Introit, Kyrie, Offertory, Sanctus, Agnus Dei, Communio: Missa pro defunctis, G. F. Anerio
Psalm: Anglican chant
Help, Lord, the souls that thou hast made (DUNDEE, with faux-bourdon vv 3 & 5)
O Lord, to whom the spirits live (SOUTH CERNEY)

That first hymn text is by our newest Doctor of the Church

St. Aelred, Ordinariate

Ordinaries: Missa pro defunctis, as Englished by Palmer and Burgess (Kyrie was in Greek)
Introit: Palmer and Burgess Plainchant Gradual
Gradual: Palmer and Burgess Plainchant Gradual
Tract: Palmer and Burgess Plainchant Gradual
Sequence: from St. Dunstan's kyriale
Offertory: Palmer and Burgess Plainchant Gradual
Communion: Palmer and Burgess Plainchant Gradual
Communion Other:
- Anthem: Psalm 130, Walford Davies
- Hymn: Jesus, Son of Mary
Absolution at the catafalque with "Libera Me" a la P&B

Mass was followed by a procession to and from the local cemetery, accompanied by hymns and psalms.

Novus (yesterday)
Introit, Kyrie, Communion from Missa Pro Defunctis by Pietro Yon (3 voices, and organ)
Chanted Gradual, Alleluia, Offertory, Sanctus, Agnus

TLM (tonight)
All chant propers

All Saints:

Gregorian propers:
Missa Aeterna Christi munera (minus the Credo); Agnus X plus a reworked Agnus I instead of the 5vv Agnus II.
Sicut Cervus (Palestrina) and Ave Verum Corpus (Byrd); we didn’t have enough time for the Victoria O Quam gloriosum this year.
Salve Regina (simplex)
Praise to the Holiest in the Height (NEWMAN, of course)

After Vespers and Benediction on Sunday (XXI Sunday after Pentecost; all chant, with the 2nd tone ad lib. for the hymn, which is our usual custom) the gang got back together for Lead, Kindly Light (SANDON), including the final two verses in parts, which was incredibly well received. My pastor suggested that we distribute the hymns (and I’m fine with this, but I figured that an English hymn as a choral meditation would be OK as a listening piece) and sing one more regularly so as to get a second English hymn in per week. He was very very pleased.

Then some of the guys sang Vespers of the dead (recto tono), following the older practice to celebrate both canonical Vespers and that of the dead on the evening before All Souls.

Prelude
Miserere Mei Deus - Allegri

Propers Missa pro Defunctis Gregorian
Ordinary Missa pro Defunctis - Anerio

Offertory
Miseremini Mei

Communion
Circumdederunt - Morales
Peccantem Me Qotidie

Absolution Libera Me
Kyrie
Requiescant in Pace etc.

Recessional Hymn In Paradisum

Postlude
Miserere Mei Deus - Lotti

(The organ is not employed)

Pictures of our church with a beautiful acoustic attached

St. Ann's TLM, Hamilton ON (tonight)

Victoria's Missa Pro Defunctis a 4
Communion hymn: Languentibus (chant)

All Saints:

Gregorian propers
Mass 8, Credo 3
Gloriosae Matris Dei (chant) at offertory
Sicut Cervus at communion
O Grantor of Eternal Life

No. The tune is called "Lux in Tenebris." Composed by Dom Gregory Murray.

p.144 in this https://archive.ccwatershed.org/media/pdfs/16/03/07/16-45-38_0.pdf
I can't see it at hymnary.org

a lot of them chose to use “saints” hymns for All Souls’ Day

Have you seen this as a multiyear trend, or is it an artifact of all this falling on the weekend this year, leading to a de facto suppression of All Saints? My free music was pretty much all All Souls even though the Mass was 21st after Pentecost. And how often do most Novus parishes sing All Souls, given that it's not a holy day of obligation?

University of Notre Dame, Alumni Hall TLM

Prelude: Subvenite chant

Mass/Propers: Victoria Missa Pro Defunctis a 4, substituting the offertory for Guerrero's Offertory.
Tract: Jacobus Clemens non Papa

Communion motet: Dominus Meus et Deus Meus - Morales

Absolution: Libera Me chant, Kyrie chant.

I've attached our choir packet if anyone is curious

@AugustBerchelmann, that’s a great line up. It’s approaching my ideal (though I’ll say: we let the organist play during communion as we distribute, but I don’t wish to encourage it, and I think that the choir singing does so more than the organist, illicitly or otherwise, playing…).

I do find the blessing of incense before the Libera me odd (but I believe that it is correct, even though it wasn’t done at the Mass).

My sister went to school there for a few years right after Fr Klotter had been named the pastor. I don’t know Fr. Chandler at all. That is at least the third parish in Louisville open to such repertoire, and as is often the case, it takes multiple people over many years to push the needle in the right direction in a stable way.

@oldhymns

Yes, Bethlehem PA. Look us up and come on down (or up!) depending on your location.

St. Patrick Church, Columbus, Ohio, 12:00 AM Mass

Prelude: Quiet organ on Dies Irae sequence
Entrance Antiphon: Requiem aeternam (Men)
Kyrie: Missa XVI
Psalm: Lumen Christi Missal
Alleluia: Gregorian, Mode 6, harm. Fr. Thomas Buffer
Offertory Motet: Funeral Ikos, John Tavener
Eucharistic Acclamations: Latin, Jubilate Deo
Communion Antiphon: Lux aeterna with verses
Communion Motet: Jesus, Son of Mary (Fr. Thomas Buffer)
Recessional Chant: In paradisum (women)

At the other Masses during the offertory, they sang the hymn ‘Jerusalem, My Happy Home’ which has a great text. One of my favorite hymns!

The Cincinnati Oratory

Gregorian I,G,C & Absolution
Palestrina Missa pro defunctis (K,O,S,A)
Duruflé, Pie Jesu
Jacquet, O Jesu Christe
In paradisum, plainsong
After the Procession, O Mensch, bewein, JSB

I haven't seen any such trend (Jeffrey was asking about using All Saints hymns on All Souls) either in this thread or on the ground here. With the Saturday Vigil taking precedence, it seems odd to go two years between SINE NOMINEs, but I from what I recall that happened in 2014 & 2008 too. I heard that "For All the Saints" did appear for the Friday School Mass 'within the octave' of All Souls.