On this day, any Priest may celebrate three Masses, observing, nevertheless, what was established by Benedict XV in the Apostolic Constitution, Incruentum altaris sacrificium, August 10, 1915.
I. On the day of the solemn commemoration of all the faithful departed, it is permissible for priests to celebrate three Masses throughout the Church, provided that one of the three is freely chosen, with the possibility of receiving the offer; the second Mass, without any offering, is to be dedicated to all the faithful departed; the third is to be celebrated according to the intention of the Supreme Pontiff, as specified above.
II. We confirm with Our authority, however necessary it may be, what our Predecessor Clement XIII granted with the Letter of May 19, 1791, that is, that all altars on the day of the Solemn Commemoration were privileged .
III. The three Masses of which we have spoken are to be celebrated according to the order established by Our Antecessor Benedict XIV of happy memory for the Kingdoms of Spain and Portugal. Anyone wishing to celebrate a single Mass should celebrate the one indicated in the Missal in the commemoration of all the faithful departed . This same Mass can be celebrated with singing, with the faculty of anticipating the second and third.
My understanding is the same as Andrew Malton’s. Permissible sequences in the NO are Pentecost, Easter, Corpus Christi, Our Lady of Sorrows.
Q. I would like to have the “Dies Irae” played at my funeral Mass (which I hope will be in the distant future). Is this permissible? (Towson, Md.)
A. The “Dies Irae” (literally, “day of wrath”) is a 13th-century hymn that served until 1970 as the sequence prayer (following the Gospel) in the standard Catholic funeral ritual. It had been set to soaring and majestic music by such composers as Mozart and Verdi.
That hymn was removed from the “ordinary form” of the funeral ritual in the liturgical reforms following the Second Vatican Council.
In its Constitution on the Sacred Liturgy, the council had called for the funeral rites of the church to “express more clearly the paschal character of Christian death.” The “Dies Irae” foretells the second coming of Christ as the frightful “day of wrath and doom impending … when the Judge his seat attaineth and each hidden deed arraigneth, nothing unavenged remaineth.”
A leading figure in the postconciliar reforms, Archbishop Annibale Bugnini listed the “Dies Irae” as one of the texts that had “smacked of a negative spirituality inherited from the Middle Ages,” had “overemphasized judgment, fear and despair” and so had been replaced by “texts urging Christian hope and arguably giving more effective expression to faith in the resurrection.”
It should also be noted, however, that the “Dies Irae” still remains in the now-“extraordinary” 1962 form of the Roman funeral rite. In 2007, Pope Benedict XVI issued an apostolic letter (“Summorum Pontificum”), which specified rules for offering Mass according to the 1962 Missal (in the form known commonly as the Tridentine Mass, celebrated in the Latin language).
Funerals are one of the occasions on which the letter states that “for faithful and priests who request it, the pastor should also allow celebrations in this extraordinary form.”
This presumes that the priest asked to celebrate the funeral Mass is familiar with the Latin language and with the rubrics of the earlier rite. And even if the current “ordinary” form of the Roman Missal is used for the funeral Mass, I suppose that technically the “Dies Irae” could still be inserted, not as a sequence hymn following the Gospel, but perhaps as a post-Communion meditation.
I would caution, though, that there are multiple goals in a funeral liturgy: not only is its purpose to pray for the deceased and to honor his wishes, but it is also celebrated for the consolation of the bereaved family and the other mourners. All of that should enter into the choice of hymns and their texts.
A leading figure in the postconciliar reforms, Archbishop Annibale Bugnini listed the “Dies Irae” as one of the texts that had “smacked of a negative spirituality inherited from the Middle Ages,” had “overemphasized judgment, fear and despair” and so had been replaced by “texts urging Christian hope and arguably giving more effective expression to faith in the resurrection.”
The principle is, actually, IF it has been lawfully permitted in the past, over a long period of time and in continuous use, then it can not be implicitly banned.
I'm not sure the attitude of "what isn't explicitly banned is permitted" is necessarily how one should approach rubrics...
you know deep down that you're not supposed to do it
someone in authority has the right power to make those decisions
Trads are often worse about disobeying liturgical laws and instructions than the so-called progressives
If it was in fact necessary that Dies Irae be removed from the Requiem Mass, it should have been moved to be the sequence for Christ the King
If it was in fact necessary that Dies Irae be removed from the Requiem Mass, it should have been moved to be the sequence for Christ the King
Or perhaps back to Advent I, for which it was originally composed? Now that would give a different focus to early Advent instead of Veni Emmanual on repeat
The desire to preserve liturgical aspects of the True Faith handed down by our fathers is in no way comparable to progressives “singing a new church” into being.
The desire to preserve liturgical aspects of the True Faith handed down by our fathers is in no way comparable to progressives “singing a new church” into being.
Rubrics are rubrics and you don't get a free pass on ignoring them because you think you're in the right.
Those of you standing on the pillar of "rubrics is rubrics is rubrics" .... On the strength of that principle alone, would you argue that since American law now allows men to marry each other, it's the law and people who feel otherwise (note, the emphasis on feeling) should just get over themselves?
I think [and pray and hope] that the answer to my question is a resounding NO, but I want to give anyone who hopes to stand on that principle the time to identify himself.
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