The Hymnal Industrial Complex
  • trentonjconn
    Posts: 671
    Well, there's the discouraging of drums and the like in TLS...
  • matthewjmatthewj
    Posts: 2,651
    Yeah, but we have got to make it the propers and the Latin ordinary as it was in Phoenix with Matthew Meloche and Bishop Olmsted.


    It was a lot of fun while it lasted.
  • Kathy
    Posts: 5,488
    Yeah, but we have got to make it the propers and the Latin ordinary as it was in Phoenix with Matthew Meloche and Bishop Olmsted.


    It was a lot of fun while it lasted.


    As the song says, for one brief shining moment...

    Thanked by 1CHGiffen
  • Kathy
    Posts: 5,488
    and to my great surprise--You Satisfy the Hungry Heart!


    I've never really thought about it before, but there really isn't much in that song that couldn't just as well be sung by any Christian. Certainly the refrain is suitable for any Christian congregation. Not until verses 3 and 4 is there anything strikingly reflective of Catholic Eucharistic theology--and who listens to verses 3 and 4?
    Thanked by 1CHGiffen
  • ServiamScores
    Posts: 2,986
    there's the discouraging of drums and the like in TLS...

    The exact quote is:
    19. The employment of the piano is forbidden in church, as is also that of noisy or frivolous instruments such as drums, cymbals, bells and the like.

    Make of that what you will.

    (And I’ll politely suggest no one bother making the token “it was a dead letter and doesn’t really apply” argument since it is quoted by the council and treated as an authority. The original draft of SC quoted it thirty four times, according to one article I found. It is also quoted by other encyclicals and Musicam Sacram, and it is quoted by GIRM. It was even re-promulgated by JPII on its centenary… so it sure seems to me that its principles warrant careful study.)
  • MatthewRoth
    Posts: 2,599
    Really? I'm not aware of any church documents discouraging the use of a festive Gospel Acclamation when appropriate.


    See I knew that someone would say this. I don’t actually understand your defensive response. Why is the Gregorian melody handed to us by the church insufficient?

    @ServiamScores indeed. I even like baroque chamber orchestra with timpani. However replacing the Gregorian propers with such is a non-starter given TLS’s principles. (Everyone just please reread Dr. Mahrt.)
  • ServiamScores
    Posts: 2,986
    The fact is, it’s a tough pill to swallow. I’ll admit it as readily as the next guy. If Pius X is to be believed (he is), then there are uncomfortable implications. Big mass settings by some of the “greats” are really an abuse. Certainly those in an operatic vein are (as was explicitly called out by Pius X). They are beautiful, and indeed high art, but the uncomfortable reality is they may well be better suited to the concert hall than the liturgy. I hate saying that, because they are glorious. But it’s a question of coming to terms with first principles, and authentic, formal magisterial teaching. Heck: in centuries past, dispensations were required to include a few special instruments for special occasions, such was the understanding that said instruments (and their commensurate playing styles) were not liturgical. This really puts to bed the idea of having whatever instrumentation we want whenever we want it, as long as there’s budget for it. These things really do warrant careful consideration.
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  • MatthewRoth
    Posts: 2,599
    I know that I’m an ICRSP guy and do defend them, but: when your diet is 95% chant, and at the seminary, they don’t even have motets sung by the men, an orchestral mass on a big feast, a brass prelude and postlude, etc. fit in. Whereas if you have very little chant, and where you systematically replace the propers with modern composed pieces, it’s all out of whack.

    Yes, of course it’s easy when you have to do the five propers because the TLM requires it. But still. I’m happy that there’s room in my diocese for at least one parish doing the NO with propers (although I don’t know how often they get to do the gradual, but it’s something that could happen there, and I’d be happy for them!)
  • CatholicZ09
    Posts: 301
    I think the problem I have with GIA and OCP resources is the use of them in Catholic parishes often comes with the assumption that can be made from any Catholic parishioner - or visitor to a Catholic parish - that “Hey, everything in this resource is suitable for Catholic liturgical worship, right? Otherwise, we wouldn’t have this in the pews, right?”

