I know Palestrina wrote a polyphonic setting of the hymn Pange lingua, but I see that Sir Richard Terry gives a falsobordone version for alternating verses in his Music for Holy Week volume. I've searched for this in other sources but cannot find it. Anyone know where he gets it from? Or where one can find Palestrina falsobordones?
Are you sure the falsobordone is, in fact, by Palestrina? I was under the impression that some (if not many) such additions to Palestrina polyphony were editorial (and generally anonymous).
Whoops, I thought you searched the polyphonic hymn. But aren't Falsobordoni rather interchangeable? I have collections of these by Viadana and Lasso and I know of one by Cesare de Zacharia, but they all look rather similar.
I am uploading some scans so I everyone can see what I'm talking about. This is the falsobordone that Sir Richard Terry (no less) gives as "Palestrina" – I'm wondering the source?
I've seen the complete works of Palestrina in its various volumes. My memory is that there are falsobordone settings in it--particularly around the office hymns. I'm guessing that Sir Richard borrowed a suitable falsobordone from another work and matched it up with Pange lingua. Just a hunch . . .
There are two settings in the Casimiri Opera: v. 14 p.74, and v.35 p. 535 (as Tantum ergo). Neither are this. And I don't find any falsobordones in Casimiri... nor would I call this hymn setting a falsobordone (though it is mostly in root position chords) as I don't see any psalm tone in it. So I have no idea what this is or what it came from.
I just looked at Matty's scan, and this doesn't really seem to be a falsobordone (agreeing with JQ). It will take some digging to find it amongst Palestrina's works.
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