I did. I have no idea how they turned out. All you fast people must either have nothing else to do with your time, or you were pushing buttons all the time during the Masses. I parked my recorder in the best place I could find and let it run until the end...which means a lot of editing.
And the New Compositions is the hardest one. For the last couple of years I stitched each together from various pieces. But thank you for doing the work, just contact me when you're done, JQ.
I noticed from my seat at the new music reading that someone had left a recording device on top of the disused organ stage left. It appeared to be recording the entire time.
I second Matthew's comment -- I quite liked Richard's English Mass. It was an easy read for professionals, of course (as I presume it was meant to be), but I think it would also be easy for a congregation to pick up because it flows well with the natural rhythm of the text and uses predominantly stepwise melodic movement.
Thanks for the kind words. I realize recording has become a haphazard feature of Colloquium, but it does strike me as reinforcing the impression of that first English Mass of the week as a bit of a throw-away. And it's not very encouraging to a composer, no matter how modest his offerings, to be passed over for the record.
but it does strike me as reinforcing the impression of that first English Mass of the week as a bit of a throw-away.
Hear, hear, Richard. And acknowledging your own preferences as I understand them towards the V.Ordo, I've also questioned, if only in my mind, why this situation has seemed to be de rigeur.
My deep thanks to Richard Chonak, Janet Gorbitz, Greg Plese, Jeffrey Quick, Rick Stuhler and Ben Yanke for their contributions to this year's Colloquium Recording Archive. We now have all the Masses from Tuesday through Saturday, new compositions from four talented composers, Dr Mahrt's address on Friday, and a panel discussion.
I know someone who recorded a lot of the Colloquium. I'm not sure what he recorded, but I think he is willing to share what he has. I just need to speak to him about it. What is missing right now (or is poor quality)? I don't know the quality of his though.
I had my recorder with me this year, but was actually too tied up to be at the complete liturgies some days and didn't get to make many breakout sessions. I actually have two recorders, so maybe I can get designated recording volunteers to assist with my recorders next year...
Did anyone get Horst's breakout on "Summorum Pontificum Revisted"? I heard that discussion and thought it was very interesting. (My recorder was below, recording the panel discussion by request).
By the way, folks, do send what you have after the colloquium even if you think Carl already has it from someone else. Your recorder may be better located for some portions of the Mass than the recordings other people have sent.
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