    Wrong. Unfortunately, I wonder about all the people who get the wrong idea and/or are poorly catechized by some of the “hymns” included in these resources, and there’s no real urgency on behalf of GIA or OCP to remove or alter shoddy “hymns.”

    One glaring example I use is from GIA’s repertoire. There’s a hymn called “The Strong and Gentle Voice” that our Cathedral (of all places) used for the Feast of the Baptism of the Lord. The hymn refers to the Holy Spirit as a “she.” I don’t know of any Catholic teaching that refers to any member of the Trinity as a “she.”

    Hey, you know what could eliminate all this confusion about what’s licit and illicit/actually taught by the Church? Ditching the four-hymn sandwich and using the propers!
  • MatthewRoth
    Posts: 2,599
    They claim that it’s okay because the Hebrew noun class in which the word that refers to the Spirit is classified is feminine. or maybe the same in Greek for σοφία. But I am not convinced that we can do this, like not at all convinced.
  • fcbfcb
    Posts: 347
    I don’t actually understand your defensive response.


    People tend to be defensive when attacked.
  • Kathy
    Posts: 5,488
    There's a lot of historical precedent for embellishing the Alleluia. Granted that sequences are different than large orchestration, it's kinda the same impulse I would think.
  • francis
    Posts: 10,917
    OK, just for an excersize, let's play the devils advocate.

    If you had to have mass in your basement because you're no longer allowed to have mass in a church, what is the barebones music you would include for Sundays and high Holydays? Repertoire and instrumentation or lack thereof? I will delay my personal thoughts till later.
  • trentonjconn
    Posts: 671
    .
    Thanked by 1francis
  • davido
    Posts: 1,000
    Francis, I think that is the same argument used in favor of house churches vs basilicas?

    I have a more profound and influential understanding of the creed through the music of Gounod’s St Cecilia Mass than through any other setting of those words I have heard. Is his music aliturgical because the people cannot participate? This forum would say the people can participate interiorly. Is his music aliturgical because the setting is too long? God has all the time in the world, we are the ones who are impatient. Is Gounod aliturgical because he engages the emotions? Augustine points out that all music engages the emotions.

    Is it Rome’s contention that anything beyond the Gregorian music puts us in danger of perdition?
    The music must be spartan, solemn, spare, monastic.

    Also, we seem to have no problem with organ music of great complexity and varied range. Do the first principals of Pius X only apply to vocal music?
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  • MatthewRoth
    Posts: 2,599
    People tend to be defensive when attacked.


    But it wasn’t an attack, not a personal one at any rate. It was about the principle of “what are we doing here?”, and the reply just hand-waves away the papal and conciliar teaching on the matter.

    Look, people can say that this is in bad faith, but there are days where on this forum, I wonder to just what exactly Dr Mahrt consecrated his life. And then I go to Mass and Vespers, sung fully in chant, in a parish that shouldn’t exist as it does, where the people relish the opportunity to sing the prayer and music which is their patrimony, their birthright as sons of the freedwoman, and I realize that it is worth it.
  • francis
    Posts: 10,917
    @trentonjconn

    I see your “point”, but could you elaborate a little bit more?
    Thanked by 1trentonjconn
  • fcbfcb
    Posts: 347
    But it wasn’t an attack, not a personal one at any rate.


