The music after and before Mass
  • chonakchonak
    Posts: 9,216
    This discussion was created from comments split from: What is your music for All Souls?.
  • I must agree with those who don't accept the argument that what happens before the invocation (or proper introit) and after the final blessing doesn't matter. It is said by some that these things are not a part of mass and, therefore, one is absolved from any ex- or im-plicit sin or responsibility for whatever they might be since it doesn't really matter due to their not being 'a part of the mass'. This is really something more than disingenuous. It is rather silly, not at all cute, definitely immature, and, frankly, ridiculous and ill-considered! It certainly does matter, and matter immensely, what preludes, entrance hymns, final hymns, and postludes are because they are connected to the mass, they are immediately associated with it, they are ornaments of it, and serve to illustrate textually or mood-wise, the import of the day's readings and of the ritual text. Saying that these things do not matter accomplishes the precise opposite of what is intended. It does so because it is an implicit suggestion that the mass itself is so unimportant that what we do immediately before and after it, directly ancillary to it, is of no consequence at all - which is patently absurd. It is tantamount to asserting that there is nothing wrong with following up a performance of a Mozart symphony with a 50,000 decibel rock band selection because it isn't a part of the symphony and the symphony is 'over'. I think that most of us would be (to put it mildly) befuddled at such a suggestion, and extremely vexed at such a boorish act of aesthetic incongruity. It matters. Everything matters!
  • ronkrisman
    Posts: 1,394
    It matters. Everything matters!

    I suggest this comment of MJO become a separate discussion, since it is a matter of extreme importance and it is not really an All Souls Day issue.

    How often we've seen comments on the Forum that "anything goes" before the opening sign of the cross at weddings because "it's not part of the Mass." Nonsense.

    Similarly "anything goes" after the "Ite missa est," since "it's not part of the Mass." Again, nonsense.

    Regarding the final hymn, if there is anything in the Mass, as it is celebrated in the USA, which has risen to the level of an established custom, it is that. With more than 60 years of continuous use and with the tacit approval of every diocesan bishop in office during that length of time, the final hymn is truly a custom. It is part of the Mass in the USA.
  • matthewjmatthewj
    Posts: 2,700
    I agree with Fr. Krisman that in 95% of circumstances a hymn, or the Marian antiphon, at the end of Mass is a very good thing.

    When I see people celebrating that their first change in a new parish is doing away with the recessional hymn from a 4 hymn sandwich, I think they're going about it backwards. If people don't want to lose any hymns by introducing the antiphons, leave the recessional hymn! Work at replacing the Offertory and Communion with the propers. Replacing a solid recessional hymn with organ music is not a huge victory.
  • melofluentmelofluent
    Posts: 4,160
    Replacing a solid recessional hymn with organ music is not a huge victory.

    As recently mentioned elsewhere, most threads here mutate with frequency, and do so with the support of most observers who post. I have no problem with that.
    However I have to wonder if this thread, so subjective and "easy" is actually serving up a subtext of rigorist, and somewhat intolerant attitude in which the message actually being delivered publicly actually argues against one of the two coin sides of being "catholic."
    I know my friend MJM does not employ the object "victory" in its harshest sense, but the word does suggest that such a decision as he describes represents some sort of tactical objective, rather than a choice between two or more valid and artful options for a liturgical moment.
    In a thread such as this, I applaud my California colleague, Sam, for providing the readership positive reportage (too "O'Reilly?) of progress in two churches in the East Bay, simple acknowledgements of what they really are-worthy celebrations of worship.
    Polemics can show up in any thread at any time, let 'em burn on. I just hope that we can distinguish between demonstration and disputation.
  • CharlesW
    Posts: 11,980
    Replacing a solid recessional hymn with organ music is not a huge victory.


    I have wondered what the point is when the recessional hymn is dropped for a postlude. As for communion, there generally is enough time in most good sized churches to do both a communion proper AND a hymn. This is not an either/or situation. Offertory can be a problem, in that there really is no "offertory" anymore, or so I am told. I suppose I could do an abbreviated proper before moving on to the choir anthem, I just haven't done so. I tend to be a bit frayed at that point from dealing with the choir and haven't tried to add anything else. Introits are the biggest problems, and doing them as preludes is the only way I have been able to incorporate them. If one doesn't relate in any significant way to what is happening that day, I don't feel a great and pressing need to use it.
  • francis
    Posts: 10,825
    A hymn and a postlude are both unnecessary.

