Ave Regina Caelorum is sung from the Presentation until Passiontide, and at least some of that time is (often enough) outside of Septuagesimatide and Lent that a polyphonice setting which includes an Alleluia isn't oxymoronic. If one chooses to sing such a setting, should one lop off the Alleluia, finishing the piece early, or violate the liturgical ban on the use of this word? (The question, "Why not just use a setting which doesn't contain the forbidden Hebrew word?", while a valid question isn't germane to the puzzle I'm trying to solve.)
Given the choice between keeping it and violating liturgical law versus lopping it off and NOT violating liturgical law, I'd say one ought to sharpen one's axe.
I checked with my choir director this morning. We're chopping off the Alleluia. Fortunately, although it renders the setting incomplete, it doesn't require cosmetic surgery.
Or ... you could sing my new setting posted a few days ago in this thread. It's free of the Lenten forbidden word, it's rather easy, and it has musical relevance in this time of strife in Ukraine.
When playing for a Lenten daily Mass at seminary years ago, I once absent-mindedly programmed "Let All Mortal Flesh". I didn't realize my error until I began playing the last verse, which was quite a moment of panic. Luckily the cantor was sharp and sang "amen" or some such instead. One of my more embarrassing moments.
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