    I don't know, having one of my compositions singled out as an example of musical malpractice could seem personal. Of course, person and work are not identical (except in the case of our Lord), but feeling attacked does not always observe such niceties. And shouldn't a composer be allowed to defend his work without being accused of being "defensive" (which is a term with a pretty negative valence)?
  • MatthewRoth
    Posts: 2,599
    It could seem that way, but I would rather be clear as to the piece that I mean, since it is ubiquitous and is done both more simply and more embellished such that it is representative of the style of which the principles are in question. I know, its ubiquity probably means that specifying the composer (and note, I did not tag him; that would have been rude, and if someone “snitched”, well, that’s not nice to me or to other contributors) was not necessary, but I think that being precise as to which composition I mean and exactly how it is performed is the way to make this about principles and not the man or anyone in particular. I have nothing against Fr. Chepponis or you for that matter, despite disagreements in principle!

    But that’s just it. The documents (and referring to them seems to be a dead end) really don’t leave any room for this embellishment and the wholesale replacement of the propers. I love festive embellishment on the front and back ends of the sacred rites. But the in-between requires a certain sobriety, even if you admit, as do I, that the chamber-sized masses in particular still have their place. (I love nothing more for ordinations with the ICRSP than a baroque mass sung alongside the propers sung in the classical Solesmes style!) Perhaps we can exclude those compositions, but the fact is that they don’t exclude the proper, whereas composed Alleluias do, and the embellishment of those makes that replacement even more like one is cheating the people.
  • a_f_hawkins
    Posts: 3,516
    NB I do not want to provoke a discussion on the merits/demerits of the NO.
    There is a particular problem with the ancient propers and the 'chants between the readings' in the NO. Traditionally these were reflective pieces, meditations almost, on the readings, but now the 'Alleluia' has become the 'Gospel Acclamation', a totally different conception; the only element of the liturgy which must be sung - It is suggested in the Introduction to the Lectionary that it should always be sung, and if it cannot be sung it should be omitted. That is a major reason for the ubiquity of the mode 6 triple alleluia, anybody and everybody can sing it.
    That means that instructions on music prior to the NO no longer apply in every detail.
  • Liam
    Posts: 5,195
    AFH

    Also the fact that the Sanctus in the NO is normally/normatively to be participated in by priest and congregation - this is due to a shift in conception about the Sanctus (including the Benedictus) as an eschatological prolepsis, as it were:

    GIRM 78(b): The acclamation, by which the whole congregation, joining with the heavenly powers, sings the Sanctus (Holy, Holy, Holy). This acclamation, which constitutes part of the Eucharistic Prayer itself, is pronounced by all the people with the Priest.

    Thanked by 1CHGiffen
  • StimsonInRehabStimsonInRehab
    Posts: 1,932
    OK, just for an excersize . . .


    Sorry to go off on a super petty tangent [what else is new], but is there is a particular reason why you spell 'exercise' this way, Francis? I've noticed you've spelled it that way elsewhere on the forum. Is it for aesthetic purposes, or something else? Just curious.
  • NB I do not want to provoke a discussion on the merits/demerits of the NO.
    There is a particular problem with the ancient propers and the 'chants between the readings' in the NO. Traditionally these were reflective pieces, meditations almost, on the readings, but now the 'Alleluia' has become the 'Gospel Acclamation', a totally different conception; the only element of the liturgy which must be sung - It is suggested in the Introduction to the Lectionary that it should always be sung, and if it cannot be sung it should be omitted. That is a major reason for the ubiquity of the mode 6 triple alleluia, anybody and everybody can sing it.
    That means that instructions on music prior to the NO no longer apply in every detail.


    It seems to me that the current Entrance Antiphons and Communion Antiphons in the Roman Missal, and the antiphons in the Graduale Romanum (where they differ) rarely match the readings in the Novus Ordo Mass, at least for most Sundays in Ordinary Time.

    Option 4 in the GIRM for selecting an entrance chant states:
    (4) another liturgical chant that is suited to the sacred action, the day, or the time of year


    Paradoxically, many of antiphons currently in the NO would fail this criterion for how their text relates to the rest of that day's liturgy.

