The Choir of Men and Boys at St. Thomas Episcopal Church NYC - Dr. John Scott - Music Director
  • For your enjoyment and interest, I recommed listening to one of the finest Men and Boy Choir in the world. They broadcast the Mass and Eversong every Sunday and Evensong on Tuesdays, Wednesdays and Thursdays. Dr. John Scott was the Music Director at St. Paul's Cathedral - London, England. You can also download their services.

    Just click on the link, then click on the "Listen to some of our choral services" and proceed.

    http://www.saintthomaschurch.org/
  • No,
    St. Thomas does not sing a Mass, it is characterized as a Episcopalian Choral Eucharist. St. Clement's, Philadelphia, however, does sing a Mass, and their podcasts are definitely worth listening to.
  • John Andrew, the former rector of St. Thomas, 5th Avenue, did from time to time publicly refer to the Eucharist as "The Mass." Given Andrew Mead's background, I imagine that he does, too. The St. Thomas tradition was middle-of-the-road before Dr. Morris became rector. Then it turned decidedly low church. Under John Andrew it moved back to the middle ground, veering upward. Under Andrew Mead it has moved further, I am told, in a (somewhat-reactionary) Anglo-Catholic direction; but certain outrageously protestant residuals, such as the singing of "Praise God, from whom all blessings flow" at the presentation of the alms, survive.

    St. Thomas services are not to my liking, but it's choir is superb. Some have called it the best in North America.
  • My point is NOT whether its a "Mass" or not, high church versus low church, protestant versus Catholic, my point is purely musical and artistic in that the sacred music offered by their choir is indeed superb and that they are universally considered to be one of the finest Men and Boy Choir in the world and certain in North America. I am also VERY aware of St. Clement's in Philly and it too is a fine choir of Men and Women and woorthy of hearing as well!

    This posting is just to suggest for those CMAA members that are unaware and maybe interested in children's voices, that an extremely fine choir of this type, could be heard online, singing also on occasion, plainsong chant and Latin motets done extremely well. Listening to what boy choristers are capable of musically and artistically, IS of interested to some CMAA members and I am merely trying to be HELPFUL !
  • BruceL
    Posts: 1,072
    For what it's worth, in conversation, Dr. Hancock always referred to the Sunday services at S. Thomas as "Mass" during my time with him.
  • I now recall where I had my info from: The St. Thomas Website:

    THE FEAST OF DEDICATION

    OCTOBER 4, 2009

    FESTAL EUCHARIST — 11 a.m.

    Next week is a CHORAL EUCHARIST.

    SARUM my problem with this is that this is not a church where you would go to hear a Mass sung....unless you are looking for a very liberal, English language service that is in some ways liturgical-appearing, but in reality does not follow a strict, outlined by the Roman Church, liturgy.
  • David AndrewDavid Andrew
    Posts: 1,204
    No matter how you slice it, the St. Thomas 5th Ave Choir is one of the best in the country, with perhaps the longest unbroken history of a preserved tradition that hasn't been pulled to pieces by progressivist in-fighting and complicitous manipulation from the current trendy publishers and the dumbed-down, consumer-driven peddlers of cultural trash. And they remain one of the only residential choir schools in the country. Our Episcopalian and Anglo-Catholic colleagues are to be commended for safeguarding the music of our tradition while we (collectively) fiddled about with being "pastoral", "vibrant and diverse" and "multicultural." Thanks to institutions like St. Thomas, we still have some hope that the music of the tradition can be reclaimed at all.

    Someone please point to an orthodox Catholic residential choir school with the level of excellence and longstanding tradition as exhibited by St. Thomas.
    Oh, you can talk about the Madeleine Choir School. I have two of their recordings. They're quite good, but nothing like St. Thomas, and certainly not as aggressively supported and funded by the PTB as St. Thomas.

