I thought something looked Masonic... just couldn’t put my finger on it. Thank you Dr. K.The Altar
The location of the altar in the center of the room, the placement and type of presiders’ chairs, the dark torches on the ground punctuating the corners, the square mensa, and the all-seeing eye below the altar table at once bring us to a blood-curdling full stop. Can it be by accident that the altar at Christ Cathedral is a carbon copy of the altar of Freemasonry? Do we have a “reasonable hope” for denial? Even a cursory look at a Masonic altar makes the visual and symbolic link inescapable.
If one ignores the superior craftsmanship and style of the following Masonic temple, one can see the exact parallel in the disposition of the chairs — the tall chair in the center flanked by lower seating on either side — and then the square altar with the freestanding candles. (There is of course a fourth candle in the church, for it would have looked too strange to retain the asymmetry of three.)
Unfortunately, he does not share any of his knowledge that leads him to his strong opinions; any attempted answers to the (very valid) questions remain 100% speculative. As he puts it himself:"My goal in this article is [...] to delve into aspects of the cathedral that raise serious questions about the vision that stands behind it."
We cannot conclude with certainty that what I am about to cover is fully intentional on the part of Christ Cathedral’s designers, regardless of anyone’s pointed assumptions.
are you kidding me??!!although I don't buy the claims that Freemasonry is some powerful evil force either; it's just a heretical ideology like any other
They are already judged; their ends, their means, their doctrines, and their action, are all known with indisputable certainty. Possessed by the spirit of Satan, whose instrument they are, they burn like him with a deadly and implacable hatred of Jesus Christ and of His work; and they endeavor by every means to overthrow and fetter it.
Pope Leo xiiiMany times have We sounded the alarm, to give warning of the danger; but We do not therefore think that We have done enough. In face of the continued and fiercer assaults that are made, We hear the voice of duty calling upon Us more powerfully than before to speak to you again.
The government-mandated bright green Exit signs seem to be written as imperatives rather than nominatives!
We have better things to do than worry about the monsters under the bed.
2) I don't know where you're writing from, but Freemasonry isn't dead. There's a retirement home for Masons within walking distance of my house.
Or did Peter actually go there at all? He doesn't say he did. Maybe all these judgments are based on press photographs.
A Catholic cathedral ought to be unambiguously Catholic and replete with obvious and rich Christian symbolism, not subject in any way whatsoever to suspicions of occult or Masonic influences.
The Permanent Instruction of the Alta Vendita
by John Vennari
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The secret Masonic plan for destroying the Catholic Church, which Plus IX and Leo XIII asked to be published. The plan basically calls for promoting Liberalism in the Church so that Catholic leaders will foster liberal ideas to their flocks. (5-1.50... More
Before reading this book or deeming it conspiratorial, every faithful Catholic must heed St. Thomas Aquinas's advise: "Do not heed by whom a thing is said, but rather what is said" (De Modo Studendi). Taking that approach, you will realize that John Vennari is not pushing his own agenda; he quotes both Popes Pius IX and Leo XIII, who asked that the Mason's "Permanant Instruction" be published, the important parts of which Vennari quotes in this pamphlet. After having studied this pamphlet, good further reading is Freemasonry Unmasked by Msgr. Dillon, a book that Pope Leo XIII highly praised.
Remember, this is a real issue because Christ speaks through papal encyclicals ( Humani Generis §20: "He who heareth you, heareth me" [Lk. 10:16]), and there have been many papal encyclicals and constitutions condemning Freemasonry, including:
* Clement XII, Constitution "In Eminenti", 28 April, 1738;
* Benedict XIV, "Providas", 18 May, 1751;
* Pius VII, "Ecclesiam", 13 September, 1821;
* Leo XII, "Quo graviora", 13 March, 1825;
* Pius VIII, Encyclical "Traditi", 21 May, 1829;
* Gregory XVI, "Mirari", 15 August, 1832;
* Pius IX, Encyclical "Qui pluribus", 9 November, 1846;
* Pius IX, Allocution "Quibus quantisque malis", 20 April, 1849;
* Pius IX, Encyclical "Quanta cura", 8 December, 1864;
* Pius IX, Allocution "Multiplices inter", 25 September, 1865;
* Pius IX, Constitution "Apostolicæ Sedis", 12 October, 1869;
* Pius IX, Encyclical "Etsi multa", 21 November, 1873;
* Leo XIII, Encyclical "Humanum genus", 20 April, 1884;
* Leo XIII, "Præclara", 20 June, 1894;
* Leo XIII, "Annum ingressi", 18 March, 1902 (against Italian Freemasonry);
* Leo XIII, Encyclical "Etsí nos", 15 February, 1882;
* Leo XIII, "Ab Apostolici", 15 October, 1890. (less)
That's what came to my mind (and didn't go away) while reading dr. Kwasniewki's article.one should not ascribe to evil what can be ascribed to incompetence or stupidity
hmmm... don't know where you came up with this... but sounds like something Satan himself would like us all to believe. I mean, let's review what the good ole Jesuit just put forward...one should not ascribe to evil what can be ascribed to incompetence or stupidity
one should not ascribe to evil what can be ascribed to incompetence or stupidity
No, Dr. Kwasniewski, the careful planning, design and execution for the repurposing of the former “Crystal Cathedral” into Christ Cathedral, had no ulterior motive other than to reflect not only the liturgical norms and directives for the shaping of a Cathedral Church in this post-conciliar period, but also, to draw upon the artistic genius of the artists of this age to capture visually something of the ineffable beauty and mystery of the Holy Ones whose lives have been transformed by the Mystery of Christ. There is no ‘counter-catechism’ here, but rather a ‘house for all God’s holy Church,’ drawing God’s people ever more deeply into the Eucharistic mystery that continues to shape our identity as a people of faith down through the ages. Perhaps the simple fact that our new Cathedral now draws some 14,000 to 15,000 faithful a week for weekend worship is a testimony to its power to inspire and edify by its beauty.
We have read with interest these comments and critics who have brought their professional backgrounds as architects, artists and liturgist to bear on their assessments of both the positive as well as perceived negative aspects of this renovation project.
It’s a trope used to relegate the Blessed Sacrament and just about every devotion into the realm of “superstition” and “fetish.” Driving the point home, the Tabernacle is fashioned at eye level, on a pillar, in the middle of a circular room, without enjoying any elevation from the main floor, and with no physical distinction or threshold between the tabernacle and ourselves.
What is clear is that a choice was made to avoid normative Christian symbolism and to make use of signs associated with other religious traditions — elements that narrate a tale as shocking and scandalous as any report covering the abuse crisis.
I'm not sure I'd call that response weak, though.The author’s overactive imagination, fueled by perhaps one too many bad Dan Brown novels, is truly an embarrassment to anyone who purports to be a serious and conscientious student of the Church’s rich liturgical, artistic and architectural patrimony.
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