    So it seems to me that the texts of the Vatican II documents and the GIRM anticipate composers writing new songs that will have texts that correspond to the Novus Ordo.
  • MatthewRoth
    Posts: 2,599
    It seems to me that the current Entrance Antiphons and Communion Antiphons in the Roman Missal, and the antiphons in the Graduale Romanum (where they differ) rarely match the readings in the Novus Ordo Mass, at least for most Sundays in Ordinary Time.


    One of the worst mistakes was not keeping the missal antiphons the same. They rarely line up.
  • Paradoxically, many of antiphons currently in the NO would fail this criterion for how their text relates to the rest of that day's liturgy.

    So it seems to me that the texts of the Vatican II documents and the GIRM anticipate composers writing new songs that will have texts that correspond to the Novus Ordo.


    To add to this, my hot take is that for this reason, GIRM option #4 is the best option to choose for most of the Sundays of Ordinary Time, and for some of the other Sundays as well. And that we should be expecting our Catholic publishers to make liturgical music based on this option for the Novus Ordo.
  • trentonjconn
    Posts: 671
    What it comes down to is whether we want to submit ourselves to the texts that have been handed down to us and trust Holy Mother Church (option 1) or supplant said texts with something we subjectively as individuals believe to be superior (option 4). I know which one I feel most confident doing...
  • What it comes down to is whether we want to submit ourselves to the texts that have been handed down to us and trust Holy Mother Church (option 1) or supplant said texts with something we subjectively as individuals believe to be superior (option 4). I know which one I feel most confident doing...


    This is an internally contradictory statement. Both options are given to us by the Church. The church asks us to exercise discernment in evaluating which of these options is the best.

    I am not aware of any guidance from the church in any document that this is a *ranked* list of priorities.

    You will sometimes see documents say something like "for pastoral reasons, [thing y] can be done instead of [preferred thing x]." This language does not appear here in the GIRM.

    submit ourselves to the texts that have been handed down to us and trust Holy Mother Church (option 1)


    I think the Church intends for us to use our reason to discern which texts the Church has taken great care to hand down to us for liturgies they've taken great care to match the texts to, and which texts are there for more trivial reasons. For many of the Sundays of Ordinary Time, you can't argue with a straight face that the Church took great care for that text to be associated with that liturgy.

    To my best understanding, for most of the Sundays of Ordinary Time option 1 exists to allow the chants from the Graduale Romanum from before Vatican II to still be used despite the fact that they no longer match the rest of the liturgy.
  • ServiamScores
    Posts: 2,986
    The GIRM is quite plain that option one is to sing from the GR. This would very self-evidently include ordinary time.
  • trentonjconn
    Posts: 671
    I am not aware of any guidance from the church in any document that this is a *ranked* list of priorities.


    Is a numbering system by which something is option number one and something else is option number four not a ranking system?

    I would trust the most "trivial" choices of text for a given Sunday, passed down through the centuries, over my own subjective choice 100% of the time.
  • francis
    Posts: 10,917
    Wow… and, super wow.
  • Diapason84
    Posts: 94
    .
  • I would trust the most "trivial" choices of text for a given Sunday, passed down through the centuries, over my own subjective choice 100% of the time.


    I'm only referring to what's been handed down since 1969. My comments aren't intended to apply to anyone working in a TLM setting. In Paul VI's missal, the texts of the pre-Vatican II Graduale Romanum generally speaking no longer match the lectionary. There are some additional options for antiphons that were added in the Novus Ordo, but these were only intended to be spoken when the antiphon from the Graduale Romanum was not sung.
  • The GIRM is quite plain that option one is to sing from the GR. This would very self-evidently include ordinary time.


    Option 1 can mean "preferred option" or it can mean "first in numerical order." Absent further instruction from Rome, the latter is the narrower and plainer reading of the text.

    The USA does not even have the same list of options as the GIRM in other countries, as the USCCB had option 3 added, which is to sing the antiphon in the Roman Missal, when it does not match the Graduale.
  • MarkB
    Posts: 1,110
    The instructions in the GIRM regarding music also need to be understood and applied in reference to the Church's other instructions and norms about liturgical music. For example, the Church has consistently taught that Gregorian chant is to be given the *first* place because it is specially suited to the Roman liturgy.