    Quite, meditative music serves the liturgy and the people best to keep them in a state of prayer. They ARE (and should continue to be) in the presence of God until they exit through the front doors. Of course, God should go with them too out the doors, but usually when they hit the vestibule, they are into all kinds of nonsense already. What happened to the sense of the sacred. I remember as a child that when I entered the doors of the church, I wasn't thinking or talking anything but the holy presence of the Almighty. What happened to THAT?

    Part of the problem with the vestibule is that it has become a 'fellowship' area. PHOEY! That is not a Catholic mentality for our tradition and theology of the vestibule.

    If it's Christmas or Easter, OK, I like a good postlude. If it's a really good hymn (Joy to the World on Christmas day) OK, that is good... but then give me the big festive organ postlude with the zimbelstern after the fact.

    Lent, ditch both. Give them silence... and me too. Mix it up. We don't need music all the time everywhere.
    Thanked by 1ClergetKubisz
  • CharlesW
    Posts: 11,980
    A hymn and a postlude are both unnecessary.


    I'm doing them anyway. The pastor would be upset if I didn't.

    Quite, meditative music serves the liturgy and the people best to keep them in a state of prayer. They ARE (and should continue to be) in the presence of God until they exit through the front doors


    No, they need to leave and make room for the next crowd that is trying to get in those doors. Masses are scheduled too close together.

    OK, that is good... but then give me the big festive organ postlude with the zimbelstern after the fact.


    Don't have the zimbelstern yet, but will have after the console rebuild in July and August of 2015. I am donating the zimbelstern so I know it will be there. ;-)

    Lent, ditch both. Give them silence


    Silence they get every year. I always have people complain about all the gloom and doom during Lent. I don't know what they were expecting.
  • I only do a postlude because my contract says I have to :-/ It's especially annoying when we also do a closing hymn every Sunday, feels like overkill.

    I spend a lot of time looking for and practicing new postlude music, but mainly because I know I can recycle it for later use. It gets tiring honestly, and I wonder if the preference for the recessional hymn (at least at my own church) originated with tired musicians who didn't want to prepare something extra.

    When I see people celebrating that their first change in a new parish is doing away with the recessional hymn from a 4 hymn sandwich, I think they're going about it backwards. If people don't want to lose any hymns by introducing the antiphons, leave the recessional hymn! Work at replacing the Offertory and Communion with the propers.


    I like this idea. No one, and I mean no one at my church sings the Communion hymn anyway.
  • rich_enough
    Posts: 1,048
    It is part of the Mass in the USA.

    Singing (or not singing, depending on one's preference) one verse of the "Battle Hymn of the Republic" while most of the congregation heads for the exits is "part of the mass"?

    As the celebrant says, "The mass is ended, go in peace." Saying that this is the end of mass is not the same thing a saying that everything that happens after it is irrelevant or has no connection with the mass.
  • I only do a postlude because my contract says I have to :-/ It's especially annoying when we also do a closing hymn every Sunday, feels like overkill.


    It is overkill, you're right. Having essentially two musical selections at the end is not necessary: it would be better to have one or the other as a requirement, and then possibly include the other at the discretion of the DM.

    No one, and I mean no one at my church sings the Communion hymn anyway.


    Another organist at my church and I were having this exact discussion this weekend. She stated something to the effect of "...nobody has their Missalettes with them when they line up for Communion..." and I agreed with her assessment, and brought up singing the Communion Proper (with Communion hymn afterward, as indicated in the GIRM). That's a discussion I need to have with Fr. though.
  • For me having a postlude after the final hymn serves the function of preventing applause breaking out. So it has a very good function - it lets people know the singing is over and they can go now, or settle down to pray or whatever, but that applause and/or chatter is still not appropriate.
    Unfortunately, just as my wonderful organist had launched into a beautiful piece of music last week, one of the younger members of the choir (he's two) having been tempted all during Mass by the switch on the socket with a nice little light on it, trotted over and flipped the switch, cutting off the organ. Or maybe it was just his way of helpfully saying - 'we've stopped singing, dude, let's go home.'
    Thanked by 1CHGiffen
  • For me having a postlude after the final hymn serves the function of preventing applause breaking out



    Is your organist that bad, or that loud?

  • melofluentmelofluent
    Posts: 4,160
    As if I've not made my sentiment known, at choral/schola Mass, the rule is now postlude, the exception is a final hymn for special occasions. It doesn't matter what piece our organist programs, it will be and always is stunningly beautiful, and I get to pray unmitigated. My story, sticking to it.
    Thanked by 1CHGiffen
  • Is your organist that bad, or that loud?

    lol. No - the organists are great. But people, with the best intentions in the world, tend to behave as if they were an audience at a concert, so when the singing is finished, they think they should applaud. It only takes one to start it, then others join in out of social constraint. We are trying to make sure that this behaviour does not become a settled habit. Hence the usefulness of the postlude.
  • matthewjmatthewj
    Posts: 2,700
    I sometimes sub for a local Spanish Mass which typically has applause after the last hymn. The last time I was there I went directly into my postlude without even lifting the last note of the hymn. More than 50% of the congregation waited in the church until I was done my postlude and begin applauding. Next time? Double postlude. If that doesn't work? Triple postlude.

