Here's a text of mine especially suitable for the Feast of Our Lady of Sorrows. I've set it to REPTON. You can hear it performed (for the Feast of the Assumption) at this link; start from about the 7:15 mark.
1. O Queen of sorrows, weeping Rose That blooms at Heaven's door, How steadily your sadness grows When we, your children, dare oppose The God whom once You bore And wound you more and more.
2. O sinless Mary, humble maid And good St. Joseph's bride, When eager souls for silver trade These minds and bodies God has made, Your Son, who willing died, Anew is crucified.
3. O Theotokos, bearing God In lonely cattle-stall, The unborn innocents we trod In silence, now with angels laud Their Friend and Lord of all, Defender of the small.
4. O Sov'reign Lady, Wisdom high, Whose head with stars is crowned, In word and deed we would deny Our family beneath the sky, The seat of God, Who found In Eden welcome ground.
5. O holy Mother, throned above, We seek You nonetheless; Help us to listen and to love, To be obedient servants of Our Jesus, and to bless The God Whom we confess.
6. Hail Mary, spotless Bloom that grows Entwined at Heaven's door; We pray to You, O sumptuous Rose, To see the day the whole world knows And loves the God You bore, That You might weep no more.
Anna's "O Queen of Sorrows, Weeping Rose" has led me to compose a new hymn tune, REGINA DOLORUM (86. 88. 66), for her text. Many thanks to Anna for being the inspiration for this music.
N.B. Corrected files uploaded (thrice! - to correct wrong notes and, lastly, to fix the final cadence in the TB parts).
Note, July 2: These files are obsolete. New ones uploaded further down the thread.
I was inspired to compose a chorale (which is like a hymn, but the harmonic texture is more contrapuntal), and really strove to capture the ethos of Our Lady's deep sorrow in the words you wonderfully expressed.
Your text drives composers to WANT to compose... (CHG is also proof) that it embodies inspiration and prophetic call. It is quite a heart rending text to boot! One of the most delicate in sorrow I have ever come upon wrapped in poetry. Congrats! I should like to include this in my new hymnal and go against my rule of solely PD selections.
I have made some revisions in the harmonization and also have set the tempo much slower (quarter = c. 48), since the original tempo was a default that I forgot to change. The changes make for a more stately, solemn chorale-like sound. Both the D-major and F-major hymnal scores are attached.
Edit: July 14, 2021. A few more changes, improving the flow of the harmony voices, as well as shifting penultimate syllables of the last three lines to an eighth note (in place of the previous placement on two eighths).
I hope you don't mind, but I'm always looking for opportunities to test the hymn evaluation framework I've been developing through A Parish Inheritance. I recently ran O Queen of Sorrows, Weeping Rose through the framework and thought you might find the results interesting. I also listened to the recording and it's wonderful.
In summary, the framework classified it as a doctrinally sound Marian devotional hymn (C2 category). It found the text rich in traditional Catholic imagery and theology while concluding that its primary strength lies in devotional rather than liturgical use, particularly due to the absence of explicitly Eucharistic Communion themes.
I've attached the full analysis in PDF format in case you'd like to see the detailed evaluation. I'm still refining the framework, so I'd be genuinely interested in any observations or reactions you might have.
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