    When that norm about Gregorian chant is applied to choosing from among the four options for music at the entrance in the GIRM, it seems evident that the GIRM's ordering is a ranking of preference or suitability for music at that moment. Yes, option four -- another suitable song -- may be exercised, but it is the least preferred and least suitable among the four options.

    Elsewhere in the Roman Missal, when options are given, they are arranged in order of preference. Does anyone believe it is a mere matter of indifference whether in the penitential act the first form (the Confiteor) is chosen over the third form?

    Does anyone believe it is a mere matter of indifference whether Eucharistic Prayer 1 is chosen over EP 2?

    The reformed Mass provides options to suit a variety of pastoral circumstances. That does not mean selecting from among the options is a matter of indifference.

  • Richard MixRichard Mix
    Posts: 2,848
    Is someone trying to make me feel bad about using the Kyriale's option XVII?

    It's not so obvious which way the order of preference ought to go, if there indeed is one. Couldn't number 1 have been the 'pastoral' option to keep on using what musicians at the time were already used to, and no. 4 the expression of a wish for composers to start filling a gap as soon as practical?
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  • That does not mean selecting from among the options is a matter of indifference.

    I agree.

    I think there are very good reasons to prefer option 4 of the GIRM in hymn selection on Sundays where the antiphon text is unrelated to the reformed lectionary.

    Does anyone believe it is a mere matter of indifference whether Eucharistic Prayer 1 is chosen over EP 2?

    Eucharistic Prayer II should be its own special case. I believe the GIRM says that EPII should only be used for daily Masses unless there is a serious reason that the Mass needs to be shortened.

    Eucharistic Prayer III would be a better comparison. Can a priest justifiably choose EPIII on a Sunday for a good reason (not just "for pastoral reasons we have to make the Mass shorter")? I would presume so?

    Does anyone believe it is a mere matter of indifference whether

    Whether we choose Memorial Acclamation A, B, or C? As far as I am aware those are equally valid options.

    I just don't think there's clear evidence that numbered order means ranked preference.

    I additionally find that impossible to square with the reality that in every country with the Roman rite, 99%+ parishes use option 4 most of the time. Neither the Vatican or any national bishop's conference appears to object to this. My impression is that the people who are advocating that this *is* a ranked preference are ones expressing a minority opinion.

    Thought experiment: if a dubia were submitted to Rome on this issue, what do you think the outcome would be? If anyone actually wants to do this, I'd be happy to put a friendly wager on the outcome.
    Thanked by 1francis
  • smvanroodesmvanroode
    Posts: 1,018
    The options in the Roman Missal
    The fact that options are listed in a certain sequence, doesn’t necessarily mean that they are ordered according to preference. Indeed, other Church documents could tell if it is a ranking of preference. For example, the order of EP’s doesn’t make EP II more important than EP III.
    Sometimes the options are of equal value, at other times they are ranked according to preference.

    Choosing chants
    Paradoxically, many of antiphons currently in the NO would fail this criterion for how their text relates to the rest of that day's liturgy.

    Neither in the former Roman Missal of 1962! There is a tendency to harmonize the readings, prayers and chants and look for themes that match them all, but it doesn’t work that way. Each proper has a value of its own; they are not attuned to each other, but they are instead suited for their respective place in the liturgy. The entrance chants of Ordinary Time from the Graduale Romanum for example have for the most part been selected from the Psalms in successive order, but not at random; the selections fit the function as the opening text of the Mass. They generally fall in one of these three categories:

    Deus, adiutorium meum intende
    Venite, adoremus
    Introibo ad altare Dei

    That’s why you can, during Ordinary Time, choose any chant of the tempus per annum from the Graduale; you’re not bound to the ones assigned to the Sunday in question.