    We as Catholics should be ashamed that the Sistine Choir remains one of the biggest embarrassments of our tradition, and that organizations like NPM, the big-three publishers and their "royals" . . . Haas, Haugen, Joncas et. al., are celebrated (especially Haas) for their "good work in the advancement of Catholic music, especially with youth."
  • don roy
    Posts: 306
    david
    i couldnt have put it better. this poo-pooing the anglican church is one of the less attractive tendencies we traditional catholics tend to do. as church musicians we should always support churches, regardless of tradition, that seek to preserve the churches gift to mankind even as we ourselves are struggling to recapture it.
    this negativity towards the efforts of such churches as st. thomas seems to be a bit of us biting our nose to spite our face.
    we are, after all, on the same side.
  • don roy
    Posts: 306
    by the way, not to hijack this thread or anything but...

    remember the utube video of that dancing wedding processional? THATS the enemy we face people and we let them win when we quibble amongst ourselves.

    anyway... have any of you music director/organist types been impacted by this video. I have. now i get catholic couples who see absolutely nothing wrong with dancing to pre recorded hip hop and get very angry when i say no. yet another ulcer producing fight we have to face every day.

    what they do at st, thomas gives me hope and courage to fight yet another fight ill probably loose anyhow. (yes, the couple in question were able to find a simpathetic priest so ...they danced.
  • Very Wise Words of appreciation by true and orthodox Catholics for the best, musically and theologically, from our separated brethren. If one had an outstanding choir such as this, which offered outstanding music at every beautiful, careful and reverent mass or eucharist, and believed in his heart that (but for the papacy) he, his faith and his church were as Catholic as anyone else, why in heaven's name would he leave it to become Roman when he sees what passes for liturgy in the Roman Church? What would he perceive himself to be gaining? I speak as one who has been there and learned (as we all know) that the missing ingredient is the Magisterium. With what agony has one watched in horror as the Anglican Church spent itself into theological and apostolic bankruptcy while running pall mall after every trendy ecclesial and social issue of the late XX. century! That agony has been equalled only by sitting through what-would-be Roman Rite liturgy in this country. Deo gratias for the Anglican Use. If it were not for that, I would be going to an Eastern Rite parish. One has even heard that in many places Latin masses (even of the Novus Ordo) and Gregorian chant are forbidden. How (will someone explain to me!) does anyone forbid the knowledge and practice of that which has been commanded by an Oecumenical Council (Vatican II) and successive Popes? There seems to be a missing ingredient here. Could it be Obedience? Those who expect it from others should first practice it themselves! Then may they and their admonishments be known to be Authentic!
  • IanWIanW
    Posts: 756
    Someone please point to an orthodox Catholic residential choir school with the level of excellence and longstanding tradition as exhibited by St. Thomas.

    I thought you meant North American choir schools, then saw your reference to an Italian choir, so I feel it's OK to mention this one, which is quite the equal of any Anglican institution. Nor should we forget those non-specialist Catholic Schools that have a strong liturgical music tradition, through their own chapels or association with a particular church, e.g. this one. This, I believe, represents a practical and effective model for Catholic recovery and development of the tradition.
  • IanWIanW
    Posts: 756
    As to the thread subject - I'm happy to have the opportunity to sing polyphonic ordinary settings in an Anglican context, and to sing Evensong. It maintains an element of our tradition that so many Catholic priests, liturgists and musicians spurn. Neither form of service requires me to say or sing anything unorthodox, and a Book of Common Prayer Evensong is a beautiful and moving form of prayer.
  • IanWIanW
    Posts: 756
    To draw the two elements of the thread together: in the UK, Catholics who wish to further this tradition actively cooperate with Anglicans in areas of common interest and practical matters. In particular, the Choir Schools' Association has both Catholic and Anglican members, and it extends associate membership to churches that don't have dedicated schools but which are actively engaged in maintaining the tradition and the place of children in it.
  • David AndrewDavid Andrew
    Posts: 1,204
    IanW,

    I was pointing to North American Catholic Choir Schools, as St. Thomas is in the US. My reference to the Sistine Choir was to point out that the one place in the whole world we Catholics should expect the very best music would be the Mother Church of the Faith, which remains mediocre at best.

    And you bring up an interesting point: The majority of thriving choir schools, residential or otherwise, seem to be modeled off of the Anglican Tradition, both within and outside the UK.

    I'd like to point out that the oldest continuously operating choir school in the world is in England, at Canterbury. Now Anglican, it was established by our very own St. Augustine. Choir schools are the world's oldest "youth movement"!
  • GavinGavin
    Posts: 2,799
    "We as Catholics should be ashamed that..."

