One of the problems the beleaguered choirmaster faces in today's world is the lack of attention span on the part of Catholics in the pews (and even choristers!), perhaps due to our modern obsession with television, iPhones, internet, etc. In the "solution" presented below, I cannot emphasize enough that the key to success is variation (organ accompaniment vs. a cappella, metrical hymns vs. chant, etc.) and especially alternation between priest, deacon, choir, congregation, and organist.

The below model is able to be implemented with great success in the "typical" parish. It will be noticed that the pieces are very short in length, but ought to be done extremely well. It is better to do brief music beautifully than to attempt long, complicated music and do it poorly. It will be noticed that there is very little Latin (as this can be intimidating).

(Congregation / Organ / Metrical / ENGLISH)
1. Immediately before Mass begins, a Hymn with organ accompaniment is sung in its entirety. Singing only a few verses of a hymn destroys its inherent poetry and frustrates parishioners, who have gone to the trouble of taking out the books and finding the correct page only to stop singing after the second or third verse. Since parishioners are accustomed to singing an opening hymn, taking it away would cause a needless rupture. Professor László Dobszay notes that singing a hymn immediately before Mass is the practice in many countries (page 24) and this practice serves as a nice "signal" to the congregation that Mass is about to begin. The Vatican II Hymnal is organized in a way that makes it very easy to choose hymns appropriate for each part of the Mass: not only does it have headers on each page giving suggestions, but the indices are also quite comprehensive and helpful in this regard. Best of all, 100% of the organ harmonizations, SATB settings, and cantor scores are available free online.

(Choir / A Cappella / Chant / ENGLISH)
2. As the priest processes to and then incenses the altar, the Mass Proper is sung a cappella. As a reminder, the Mass Proper (in this case, the "introit" or "entrance chant") is the ancient prayer, carefully chosen and assigned attached to each individual feast by the Church over a period many centuries. It can be sung in many ways (Latin or English), but one way would be the Simple English Propers. Incidentally, many large basilicas and cathedrals have sufficient time during the procession for an entrance hymn and the Mass Proper, a practice recently affirmed as correct by the USCCB Secretariat of Divine Worship (2/14/2012). The Vatican II Hymnal is the only hymnal to print the complete Mass Propers (in English with Latin incipit) as well as all the Mass readings, and this was done without a single page turn, so the congregation has no trouble praying along with the choir or lector.

(Priest, Congregation / A Cappella / Chant / ENGLISH)
3. The congregation sings the responses a cappella as the priest sings, “In the name of the Father,” etc. Throughout the entire Mass, all the dialogues between priest & congregation should be sung. For instance, after the Gloria, the priest should sing "The Lord be with you," as well as the Collect. The melodies for the orations are very simple, within the capabilities of any priest.

(Choir, Cantor, Congregation / A Cappella / Chant & Polyphony / GREEK)
4. The cantor sings "Kýrie, eléison" a cappella to a simple chant, the congegation repeats, then a 20-second polyphonic verset is sung by the choir. The same arrangement follows for the “Christe” and final “Kyrie.” There are hundreds of possibilities for this, but the SATB Brudieu Kyrie would be a fine example.

(Congregation, Choir / Organ / Chant / ENGLISH)
5. The entire congregation sings a simple, short, beautiful, chant-inspired setting of the “Glory to God” in English (with organ accompaniment). The piece is intoned by the priest, and the rest of the piece can be divided up into sections (a traditional practice). For instance, the women in the choir could sing the odd sections and the entire congregation could sing the even sections. The Gloria in honor of St. Edmund Arrowsmith would fit the bill quite well, it being brief, modal, and singable. The Vatican II Hymnal also contains more than 100 pages of other possibilities.

(Cantor, Congregation / Organ / ENGLISH)
6. The Responsorial Psalm is sung (with organ accompaniment) to a beautiful, memorable, simple, singable, noble melody based on Gregorian chant. More than 2,000 are available for free on the St. Noël Chabanel Responsorial Psalms website.

(Cantor, Congregation / Organ / ENGLISH & HEBREW)
7. The Gospel acclamation is done the same way, and could come from the St. Charles Garnier website. The Vatican II Hymnal contains the complete Chabanel Psalms and Garnier Gospel Acclamations in the same exact place as the Mass readings and Propers, to allow for maximum participation on their part.

(Choir / A Cappella / ENGLISH)
8. The Offertory Proper is sung a cappella by the choir, and (as always with Propers) employs as many Psalm verses as are necessary to cover what is happening at the Altar. We have found that the Simple English Propers work very well here.

(Priest / A Cappella / ENGLISH)
9. The Preface ought to be sung by the priest.