  • Liam
    Posts: 5,195
    " another liturgical chant that is suited to the sacred action, the day, or the time of year" does not include any gloss that "suited" means "related to the principal lections of the day". That's entirely a personal gloss without a firm foundation in the instruction itself. The Church itself providing the Gradual and Missal antiphon propers in its approved ritual books means they are also "suited" - by definition.

    I am not a promoter of *exclusive* use of the propers, but that gloss - one is very common on the ground in practice - represents an unnecessary impoverishment compared what the Church has instructed. The propers of Ordinary Time may, at first blush, seem untethered to the principal lections, but I have experienced the propers as counterpoint that can illuminate. The default exclusion of them is not justified by the instruction.
  • trentonjconn
    Posts: 671
    There is a tendency to harmonize the readings, prayers and chants and look for themes that match them all, but it doesn’t work that way. Each proper has a value of its own; they are not attuned to each other, but they are instead suited for their respective place in the liturgy


    Bingo.

    I additionally find that impossible to square with the reality that in every country with the Roman rite, 99%+ parishes use option 4 most of the time


    This is largely out of ignorance, in my experience, as opposed to knowing fully about all four options and choosing the last. Many, many, many (most?) parish musicians (let alone the clergy) in the U.S. have absolutely zero familiarity with the GIRM and the rubrics of the Mass.
  • Kathy
    Posts: 5,488
    Each proper has a value of its own; they are not attuned to each other, but they are instead suited for their respective place in the liturgy.


    Always excepting Lent I.
  • MatthewRoth
    Posts: 2,599
    Also, the church chooses the propers but not the other suitable chants.

    The preferences have to be read in light of the council! I don’t even care for the reformed liturgy but err…

    The memorial acclamation can be chosen per the gradual, so that leaves you with A.

    There are matters of doctrine where 99% of the faithful including prelates and the Apostolic See’s worker bees contradict the teaching to be held definitively. The most obvious case deals with baptism as Thomas Pink wrote about around ten years ago now for the Josias.
    He coined the term official theology for that. Something similar applies to liturgical practice.
  • GambaGamba
    Posts: 568
    To my best understanding, for most of the Sundays of Ordinary Time option 1 exists to allow the chants from the Graduale Romanum from before Vatican II to still be used despite the fact that they no longer match the rest of the liturgy.


    Contemporaryworship92–

    I think you may be referencing the 1908 Graduale for the old Mass. After the council, a new arrangement of the chants was devised and is listed in the Ordo Cantus Missae, which is just a list of what chant goes where when. The postconciliar Graduale came out in 1974, with the old chants reordered to agree with the new calendar and lectionary. The often-used Gregorian Missal and the Graduale Novum also follow the same ordering, so you will sometimes hear different Gregorian chants on the same Sunday depending if it’s year A, B, C.
    Thanked by 1ServiamScores
  • francis
    Posts: 10,917
    Straining a Gnat and Swallowing a Camel
    At what point do you draw the line when there are so many options that the options completely negate ALL the rules, and ultimately the very heart of the liturgy?

    Metaphor
    Religion is the face of the church.
    To what degree are you “allowed to do plastic surgery by personal preference” before you have distorted the face and it is now unrecognizable?

    The Purpose of a Council
    The church, in all her Councils (except one) has always made things clearer, destroyed heresy, and crystallized doctrine. It is always about defining and clarifying. Modernism, on the other hand writes the rules that attempts to unwrite all the rules that preceded it.

    Could this be why the Novus Ordo will never find a firm footing? The tenets on which it is constructed seems to enforce the “law of flexibility and constant change.” And this is left to each individual and his own whims, whether he be pope, prelate or PIP.
  • smvanroodesmvanroode
    Posts: 1,018
    Could this be why the Novus Ordo will never find a firm footing?


