So, what are you up to for Corpus Christi this year?
St Patrick's Cathedral, Parramatta: (11am Solemn Mass) O Sacrum Convivium - Tallis Panis Angelicus - Franck
St Margaret Mary's Parish: (6pm Vigil Mass) Godhead, Here in Hiding (English Plainchant) Ave Verum Corpus (Gregorian Chant)
I'm still not 100% settled on the optional sequence for Corpus Christi. Given that it is optional, I struck a deal with the Parish Priest that we would sing the short form (from "Ecce Panis Angelorum") He was most impressed that I did the Pentecost Sequence last week. It wasn't exactly easy, trying to sing and accompany yourself on the organ (my cantor was absent, sick.)
I find myself in the unusual situation where I have more suitable music for the occasion than I can fit into the liturgy:
Hymns: Let All Mortal Flesh (Picardy) See Us, Lord, About Thine Altar (Drakes Broughton) Soul of My Saviour (Anima Christi) Godhead, Here in Hiding (Adoro Te) Sing My Tongue (Pange Lingua)
Ave Verum Corpus (Gregorian Chant OR; Mozart) Panis Angelicus (Gregorian Chant OR; Franck)
Not in my hymn repertoire. "See Us Lord, About Thine Altar" is a fairly standard communion hymn in Australia. I probably wouldn't use it on the day anyway, as I have an opportunity to use so much other good music.
On a side note, I was accused by the local "Youf Choir" of being "too traditional" when I introduced that hymn to them. Yeah, 1959 is "too traditional" for them, when you consider that 90% of their repertoire comes from the 1970s.
Our tentative program for the External Solemnity on Sunday:
St. John's Cemetery Chapel, Middle Village, Queens
EF Missa Cantata Opening: O praise ye the Lord (Parry) Introit: Cibavit eos Kyrie: Mass VI, Rex Genitor Gloria: Missa Rex Genitor Gradual: Oculi omnium Alleluia: Caro mea Sequence: Lauda, Sion Offertorio: Sacerdotes Offertory: Jubilate Deo (Lassus) Sanctus: Mass VI, Rex Genitor Agnus Dei: Mass VI, Rex Genitor: Communion Antiphon (with verses): Quotiescumque Communion: O Salutaris Hostia (La Rue)
Outdoor Procession with Triple Benediction Pange lingua Adoro te devote O Jesus, we adore Thee Tantum Ergo O Salutaris Hostia (Duguet) Adoremus in Aeternum (Allegri) Closing: Holy God we praise Thy name (w/descant)
Introit: “He fed them…(Cibavit eos) Simple English Propers/ Bartlett Entrance: FESTIVAL CANTICLE: WORTHY IS CHRIST (Hillert) Opening Rites: Lord have mercy//Glory to God-Mass St. Philip Neri: Paul Jernberg Responsorial: Respond & Acclaim Gospel Accl.: Alleluia-Missa Ascensionis/Giffen* Offertory: ADORO TE DEVOTE Latin/Hopkins Eucharistic Accl.: Holy/MemAcc.:Jernberg/Amen: Giffen/ Lamb of God-: Jernberg Communion Procession: “Whoever eats My Flesh …Simple Choral Propers/Richard.Rice Communion Anthem: AVE VERUM CORPUS Charles Culbreth https://youtu.be/oacTOvXAeZQ TANTUM ERGO Kevin Allen Recessional: Organ Postlude *Pastor's decision: LAUDA SION omit
EF, Sunday, St. Sebastian, Akron OH Hymn: Draw nigh and take the body of the Lord (ALL SOULS) Mass II, Credo 1 Gregorian Propers (Psalm-toned gradual and Alleluia verses) with Lauda Sion. Offertory: O esca viatorum (HAYDN) Communion: Faure: Ave verum Corpus (first time for us; prayers are appreciated)
Prelude - Introit from Gregorian Suite, Lee Hymn - Let All Mortal Flesh Keep Silence Introit, Mode II, GR Kyrie, Mode I from Suite V, GS Gloria VIII Psalm, LCM Ecce Panis Angelorum, Mode VII Alleluia, Mode VII, GS Offertory, LCM O Taste and See - Vaughan Williams Sanctus X Agnus Dei, Mode VI from Suite V, GS Qui Manducat, GR / LCM Communion, Mode VI Ubi Caritas, Childers Exposition of the Blessed Sacrament - O Salutaris Hostia, Anerio Procession - Pange Lingua, Mode III Benediction - Tantum Ergo more hispano, Victoria Jesus My Lord, My God, My All SWEET SACRAMENT Allegro from Symphony 6 - Widor
Entrance: At That First Eucharist Psalm: Whatever is in the WLP missalette for the day Ordinary: All ICEL chant Offertory: Ave Verum Corpus - Mozart Communion Proper: Rice Communion: You Satisfy the Hungry Heart Recessional: Alleluia, Sing to Jesus (Hyfrydol) Postlude: Grand Jeu from Pieces d'Orgue du Grand Marchand - or another suitable song if I change my mind before then.