    So help me.. I will play until the next Mass begins...
  • In the proverbial grand scheme, perhaps this applause is a relatively minor but well-intended lapse of judgment. At least, one should be pleased to take some satisfaction in this evidence that the people (%50?! - how impressive!) appreciate the hymn and/or the voluntary - that it made them joyful. It is, I think, a rare Catholic parish at which such popular approbation is forthcoming. Perhaps, if you made an announcement before mass for several weeks to the effect that you are very honoured and deeply touched by their applause, but that their mere presence is sufficient appreciation, and applause, though, is really not appropriate at or after the mass, because it is all about and in honour of the glory of God. You are far more fortunate than the typical parish at which no one listens and no one really appreciates or cares about the efforts of their musicians. Be thankful. Be appreciative of well-meant expressions. Tactfully and appreciatively suggest that applause is not necessary. (I myself in such a situation would think nothing of it and be thankful that my final offering of music to God as a final ornament to the mass made them happy, and that they shared their happiness with me in this way as they left. True, they could have come to the organ and told you with words that you were appreciated, but they did this instead. I wouldn't worry about it. They know it's all for the glory of God and that rare and beautiful things happen in his house.)
    Thanked by 1CHGiffen
  • dad29
    Posts: 2,232
    We don't need music all the time everywhere.


    Hear! Hear!!
  • a_f_hawkins
    Posts: 3,467
    Applause at Mass is to be avoided, it shows people are at an entertainment, they should be worshiping God. This is a slippery slope that leads to the Gospel of Prosperity i.e. feel good, give the pastor more than you can afford, and see your bank balance grow. It needs pastoral action to educate the congregation.
  • The only way to handle applause is from the pulpit. Leadership from the priest. Simple explanations.

    We all seem to forget that we do not work for the Church, nor are required to follow the GIRM.

    We work solely for the priest.
    Thanked by 1francis
  • We work solely for the priest.

    !!!???

    What callous and soul-less liturgical real-politic! True, the priest is our immediate superior, who may or may not as often 'rule us' with naked power as he does genuine authority. (As I've said elsewhere, authority to contradict the Church's wishes and teachings does not exist - the raw power to do so does, and is very often shamelessly used.) I work for and serve the Church, and, as a professional Church Musician strive to fulfill with my talent the express wishes of the Church and to do so with the finest music performed well. The priest, who pays my salary may complicate and even obstruct both my efforts and the Church's precepts. I obey him, not because I work for him (I work only for God and the Church), but because he pays my salary and may cause me existential difficulties if I don't. But, 'work for the priest'? This is nice work if the priest is liturgically and culturally nice; it may be onerous if he isn't. We most emphatically do not 'work solely for the priest'. We are thankful if he is a good one. We endure him if he isn't.

    Church musicianship is very often an act of love. It has about it cultural, missionary, educational, spiritual, and worshipful aspects. It is often appreciated. It is often not appreciated. Inside every true choirmaster and organist is something of a priest and something of a monk, as well as a musician. The genuine choirmaster often is a more conscientious custodian of liturgy and worship than some who are ordained into holy orders. Indeed, history has its share of great composers who were ordained. Yes, the priest pays the salary, but it is not for him for whom we work. It is glorious, though, if he happens to desire what the Church desires and is pleased with our efforts at practicing what the Church desires. In such a case we are co-serving with one who governs with genuine authority, not with that raw power which all too often exceeds or contradicts what it was given authority to accomplish.
    Thanked by 1hilluminar
  • melofluentmelofluent
    Posts: 4,160
    Inside every true choirmaster and organist is something of a priest and something of a monk, as well as a musician. The genuine choirmaster often is a more conscientious custodian of liturgy and worship than some who are ordained into holy orders... Yes, the priest pays the salary, but it is not for him for whom we work.