    I don’t intend to open Pandora’s box here, but: are we living in the same world? The current Roman Missal is the de facto standard all across the Roman Catholic world. Desire shouldn’t be confused with reality…
    Thanked by 1hilluminar
  • kevinfkevinf
    Posts: 1,194
    Contemporaryworship92-

    I find your arguments internally consistent if I assent to the following principles:

    Things are not as they seem. If 1 is not higher than 4, then why do we count at all.
    The introduction of option 4 is a new concept in the construction of what music to use. You seem to say that the Council has paved the way for new compositions by this statement. I could see that. However, I do not know the mind of the Council on this question and I suspect you do not either.

    Do you wish to wipe all of the history of liturgical music away by suggesting that option 1 is no longer the highest choice? I will agree that 90% of the Church would agree with you in practice but not in principle. But even if most of the people assent to a particular idea, that does not make it right. In that way you are consistent.

    So, you are suggesting a "hermeneutic of disruption" in these ideas. If so, you would be considered a modernist and you would find yourself contra the tradition of the Church. Again, internally you are consistent but you have stepped outside the boundaries of tradition. As long as we agree on that, I am okay.

    I can assume the following principles of your thinking: Things are not as they seem. You might feel that way if you subscribe to modernist gender theory or forms of philosophy ( deconstructionism).

    Who needs tradition? Apparently you think the Church is no longer in need of it because new compositions must appear to take the place of the old. Who needs chant. Its just old music that no longer serves a purpose. Sounds like my friends in the P and W camp.

    This idea of harmonzing the readings, readings and music: Smells like something David Haas would say,i.e, a novelty not rooted in tradition. My God man, pick up the old graduales or even the 1974. Really?

    So, I award you the most perplexing and modernist posting award this year. Congratulations on twisting most everything into something it is not. Derrida would be proud of you. I really salute you. It takes a lot of courage to say all that in this forum.
    Thanked by 1MatthewRoth
  • ServiamScores
    Posts: 2,986
    The current Roman Missal is the de facto standard all across the Roman Catholic world.
    Don't confuse ubiquity with security. In my experience, the expressions of the novus ordo missæ are as varied as stars in the sky. It's more like a drunkard walking on the beach, than an athlete on a paved track.

    There's a lot going on in this thread, but a few thoughts:
    The instructions in the GIRM regarding music also need to be understood and applied in reference to the Church's other instructions and norms about liturgical music. For example, the Church has consistently taught that Gregorian chant is to be given the *first* place because it is specially suited to the Roman liturgy.

    When that norm about Gregorian chant is applied to choosing from among the four options for music at the entrance in the GIRM, it seems evident that the GIRM's ordering is a ranking of preference or suitability for music at that moment. Yes, option four -- another suitable song -- may be exercised, but it is the least preferred and least suitable among the four options.

    This is very important. Whatever you may want to claim about hierarchical preference elsewhere, if the "hermeneutic of continuity" is to be believed and honored, and the VERY CLEAR teaching of Sacrosanctum Concilium is to be followed, then there is simply no getting around the fact that chanting from the GR is the preferred option here. And if that cannot be done, then the next best thing is the Simplex, which was specifically formulated for those who had difficulty achieving the ideal of using the GR for everything. There is just no getting around it. Latin chant is to receive the "principem locum" (first place). And, coincidently, it is listed as the first option in the GIRM.

    I additionally find that impossible to square with the reality that in every country with the Roman rite, 99%+ parishes use option 4 most of the time.
    There is a ton of institutional momentum that has amassed in the wake of the post-conciliar abuses. No one of sane mind would honestly argue that "what we got" is "what they asked for". A very plain reading of Sacrosanctum Concilium euthanizes that canard immediately. Then you also have to remember this is the pre-internet era, so the only music you can do is that which you can get your hands on. When the large hymnal publishers pushed an alternate agenda, it became firmly ensconced. This is in no wise an endorsement of the practice, mind. Communion in the hand is normative now, but it began as abuse and was only permitted via indult to prevent schism, then it spread like a disease, and here we are. We also have to remember that there was an absolute implosion of vocations, and as a result, catholic education, in the wake of the council. (Make of that what you will.) This has caused 2-3 generations to be raised without proper education of latin or authentic liturgical praxis. At this point, most people have no idea that there's anything amiss, because they've only experienced a deformed version of Mass, broadly speaking.