No procession. The masses are scheduled too closely together for that.
OF Mass Introit: Cibavit Eos, setting by Sigismond Ritter von Neukomm; SATB/Organ Responsorial Psalm from Respond and Acclaim Sequence: Tune ALLELUIA DULCE CARMEN, attributed to Michael Haydn (1737-1806), arranged by yours truly Offertory Motet: Come Share this Feast of Love by Lloyd Larson); SATB/Piano Communion Motet: Tantum Ergo; 1846 setting in A Flat by Anton Bruckner (SATB a cappella) Communion Chant: Qui manducat (solo cantor) Communion Motet: All Things New by Craig Courtney; SATB/Piano Recessional Hymn: Holy God, We Praise Thy Name
Saint Edward, Newark, CA Solemnity of the Most Holy Body & Blood of Christ 10:00 AM Missa Cantata Complete Gregorian proper. Mass setting: "Missa Lauda Sion" ... Palestrina Sequence: "Lauda Sion" ... Palestrina Lessons & Gospel sung, Credo I Offertory motet: "Sanctificavit Moyses" ... Palestrina Communion motet: "Caro mea vere est cibus" ... Andrea Gabrieli Retiring Procession: Salve Regina (simplex)
At the Oakland Cathedral we usually do the short version of the sequence each year, but this year (only) I have foregone it. I forgot to rehearse it with the choir in our last rehearsal last week, and even though they sing until the 11th Sunday in Ordinary Time, we don't have weekday rehearsals anymore.
I swear I didn't steal Dorlaque's program, but we too are doing Palestrina's Missa Lauda Sion (sans Credo) with Gregorian propers at Star of the Sea, SF. This will be the first polyphonic Mass ordinary in... I can't day how long (if ever) at this parish. After that, I plan to do one polyphonic Mass (proper or ordinary) per month in the coming year, at least at the Latin Mass.
incantu, I didn't realize you'd taken on Star of the Sea, congratulations and best wishes to you and the whole pastoral staff. If I can take a busman's holiday, can I come sing in the schola during the summer? Charles in CenCA
Well, the Mexican/English choir has been working on O Salutaris Hostia (LaRue) for almost two months. We began with about 10 SAT. The lack of experience is such that the altos and tenors can only follow with me singing one part or another; an exception are the sopranos which my daughter can lead just fine. So, come Sunday, the communion hymn will be sung with 2 soprano and 4 alto. I won't say it will be good and I won't say it will be a failure. It will be what it is, and its times like this where I count a lot upon God's mercy and understanding for the effort....
OK, don't laugh...I'm doing the best I can with what I've got:
St. Mary, Tampa, FL
Prelude: "Schumüke dich, o liebe Seele" (Brahms) Entrance: "Gift of Finest Wheat" (I know, weird as an Entrance Hymn, but to me it seemed to best capture the proper Introit given the resources available) Kyrie/Gloria: Mass of Wisdom (Janco) Responsorial Psalm: Respond & Acclaim (Alstott) Sequence: short form ("Ecce panis angelorum") Alleluia: Mass of Wisdom Offertory Hymn Sat. & 7:30 Sun. (cantor/organ only): "Eat This Bread" Offertory Motet 9:00 & 12:00 (Children's & Youth Choirs): "Ave verum" (Mawby) Offertory Motet at 10:30 (Adult Choir): "Panis Angelicus" (Franck) Sanctus/Mysterium/Amen: Mass of Wisdom The Lord's Prayer: chant (Snow) Agnus Dei: Mass of Wisdom Communion: "I Am the Bread of Life" Recessional: "Alleluia, Sing to Jesus" Postlude: "Postlude in C" (Kern)
Processional: At That First Eucharist Kyrie: Gregorian chant Psalm: Bower- the cup of salvation Alleluia: Duncan Preparation: Panis Angelicus-Franck Community Mass parts Communion: I Am the Bread of Life Recessional: Sing Praise to the Lord