    Truer words e'er spoken.
    I want to offer, Jackson, a nuance to your last statement however- the priest administers (theoretically) our salaries but at no cost to him personally, and we do work for him quite literally. But we do not serve him in some limbo between Mt25 and the mystical concept of "alter Christus." If we further that confusion in our relationship with him and others, we do His Church no good benefit.
  • francis
    Posts: 10,825
    Yes, the priest pays the salary, but it is not for him for whom we work.
    In Personae Christi

    Priests who know and understand the liturgy are in harmony with musicians who understand and promote authentic liturgy. It is the dissenters who tear at the church. A priest who is in error is still the representative of Christ, whether we like it (or him) or not.
  • Yes, yes... the Donatist controversy and all that. What a multitude of sins it covers up!
    I have met many priests whom I had no difficulty whate'er in seeing as in persona Christi. I have met many more who are as un-Christlike and even un-Christian as one could imagine. But, let me re-iterate: a priest (or bishop, or cardinal) is given authority by the Church to celebrate its sacraments, to teach, promulgate, and enable what it teaches and wishes to be done. Authority, correctly understood, to contradict or obstruct any of these things does not exist. The power and position to do so does, but the authority to do so is non-existent. And, one might well question whether a priest (or any hierarch) who acts outside his authority is actually acting in persona Christi. This nice and tidy aphorism can only sanely apply, it seems to me, only to him when celebrating or dispensing the sacraments, and when in obedience to the authority which ordained him. He is acting utterly without authority when, for instance, he 'forbids' chant and other liturgical precepts of council and pope, and in so doing, contradicting his superiors (who are his superiors in persona Christi!), is definitely not acting in persona Christi.
    Thanked by 2CHGiffen hilluminar
  • francis
    Posts: 10,825
    MJO

    You are right. How he ACTS and who he IS are two completely different things. Liguori and Aquinas speak to the issue. The sins of the priest does not minimize the efficacy of the sacrament. God still respects their position of ordination despite what their personal life holds out to be. However, when D day comes, it will go less fortunate for those who mislead or devour the sheep, whether he be priest, bishop or pope.

    http://www.stpeterslist.com/7334/the-path-to-hell-is-paved-with-the-skulls-of-bishops-8-quotes-and-sources/
    Thanked by 1M. Jackson Osborn
  • Adam WoodAdam Wood
    Posts: 6,482
    We do not work for the priest, but rather at his pleasure.

    Noel knows this quite well, and — I imagine — phrased his statement above for the benefit of those who do not understand such nuance.

    If you want to keep your job, you had better behave like you work for the priest. If you want to do the right job, you must serve God and his Church. If you want to be effective, you had better figure out a way to do both.
  • If you want to keep your job, you had better behave like you work for the priest. If you want to do the right job, you must serve God and his Church. If you want to be effective, you had better figure out a way to do both.


    One of the more profound statements, which surprises me that more have not thanked!

    In every Sheep Attack the goal is for the evil people to convince the pastor that you are not working for him but against him.
  • melofluentmelofluent
    Posts: 4,160
    Francis, nuance it at will if it pleases your vision of HMC.
    I traffic in the most real of circumstances, and have survived and scathed-by the most incredible of clerical nonsense and egoism without having been dismissed in 44 years, tho' I may be working towards that now. Please skip the platitudes and pietudes if it doesn't address the bloody truth. SNAP.
    Thanks.
  • francis
    Posts: 10,825
    melo

    Your message is cryptic. Not sure what you are saying.
  • The Recessional Hymn and Postlude were customs in the German American churches. The Laity disliked very much not singing in the vernacular at the High Mass, and so a rousing hymn at the end of mass was a very typical feature in the German Parishes. And the churches were very often blessed with good organs and organists, and good organ music for a postlude was APPRECIATED. It's amazing that the custom still obtains, but so few understand the origin. One would almost be tempted to say that the Hymn and Postlude after mass was an American Catholic Cultural thing (which isn't to say that it wasn't also a custom in other Catholic cultures). But so many years have gone by that the origins of things get forgotten. 50 years ago Grosser Gott was the ONLY recessional hymn in some parishes!
    Thanked by 2CHGiffen hilluminar
  • melofluentmelofluent
    Posts: 4,160
    Priests who know and understand the liturgy are in harmony with musicians who understand and promote authentic liturgy. It is the dissenters who tear at the church. A priest who is in error is still the representative of Christ, whether we like it (or him) or not.

    And I'm the cryptic one? The last platitude is a "Duh. Now can we solve the problem, Father?"
    How do you tell the authentic priests from the dissenters, francis, do you have a program like at the ballgame? Do they wear badges? I don't have time to sort out all these big questions about who's real and who's posing. Nor can I spend much time anymore on whether Burke and Douthat have it right over Kaspar and HHF.
    Sigh.
    As far as the question at hand, one policy at one Mass out of ____ doesn't necessarily ratify the same solution at all of them in one's parish(es).