The standard hymns, "Hail, Holy Queen," "Immaculate Mary," and such. There was a good communion antiphon that someone posted on this forum a day or two ago. A soloist is singing the Arcadelt Ave Maria. I will play the Flor Peeters "Choral: Ave Maria" from "Four Improvisations on Gregorian Melodies" during Offertory, or perhaps as a bit of filler after communion.
Entrance: all sing the antiphon text from the Missal: Meinrad tone 7 Offertory from the 4 th Sunday of Advent : Ave Maria Communion: OCP " O Holy Mary" refrain and " Ave Verum" as the verses Recessional: Salve Regina Oridnary: ICEL (except the "Lamb of God" - "Orbis Factor." Meinrad)
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Communion: OCP " O Holy Mary" refrain and " Ave Verum" as the verses
I apologize for my ignorance, but how is this done: cantor (we don't have a choir yet), congregation or combination? I see "O Holy Mary" in the Music Issue but where are you getting the "Ave Verum" verses?
I just got and printed the music I'll be singing at the Mac (immaculate Conception, Cleveland) so it looks like: Gesualdo: Maria mater gratiae Escribano: Paradisi porta Ortiz: Dignare me laudare te Handl: Missa super Sancta Maria
Entrance: A great sign appeared...(chant) Offertory: Mary's Song (Magnificat to the tune of Amazing Grace (yuck)) Communion: Magnificat (Worship III no. 87) Recessional: Hail Holy Queen
Entrance: Un gran signo (chant) Offertory: Dios Te Salve Maria Communion: Canto de Maria Recessional: Adios Reina del Cielo
Entrance Hymn: Hail Holy Queen Introit: Mary has been taken up to heaven (By Flowing Waters 355) Offertory: Sing of Mary (set to HYFRYDOL) Communion: Newly-composed setting of communion antiphon (by myself. see posting elsewhere in forum.) Recessional: Tell out my soul
At Sainte Marie's, Manchester, NH the only thing missing will be the Gradual!
We will even have torchbearers coming out during the Sanctus!
Procession: Immaculate Mary (v. 1-3)
Introit: Signum Magnum (Gregorian Latin + English verse + Glory be...) Signum Magnum (Gregorian English)
Confiteor (English)
Kyrie IX (Greek) Gloria IX (English)
Resp. Psalm (Chabanel Response w/ custom tones for verses)
Alleluia (Hebrew + English verse)
Credo: Creed I (English)
Offertory: Assumpta Est (Gregorian Latin + 1st Psalm verse in custom tone in English) Assumpta Est (Simple English Propers Antiphon + remaining English verses as needed)
Sanctus IX (English) Mortem Tuam (English) Amen (Latin)
Our Father (English Snow) Agnus Dei IX (English)
Communion Chant: Beatam me Dicent (Gregorian Latin) Magnificat (English using Clayton Psalm Tones) Beatam me Dicent (Gregorian English)
Communion Meditations: Pange Lingua (v. 1, 5, 6) Let All Mortal Flesh Keep Silence (v. 1-4) Adoro Te (v.1 in Latin, then verses 1 and following in English)
Saint Edward, Newark, CA 7:30 PM Missa Solemnis in the Ordinary Form Full Gregorian propers from the Graduale Romanum Mass IX "Cum jubilo" with Credo I Offertory Motet: Ave Maria ... Anton Bruckner Communion Motet: Angelus Domini ... Franz Biebl Retiring Procession: Salve Regina in Bb, D 386 ... Franz Schubert
Postings on this forum represent the views of the individual participants and not necessarily those of the Church Music Association of America. (Some participants are not even members.)
I think I've settled on the following line-up of music for the Feast of the Assumption at the Chapel of Our Lady and St Bernard at Campion College.
Processional Hymn: "Hail Queen of Heaven, the Ocean Star." Confiteor: Recto Tono Kyrie: Mass St Boniface Gloria: ICEL Chant Mass Tone IV (with organ accompaniment) Psalm: Sung Alleluia: Chant VI (I think) Credo: Spoken Offertory: "Ave Maria" - Arcadelt Sanctus: ICEL Chant Our Father: ICEL Chant Agnus Dei: Mass St Boniface Communion: Simple English Propers Recessional Antiphon: Salve Regina (Simple Tone) Postlude: "Prelude in F" J.S. Bach BWV 556
*EDIT*
I have now attached a copy of the finalised Mass Leaflet for the day.
Church of the Holy Innocents, New York City Assumption of the BVM, 1st Class - Missa solemnis 6:00 p.m. Ordinarium Missae: Messe royale du premier ton (Henry Dumont, 1610-1684)
Prelude: Chanson d'Arcadelt: Ave Maria [1557] (Franz Liszt, 1811-1886) Hymn: Sing We of the Blessed Mother (Rustington) Ant. ad Introitum: Signum magnum (Mode VII) Kyrie & Gloria: Dumont Graduale: Audi, filia (Mode VII) Alleluia: Assumpta est Maria (Mode V) Credo: Dumont Ant. ad Offertorium: Inimicitias (Mode II) Additional Chant at the Offertory: Assumpta est Maria (Mode VIII, Offertoriale restitutum cum versiculis, ed. Anton Stingl jun.) Sanctus & Benedictus: Dumont Agnus Dei: Dumont Ant. ad Communionem: Beatam me dicent (Mode VI) Prosa: Induant justitiam (Mode V, Antiphonaire et graduel de Paris, 1788) Marian Antiphon: Salve Regina (Mode V) Hymn: In Splendour Arrayed (Laudate Dominum) Postlude: Sortie pour la fête de l'Assomption de la Sainte-Vierge en Fa majeur (Alexandre Guilmant, Op. 50, No. 4)
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