    You know, I'm altogether ready to jump on the Catholic-bashing train, but let's remember a few things. You're comparing one of the greatest music programs in the country to a typical Catholic church. Sorry that they can't all be to that standard. And people have pointed out that Catholics DO have programs similar to St. Thomas (Madeline, Westminster), not to mention that there are a great many churches with music as good as it can get without a full-time school - I hardly think it fair to compare the results of a program of volunteers to a program with comfortably paid singers. It's not even apples to oranges you're comparing. It's apples to spider monkeys.
  • For those commuting distance to the Boston area, the St. Thomas treble choristers will be giving a concert at Christ Church (Episcopal) in Cambridge on Friday evening, October 16.

    Gavin neglected to include the Boston Archdiocesan Choir School in his list above. Only two in the BACS men's schola, by the way, are paid. (All schola members of course are competent musicians and are admitted only after an audition.) He does make a valid point, however. It is unfair to compare typical parishes to these exalted programs. What happens at St. Paul's/Cambridge during the summer, when the choir school is not in session, serves as a more realistic model.
  • IanWIanW
    Posts: 756
    David,

    The interesting thing about Canterbury (just down the road from where I sit) is that the dedicated choir school was transferred some years ago to become part of St. Edmund's, a nearby Church-of-England school with an excellent music department. The continuing high standards reinforce the point that it is possible to implement choral programs through an existing school which is prepared to make the committment and work closely with the church. This doesn't only apply to the flagship programs. It ought to be possible to have a parish music director work closely with the staff of a parish school to encourage participation in our musical tradition. In my own case, my love of choral music owes much to a Head of Music who was also organist at a local Anglican church, and who made best use of the connection.
  • BruceL
    Posts: 1,072
    It is unfair to compare typical parishes to these exalted programs. What happens at St. Paul's/Cambridge during the summer, when the choir school is not in session, serves as a more realistic model.

    I agree...perhaps. The burning question is: "Why do our cathedrals not have programs along the line of Westminster Cathedral (in London)?" As I recall, that foundation was from Cardinal Vaughan at his requirement. We really need this in our dioceses: sung Mass every week, at least, and vespers on Sunday once (or more a month.) Latin is great, but it can be done in a dignified manner in English. If, as it should be, our cathedrals are the models for average parishes, this must happen before we can make large-scale progress. The faithful will see that this cult of worship has the approval of the ordinary, and so things will progress...at least where pastors are open to it!
  • don roy
    Posts: 306
    actually, concidering the catholic commitment to education, we should have tons of boy choirs. we dont because there isnt the will and sr. mary principal is more interested in a blue ribbon show choir then anything else. its no accident that school masses are the worst...
    for this reason a comparison between st thomas and the "average" parish isnt totally far off.
  • Many of you have good and valid points. However, please keep in mind that my sole and only intention for starting this thread was that we ALL, regardless of our religious beliefs, backgrounds, likes and dislikes would hopefully be positively and proactively interested in an example of a musical ensemble that strives towards excellence in traditional sacred classical music, that inspires and offers glory to God.

    Yes, I am personally proud to be an Anglo-Catholic (Anglican Use) member. Even though I was baptised, confirmed and communioned as a Roman Catholic, as a young boy I participated in both the Catholic Church for the Mass and communion and on Sunday mornings went to sing in an Episcopal Cathedral Men and Boys Choir because of the music - Traditional Sacred Catholic Music! Music to me has ALWAYS been the way I pray to God. It was SO obvious even to me as a child that something terribly wrong had occurred in the 1960's and even continues in my Catholic diocese to this day. When I went back home after years of excellent training, study and professional experience, a wise, scholarly and highly well educated and cultured Dominican Prior appointed me to a major position at "the" Dominican" church in my childhood diocese. After three years of extremely hard work and laying the foundations for building a wonderful traditional sacred classical music program with an adult choir, schola of men and a boys choir, along came a new pastor and literally over night it was all wiped away; all of it unappreciated and unwanted. Many of us like minded traditional classical sacred musicians even to this day are unemployed because of these kinds of treatments here in the USA; I still am! While, the geetar and drum set crowd smile all the way to their banks. I pray daily for God to remove the bitterness in my heart! In the meanwhile, I live in a Catholic diocese in California now which is just as bad as the one I grew up in, in Kentucky; and in some cases even worst!