EF Pontifical Mass at the Throne Hymn at the Entrance Procession: "Alleluia! Sing to Jesus" (Hyfrydol) Full Gregorian Propers [PDF] & communion verses [PDF] Ordinary: Mass in C Major ("Student Mass"), Lotti [PDF]; Credo III Motet at Offertory: Adoro te devote, Garau [PDF] Hymn at Offertory: Sacris solemniis, mode IV Motet I at Communion: Iesu mi dulcissime, Garau [PDF] Motet II at Communion: Ave verum corpus, Tinel [PDF]
Exposition O Salutaris Hostia (Duguet)
Procession Jesus, My Lord, My God, My All (Sweet Sacrament) Let All Mortal Flesh Keep Silence (Picardy) Humbly I Adore Thee (Adoro Te Devote) O Lord, I Am Not Worthy (Aulé) Thou, Who at Thy First Eucharist (Unde et Memores) The King of Love My Shepherd Is (Saint Columba) Pange lingua (Mode III)
Benediction Tantum ergo @ Altars I + II: Saint Thomas (Wade) Tantum ergo @ Final Altar: Gregorian chant, Mode III
Reposition Holy God, We Praise Thy Name (Grosser Gott)
Entrance: Let All Mortal Flesh Keep Silence (PICARDY) Kyrie: Mass VIII Gloria: A Parish Mass (Togni, adapted) Responsorial Psalm: "I will lift up the cup of salvation..." (Lumen Christi, adapted) Sequence (English) Gospel Acclamation: "Mode VI" Alleluia Offertory: O Lord, I Am Not Worthy (NON DIGNUS) Sanctus: A Parish Mass (Togni) Memorial Acclamation: "We proclaim your death" (ICEL chant) Amen: Danish Amen Agnus Dei: A Parish Mass (Togni) Communion: --- Panis Angelicus (chant, mode IV) --- Sing of Glory (ST. THOMAS) Post-Communion: Salve Regina (chant, simple tone) Recessional: At the Lamb's High Feast We Sing (SALZBURG)
St Basil's Chapel, UST, Houston - (10.30am) Again, very seemple bot nice.
Organ Voluntary - from Verbum supernum prodiens... nec patris - - - - N. de Grigny 1. Plein chant en basse, 2. Fugue a 5, 3. Basse de trompette ou decromorne
At the Entrance - 'At the Lamb's High Feast We Sing' - - - - Salzburg
Ordinary - The Belmont Mass
Responsorial Psalm - freely embellished psalm tone v
Alleluia and Verse - freely embellished psalm tone iv
At the Offertory - 'Let All Mortal Flesh Keep Silence' - - - - Picardy
At the Communions - 1. Ave verum corpus - - - - Plainchant, mode vi 2. 'Now, My Tongue, the Myst'ry Telling' - - - - Sarum plainchant, mode iii 3. 'Therefore, We Before Him Bending' - - - - Spanish plainchant, mode v (I chant the communion music myself, and the people enjoy meditating.)
At the Dismissal - 'Alleluia, Sing to Jesus' - - - - Hyfrydol
Organ Voluntary - on Hyfrydol - - - - Improvisation
Since the people at St Basil's sing with such loving gusto and confidence, I improvise special introductions to all hymns, and am very inventive with my organ accompaniments and registrations.
Phillip Johnson was the architect of St Basil's, which seats about 250 people and has the most enviable acoustics of any sacred space in Houston.
(Since I am absent from Walsingham for the summer I can't say what the music there will be - but, it will be glorious... and mass will culminate with a solemn procession to the outdoor shrine of OLW, and Benediction. [Incidentally, the shrine is a one-half scale replica of the single remaining mediaeval arch at England's Walsingham and incorporates stones and flintstones from there.])
Principal Mass (Ordinary Form): Introit, Sequence, Offertory, Communion: Graduale Romanum Mass VIII, Credo III Responsorial psalm: St. Meinrad, mode V Offertory motet: Tallis “Verily, verily I say unto you” Hymns: - Ubi caritas - Adoro te devote - Pange linga gloriosi córporis mysterium - Christus vincit - Holy God, we praise thy Name Communion motet: Palestrina “Ego sum panis vivus” Postlude: Mendelssohn, Prelude in c minor, Op. 37 #1a
The latter two hymns will accompany the outdoor Eucharistic procession.
