Motets in honor of the soon to be St. Carlo Acutis.
Soul of Christ (SATB)
O Salutaris Hostia I (SATB)

Some links to recordings by Matthew Curtis of O Salutaris and Soul of Christ!
https://youtu.be/UhkBGkDmuwA

https://youtu.be/1HAqCI8MJpY

I've written several pieces but so far have only published two that I consider worthy.

https://tinyurl.com/2zu898y2 (This piece will be premiered and recorded October 7)

https://tinyurl.com/2p9zzavw (Pending possible publication with a firm, self-published for now)

To start, I have posted a number of things to this forum, although you'll need to do a little digging.

I have over 1000 practice videos for various things (admittedly, heavily focused on my compositions or things I've arranged, but there are also lots of broader choral repertoire, as well as over 140 videos of Fr. Weber's antiphons) at www.YouTube.com/@ServiamScores

Lastly, my "official" repository for all of my arrangements, including my psalms (which are largely chant-based or at least distilled from chant melodies) all of which I'm now offering for free. [I'm currently working on building out a new portion of the website which would offer these as simpler downloads, but you'll have to "purchase" them for $0.00 for the time being.]

www.PsalliteDomino.com

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In terms of specific things to look out for:

One piece of which I'm particularly proud is my setting of Exaltabo te, Domine (free) which you can find here, including a stunning performance by a collegiate choir:
https://psallitedomino.com/blog/free-lenten-motet-exaltabo-te-domine-2025-elnca?rq=exaltabo te

I've also gotten a fair bit of traction for More Love to Thee, O Christ, as well as Tantum Ergo in Ab, both of which you can find more about here: https://psallitedomino.com/blog/two-major-releases-2025

I have nice easy SABar. motets for Holy Thursday (Foot washing antiphons) here: https://psallitedomino.com/store-1/p/suite-holy-thursday-foot-washing-antiphons-sab-motets
The all feature comprehensive practice tracks, too.

With Christmas ever approaching, you might want to check out Enixa est Puerpera (Our Lady was so fair and bright), https://psallitedomino.com/store-1/p/enixa-est-puerpera and especially Ecce Virgo Concipiet (Behold, a Virgin shall conceive) https://psallitedomino.com/store-1/p/ecce-virgo-concipiet-behold-a-virgin-shall-conceive-advent-motet

There are also a few organ works which people seem to appreciate, and lots more besides. Thanks for starting this thread; I look forward to perusing other people's posts!

jeffreyquick.com is the go-to place for all of my music, linking whatever is out there: published or on cpdl.

I'd like to particularly highlight my Ave Verum Corpus for one or 2 voices with organ. It's a dandy piece, and widely applicable (well, maybe not in Charlotte or Venice, lol bitterly). Some of the spelling is needlessly difficult to audiate (not my decision), but if my little schola can do it well, anyone can. And I'd like Gary Penkala to think that publishing it was not a horrid idea, so go make him some money.

I have a few recent English things that I'm thinking of setting up a shop at jwpepper for. (or if you ask politely). Right now I'm kind of embittered about writing for the liturgy, between the generally lame state of Catholic music execution, the attitude of the clergy, and the simoniac attitude toward the liturgical texts. Bribe me enough, and I'll write whatever you want. But if I do write anything in English motu proprio, it will probably be a prayer or other devotional text (if I can figure out if any particular English translation is PD). I might need to pray something in Latin (Thinking about a Vox in Rama for 2 part treble and organ, you know why :-( ) And I'm currently working on a Stabat Mater for 2 solo women and chamber ensemble, so I'll still be writing Catholic music.

@Noctcaelador The Ave Maria on basis of the Kapsberger Toccata is a brillant idea. Incidentally, I play the theorbo and occasionally use it for my sacred music.

If you eventually find a theorbo player for the accompaniment, (s)he might find the original notation by Kapsberger much easier to read, which I have attached below. Note that the notation is rhythm-wise thinner than the edition on IMSLP (why does it interpret the 4th fret on the third course as d-sharp instead of e-flat?) and that it is ambiguous with respect to arpeggiation and leaves room for outstanding performances like this by David Taylor.

alexchoyce.com

Score follower videos can be found here: https://youtube.com/@alexchoyce1991?si=PchQwW1goStzlxsM

Id recommend looking at the score follower videos.

Thanks and God bless!
- Alex

Sorry for contributing to this thread with some delay, but I wanted to include a link to the video with my English Magnificat a5, which took some time to be finished. Many of my pieces are in styles of earlier periods, or "period composing" as Bruce Haynes called it. If it goes beyond one-time-use Gebrauchsmusik, this compositorial approach requires a specific sujet or some other justification, I think. Here are some examples:

• Missa Phrygia for SATB
  This has the weakest justification, because there are already so many mass settings in Renaissance counterpoint, but I was always fascinated by the phrygian mode and wanted to write something succinct (for use in modern services) and accessible for lay choirs with respect to difficulty and voice ranges. And the result is, IMO, very beautiful as can be heard in this recording of the Agnus Dei (ca. 1:30 min).
• English Magnificat for SMATB
  A setting that applies the style of the early baroque (Schütz, Monteverdi) in an idiomatic way to a modern English translation of the Magnificat. I have made a video that explains this setting in detail, in which the music starts at min 6:22 (ca. 4:30 min).
• Mass in E-Major for SAB & organ
  A mass setting in the style of Viennese Classicism, but for only three part choir and with a simple organ accompaniment instead of an orchestra. It thus fills a gap in the repertory.

Due to the chosen styles, the above pieces in some way look backwards. Unlike some other forum members, however, I appreciate that, throughout the history, musicians always wrote new church music in their contemporary popular style, albeit with varying success. I therefore also write some sacred music that looks forward and explores today's popular style and enhances it with traditional elements like counterpoint or word painting. Here are two examples:

• Justorum Animae for SATB & accompaniment
  I consider this my most beautiful piece so far. It combines different styles according to the meaning of the text, with renaissance counterpoint representing heaven (what else? ;-). I have even made an a capella version in Latin for traditionally oriented choirs. Here is a recording of the original version in my favorite language (ca. 2:30 min) sung by myself and my daughter.
• Pentecostal Motet for SAT & accompaniment
  The text was written by a friend, a catholic priest, specifically for the purpose that I set it to music. Here is a video explaining the music and presenting a recording (5:00 min, the music starts at min 3:12) sung by our family.