It's really a left brain/right brain thing that determines PC/MAC preference.
Management types prefer PC where you get to choose which machine to buy, creative types prefer MAC where the machine and software is always compatible - creatives don't want to spend time trying to get things to work...management spends time controlling who is doing the work!
Adobe software ported to run on PC's is never as as useful as when it is run on a MAC.
The problem for me is not that I think MSWord is better for creating programs, just easier. I've tried scribus and I don't get it - the learning curve is too steep to overcome on my own without help. I can get things to look really convincing with MSWord, even though I do notice that it is inferior to InDesign. This is definitely not the same distinction as eagles wings to chant. It's more like solid orthodox hymns to chant. We have workshops and articles and tutorials and colloquiums for how to sing chant. Never seen anything like that for helping to create programs. I would pay for something like that.
So I got the perfect hymnal for Christmas this year. One of my choristers gave me a copy of the Saint Gregory Hymnal. It has 150 hymns in English and 300 hymns and motets in Latin. It's a beautiful hymnal with a ribbon for keeping place and gold leading on the page edges. This to me is ultimate hymnal and will be using it often.
The St. Gregory Hymnal and Catholic Choir Book To his Holiness, Pope Pius XII With Sentiments of Filial Devotion from Mrs. Nicola A. Montani. Complete Edition.
The last copyright in the book is 'Copyright renewal assigned 1947, to The Saint Gregory Guild Inc., Phila. Pa.
I think there were two or three motets by Palestrina and others from that era in the St. Gregory. Sorry, no comparison. Montani may have been schmultzy, but the texts were theologically in tact. Not so with GC. No comparison. And, aren't there actual Gregorian Chants in the SG?
Melo, I haven't really checked into it extensively, but from the Latin Hymns and Motets are Gregorian Chants, hymns by Haydn, Montani, Ravanello, Schubert, Gounod, Victoria, Mozart, Palestrina, Perosi, Webbe and many more.
The Masses are: Mass of the B.V.Mary, Requiem Mass (Chant), and Missa de Angelis.
I don't know GC, But I can tell you just from the list above its better than anything OCP puts out.
Yes, that was the hymnal that I used as a child growing up singing in a 40 person boys choir in Columbus Ohio. Like Kathy says, it's a mixed bag, but it is much more solid than most hymnals out there today for sure.
I know but what hymnal today has all the motets with harmonizations and Gregorian Chant w/ organ scores: Adoramus Te Christe - by Dubios and Palestrina, Ave Verum Corpus - by Gounod, Daens, Mozart, Guilmant, and the Gregorian Chant. O Bone Jesu - Palestrina All the Marian Seasonal Antiphons in motet and Gregorian Chant.
It may not be the Ultimate Hymnal from days of old but its better than anything we have today, hands down.
I have a few ancient and well worn copies of the Greg. I do not think that it is as high quality contents wise as Teddy Marier's Pius X Hymnal, and I don't think that it is very user-friendly for a Congregation - especially not an OF Congregation since most of the contents are in Latin. Many of the items are good for incomplete choirs since they could be sung SA, SAB, or SATB, but even with that it can be tricky because of the typography: Where the Pius X would have the three parts separated into two or three staves, the Greg. has all three parts on one stave - it can be confusing even for a trained musician to follow, let alone beginners in a choir.
The best EF hymnal for Congregational use that I have seen is the New St. Basil Hymnal - for Choir use, the Pius X Hymnal.
Apart from which, many of the titles in the St. Gregory that are worth having are in the Catholic Choir Book, or on CPDL or IMSLP for free.
Look folks, I actually employed the Gregory when I first came up in 70, and yes there were many poorer hymnals (Mt. St. Mary's comes to mind) and better ones (St. Basil, St. Pius.) But there are two other mitigating factors for my general disdain of it (even though I keep a stack handy at the church for exegencies)- 1. Montani's hand (and ego) is rife throughout it. It reminds me of when Rv. Marchiando (sp?) had fairly complete editorial control of WLP after Westendorf's retirement/death. 2. Montani's legacy as a musician serving the Church is far from impeccable. Besides having a very large say in the compilation of the Blacklist, he also personally impugned many peers and predecessor colleagues along the eastern seaboard to Ohio/Missouri dioceses.
To me, this matters. It is one thing to champion someone whose music you prefer, such as a Giffen, Koerber, Kwasniewski or Rice. It is quite another to bad mouth others whose music you don't, such as Schutte, Joncas or Hurd, even if you couch such dismissals under the guise of "they harm the Church." Like Montani, none of us is impeccable, so we all have to weigh the cost/benefit factor when using their resources. But that isn't tantamount to throwing the first stone. YMMV
I know a program that went from Be Not Affeeared (thank you G!) through the St. Gregory to a place where they were ready to begin learning chant and polyphony.
The St. Gregory can be an excellent first step for a group that never met a motet before. It has plenty of indisputable classics and a bright blue cover and that "official" look that has the power to attract the "buy in" necessary with a volunteer choir. Handouts can't always do that.
Kathy, fair and valid point. As I allow as how they can come in handy on the spur of a moment's need, there is value. That said, I wouldn't spend dime one beyond one reference copy for a schola/choir, much less parish on the SG. For pedagogical purposes, thanks to Chuck Giffen, CPDL is a titanic-sized better reference with indices galore, and at very reasonable pricing. ;-)
Can you open up a publisher in indesign? The reason I ask is thst I got years of programs in pub and I am thinking of moving to indesign. anybody know?
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