Solemn Vespers (Extraordinary Form) and Benediction: Prelude: Titelouze “Pange lingua” Introit: Bairstow “Let all mortal flesh keep silence” Psalm 110: Victoria Psalm 116: Anglican chant Magnificat: Soriano, mode V Pergolesi “O sacrum convivium” ------ O salutaris hostia (WERNER) Byrd “Ave verum” Tantum ergo Holy God, we praise thy Name Salve Regina (simple) Postlude: J. S. Bach, Prelude in E-flat (BWV 552a)
Tournemire, you could have sent them to our Thursday rehearsal, our last before summer schedule ;-)
Same-old-same-old at St. David of Wales, Richmond California, but it's a thrill to have the Messiaen well under our belt:
Pro. "At the Lamb's high feast" (SALZBURG) Ordinary from Schubert's Deutsche Messe Seq. "Contemplate the bread of angels" (Ecce panis, no panic in spite of spell-checker) Off. Portas caeli at cantored Masses; O sacrum convivium (Messiaen) at choir Mass Com. Qui manducat (cantor); "Humbly we adore" (ADORO TE) Rec. "Holy God we praise thy name" (GROSSER GOTT)
Prelude: Le Banquet Celeste by Messiaen Opening: At the Lamb's High Feast, then SEP Offertory: Humbly We Adore Thee Mass Parts: Heritage Mass Communion: SEP, then Lord Who At Thy First Eucharist Closing: Now Thank We All Our God
Thank you, Jackson! I told our pastor that I was interested in playing it but I thought some people might complain. He told me to go for it. And that we should expose the parish to high art. It's an intensely beautiful piece and I love it!
I'm too lazy to write it out, but here's what you would have heard in Birmingham, AL at the Cathedral of St. Paul. Choir Mass always moves to 8:30 on that day (I like to think we have a "unique" sound that early in the morning...) with procession after. And yes, I know I printed to wrong communion antiphon. Oops.
Entrance antiphon - Fr. Weber Gradual Entrance - Love Divine, All Loves Excelling (HYFRYDOL) Gloria - Missa Simplex - R. Proulx Psalm - Meinrad tone Sequence - cantor “Lauda Sion salvatorem” - Gregorian (a cappella) Gospel Acclamation - mode 6 Alleluia Offertory - Let All Mortal Flesh Keep Silence (PICARDY) Sanctus - Community Mass - R. Proulx Mysterium Fidei/Amen - plainsong, Roman Missal Agnus Dei - Community Mass - R. Proulx Communion - Jesus, My Lord, My God, My All (SWEET SACRAMENT) Communion Meditation - solo/choir - Humbly I adore Thee (ADORO TE)
(10:30am) Eucharistic Procession - Pange lingua (in English - Plainsong, mode 3) (10:30am) Benediction - Tantum ergo (Plainsong, mode 3)
Recessional - Holy God, We Praise Thy Name (GROSSER GOTT)
St Basil's Chapel, UST, Houston - (10.30am) Again, very seemple bot nice.
At the Entrance - 'At the Lamb's High Feast We Sing' - - - - Salzburg
Ordinary - The Belmont Mass
I wish I had thought to use that Hymn.
I rather like the Belmont Mass, I have used it on some Ferias, though in Australia, we have a distinct and well-known Chant Tone for the Our Father, which is basically the default used in 90% of parishes (except for the few who still use the Janet Mead setting or the one from "Mass for Moderns")
Hartley - So! You do the Belmont in Australia? I had no idea it was so widespread. Actually, it is a very decent setting, almost like Anglican chant. One can dress it up with imaginative changes of registration at approriate places and even make it sound rather festive. The congregation at St Basil's sing this very well - it's one they sing through much of the year. Since I am engaged there only for the summer and special occasions I don't tamper too much with their repertory, though we do sing quite a good repertory of good hymnody proper to the day. Their singing is exemplary - And, the enviable acoustics play no small part in that!
By the way: what do you know about the Australian ordinariate, Our Lady of the Southern Cross?
The Belmont Mass isn't widespread in Australia, but it is known at some churches. In fact, it is occasionally used at St Patrick's Cathedral, Parramatta on Solemnities which fall on weekdays, where the organist and a cantor provide music for the main 12:30pm daily mass.
I am aware of the ordinariate. They've asked me to help prepare a Sung Mass and Evensong in a couple of months time in Sydney. This will include playing the organ and recruiting a small choir for the occasion. The Ordinariate seems to be going from strength to strength in some places, but it is struggling to get properly established in Sydney. The main problem is that they do not have a parish church with rectory, etc from which to base themselves.
Mr. O'Donnell, as a native West Virginian, it's nice to see the huge improvement the last few years at St. Joe's. I'm hoping to visit at some point this year on a home trip. All best in your work there!
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