    [The state of affairs] is largely out of ignorance, in my experience, as opposed to knowing fully about all four options and choosing the last. Many, many, many (most?) parish musicians (let alone the clergy) in the U.S. have absolutely zero familiarity with the GIRM and the rubrics of the Mass.
    Bingo. How many churches do not have properly trained musicians or rely on volunteers? (most of them) Of the trained musicians, how many have extensive theological or liturgical training? (very few)

    I'm only referring to what's been handed down since 1969.
    SC was careful to specify that Latin & chant were to be preserved in the Roman rite. They are to be normative. The fact that alternate antiphons which can be spoken when no music is provided exists, in no way negates the usage of the former antiphons which are perfectly serviceable in the new rite. As alluded to earlier, the Gregorian Missal arranges them in official fashion for the new calendar, for instance.
  • MatthewRoth
    Posts: 2,599
    I don’t intend to open Pandora’s box here, but: are we living in the same world? The current Roman Missal is the de facto standard all across the Roman Catholic world. Desire shouldn’t be confused with reality…


    Emphasis on firm footing. Where everything changes before another group within the same department of the Curia finishes their work. And so on.

    We are not living in the same world however, because your ideal NO doesn’t exist outside of a handful of places where it can all legitimately be overturned tomorrow, and doesn’t even exist on paper (there is no typica of the Latin lectionary!) because of the above.
  • MatthewRoth
    Posts: 2,599
    @ServiamScores you make a lot of sound points as usual. But this one came up this morning.
    Communion in the hand is normative now, but it began as abuse and was only permitted via indult to prevent schism, then it spread like a disease, and here we are


    My pastor was received in a church that never dropped the communion plate, despite not even Bugnini abolishing it as a requirement.

    Like Cardinal Burke, we also make copious reference to the new CCC and to VII. I could live without either but as far as first principles go, hammering on with reference to conciliar teaching and the fruits seen as such by the compilers (the 1983 CIC, the CCC) is important. We are not the problem.
  • francis
    Posts: 10,917
    I don’t intend to open Pandora’s box here

    You did not open Pandora’s box. It was opened in the last century.
    are we living in the same world?

    I believe there are presently the facsimile of two worlds. Many of us straddle both. Some remain only in one, and some remain only in the other.

    The “Traditional Magisterium” of the Roman Catholic Church is as God is as He says; unchanging. He is the truth, which is the same yesterday, today and forever. He came and established his church on “the rock” if you will.

    I believe we we are living in two spheres that are conjoined. One sphere is the “real” sphere. It is the one that is truly rooted in reality. The other sphere is that which is passing in front of the sun. Almost all Catholics are living in the sphere of a shadow of the eclipse of the Church. They cannot see the “real” world, the one that is unchanging and eternal.

    Think of it this way. Imagine conjoined twins. They have two heads, but only one body. They have two completely independent ways of thinking and believing. And yet they share the same heart.

    This is our predicament. And now the struggle continues to unfold… and we are all swept along in it’s great mighty wave. Isn’t this entire thread proof of this very point? Chaos, confusion, disorientation, revolution.
    The current Roman Missal is the de facto standard all across the Roman Catholic world.

    And which of the two particular Roman Missals is that? The new one or the old one?
  • MarkB
    Posts: 1,110
    2002 Missale Romanum, Editio Typica Tertia Emendata (2008)

    That is the officially promulgated standard and liturgical norm for the Roman Church right now.
    Thanked by 1a_f_hawkins