed Be That Maid Marie - arr. Wood Verbum Patris humanatur - 12th cent. Dadme albricias, hijos d’Eva - 16th cent. (Cancionero de Uppsala) In the Bleak Midwinter (CRANHAM) H. Praetorius – In dulci jubilo (arr. for SSATTB) carol: Silent Night prelude: Corelli - Pastorale from Christmas Concerto (2 recorders and organ)
Mass hymn: Adeste fideles - arr. Willcocks Mass setting (sung by smaller group): Tallis - Missa Puer Natus Est Credo III - with "Et incarnatus est" from Victoria - Missa Alma Redemptoris Mater offertory: Dering - Quem vidistis, pastores? communion: Palestrina - O magnum mysterium hymn: Joy to the World postlude: BWV 729
Christmas morning we sang Victoria's Missa O magnum mysterium, and the motet, and Lassus' Laetentur caeli.
If it's a TLM the available carol (and perhaps "carol adjacent") music is fairly restricted. Puer Natus, Resonet in Laudibus, Adeste Fideles, In Natali Domini, and Personent Hodie come to mind as options, and my choir will be singing those soon. Maybe there are Latin translations of others.
I'd be happy to do Adeste or Puer during the midnight mass, but just decided to go big this year (and maybe going forward, resources allowing). I fixated on doing Tollite Hostias this Christmas after someone mentioned it in my 19th/20th Century Repertoire thread, so that took up the available (offertory) slot where I might otherwise have selected Adeste. But I like to make the pre-mass caroling selections fairly populist, to have both ends of the spectrum.
Even if I could include vernacular in our mass, I find most carols do not have the solemnity I envisage for the midnight mass in particular, which I see as not only joyous but momentous/stupefying/mysterious/insert preferred word. Singing Victoria's O Magnum mass and motet, I feel like he saw things this way too. And this is also why I do Credo IV for the midnight mass, and Credo III for the day mass and Christmastide.
Before Mass: BWV 751 Lo, How A Rose E'er Blooming (Praetorius) Away in a Manger (Kirkpatrick / Willcocks) Ding dong! Merrily on High (Wood) While Shepherds Watch Their Flocks Alma Redemptoris Mater (G. P. da Palestrina) a 4 Silen Night
Procession: O Come, All Ye Faithful (Willcocks) vs. 1, 6, 7 The Solemn Proclamation of Christmas Introit: Dominus dixit ad me Kyrie: Missa Secunda (Michael Haller) a 3 Gloria: Missa de Angelis Gradual: Tecum principium Alleluia: Dominus dixit ad me Offertory: Laetentur coeli Offertory: Infant Holy, Infant Lowly (Willcocks) Sanctus: Missa de Angelis Mysterium Fidei: Mortem tuam Agnus Dei: Missa Secunda (Michael Haller) Communion: In splendoribus sanctorum Communion: It Came Upon The Midnight Clear (Willis) Communion: O Magnum Mysterium (T. L. de Victoria) Marian Antiphon: Alma Redemptoris Mater (simple tone) Recessional: Joy to the World Recessional: Hark! The Herald Angels Sing (Willcocks) Postlude: BWV 729 Postlude: Movement 4 "Point d’Orgue sur les Grands Jeux" from A solis ortus by Nicolas de Grigny
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