Meanwhile, Generalissimo Francisco Franco
1976-1980: The most important musical event of the Carter administration was the inauguration of the first PBS series of five hour-long programs broadcast nationally and throughout Europe from the East Room. Initiated by President and Mrs. Carter in 1978, the first series comprised Vladimir Horowitz, Leontyne Price, Mikhail Baryshnikov with Patricia McBride, Mstislav Rostropovich and Andres Segovia.
1989-1992: President and Mrs. George Bush arranged for a variety of performers to appear in the East Room after state dinners, including singer Maureen McGovern and Harry Connick, Jr., cellist Mstislav Rostropovic, violinists Itzhak Perlman and Isaac Stern, and the Harlem Boys Choir.
me and my fellow monarchists
And to the point about the Ordinariate: I'm not buying it, not with the lectionary being the new one, which has virtually no relationship to the old, an express violation of the conciliar mandate nevertheless ratified by the church.
30. To promote active participation, the people should be encouraged to take part by means of acclamations, responses, psalmody, antiphons, and songs, as well as by actions, gestures, and bodily attitudes. And at the proper times all should observe a reverent silence.
Independent of all that, however, vernacular languages are in the state of development, which means that a new version of the text of Mass must be produced every few years, and those who don't like the produced Mass text (which is out of date before it makes it to publication) will merely edit it on their own.
The action we are called to is to raise our hearts and minds to God.
perhaps a poor choice of words or assessment of the situation thereofburied in their rosaries oblivious to what was actually happening around them
, though it was customary in England, and required of us as servers in the 1950s. This changed with the 1962 Missal, which does lay it down :The rubrics of the missal say that the Sanctus bell should be rung at the Sanctus and at each elevation.^ There is no authority in the missal for ringing at the prayer Hanc igitur, or at Domine non sum dignus^
But why did people need this? Surely to alert them to the approach of the consecration because up to then they had not been paying any attention to the progress of the Mass.Minister paulo ante Consecrationem campanulas signo fideles moneat.
with parishioners buried in their rosaries oblivious to what was actually happening around them
because up to then they had not been paying any attention to the progress of the Mass.
I hope you were at least praying a rosary joining your prayers to that of the priest.I, with scores of other men, have spent Mass standing in the forecourt, with no sound or sight of proceedings, the only clue when those who could see through the open doors knelt at the consecration.
Kinda judge-y, no?
one might note that the west's rood screens (which are topped by a rood) and choir screens (which aren't) have their origin in the east's iconostasis, behind which was the sanctuary and altar, which the people never entered and where the consecration took place completely out of sight. The people? They stood around in reverence or went about doing reverence to icons. This was first imported to the West as an actual wall which evolved into a pierced screen to which a rood was later added. A look at some of the English cathedrals will illustrate that many of there choir screens were quite heavy and thick and high walls, often with the organ placed atop them (as, for instance, seen at King's or Westminster Abbey, These were quite substantial, and in Sarum usage four choir boys would intone 'Alleluia' from the rood loft.
I've much appreciated the intellectual tone of this forum's rubrical and musical discussions, and I strive not to be the first one to exhume Confederates or Phalangists, but sheesh, talk about floodgates …
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