    I now live in poverty and barely survive from day to day, even though I have a vast musical knowledge and experience and am an expert in Boy Choirs, Scholas and traditional sacred classical music (chants and polyphony). I am easy to get along with, kind and generous and a good solid church musician and organist and most importantly a deeply loving soul of my Lord and Saviour Jesus. Yet, all to often, I can NOT get a job because I am a traditional, orthodox, conservative church musician. In the past when I have gotten one, along comes a new pastor who says I am not a "good match" and he destroys everything that many have work so hard to build. History repeats itself!

    I am afraid that this will continue here in the USA until all priests are better educated and trained musically and an "absolute mandate" comes from the Church and Pope. The moral and ethical crimes which have been committed on me in several churches will continue in this country unless we ALL unite, stand together and demand the CHURCH live up to their profession of dignity for all. NO ONE should ever go through what I have been through and yet I hear and read it almost everyday.

    In the meanwhile, I try to help other fellow believers of the Faith, those who like-wise find the great traditional sacred music of the Church "their" way to pray as well. The music of St. Thomas NYC inspires and moves me every Sunday over the web, to tears and a deeper love for my Lord. I find myself sitting here and thinking, "if only more Catholic Churches were like this musicially." I have hope because of what goes on in the UK at Westminster Cathedral and many of the Oratories. I like to watch the Mass from the Vatican but yet pray for the Sistine Chapel Choir. And I am so wonderfully enheartened in what I read and hear about and from the CMAA!

    Please, let us worship the Lord in the "beauty of holiness" through such music offered by such choirs; regardless of who they are or where they reside. Let us learn, go forth and do likewise - ALL for the Glory of God!
  • IanWIanW
    Posts: 756
    Hang on in there, Ken.
  • I have never heard St. Thomas described as a "liberal" church. Some of the theological stands that the rector has taken (particularly in the sphere of human sexuality) have aroused considerable ire among clergy who would still account themselves as conservative.

    If you will visit the Web site of St. Clement's, Philiadelphia, and read the rector's Blog, you will find that his positions are considerably more "liberal" than Andrew Mead's.

    I do not like the liturgy at St. Thomas. Even though I like Tudor English, I do not like "Rite I," which retains a lot of Reformation baggage that the contemporary-English "Rite II" has discarded. Besides retaining Rite I, St. Thomas has retained a number of silly practices introduced to Anglican churches during the Victorian era, such as the choir's parading through the church singing a hymn before nearly every service and the singing of "Old Hundredth" when the alms are received--not only at Mass but at Evensong. At the Mass/"Choral Eucharist" the choir usually sings all parts of a composed ordinary except the creed--which is recited. As far as I know, the propers are not sung.

    Although I do not like the liturgy at St. Clement's, I think it has far more integrity than the liturgy at St. Thomas. At St. Clement's the old Roman rite is used with only one Anglican addition--Cranmer's "General Confession--which is placed before the offertory. St. Clement's deviates from Tridentine usage in only two ways: All the prayers and readings are rendered in English, and the Roman Canon is recited audibly.

    St. Thomas choir is probably the best in North America. The quality of the singing certainly justifies an occasional visit to the church, liturgical pecadillos notwithstanding.
  • Lawrence
    Posts: 123
    Small note: At S. Clement's the Canon is often rendered silently while the choir sings the Sanctus-Benedictus, and the organist improvises an Elevation.
  • Just this week a colleague stopped me in the parking lot to tell me about a Tuesday choral evensong she attended at St Thomas, and how beautiful the singing was. "It reminded of the High Masses we had back in the 50s," she said. (The music and atmosphere, I think she meant--she knows evensong isn't Mass)

    Evangelical beauty, as Fr McAfee said in his pilgrimage homily.
  • At St. John The Divine, NYC, the Elevation was played on the State Trumpet from the rear...anyone know if this is still the case?
  • Regardless of your religious / denominational background, the main issue is that I offered this thread in the hope that many would LISTEN TO this Men and Boys Choir on their website and come to appreciate the extremely fine traditional sacred classical music and the remarkably high level of performance by one of THE greatest choral ensemble of the world. Many Catholic church choirs and their directors would benefit enormously from listening and studying their artistry in chant and polyphony. Yes, they are a professional choir and a choir school. But that shouldn't stop anyone from listening, observing and learning. Yes, there are other choirs that are magnificent too. However, this choir of men and boys is extremely unique and its new director is outstanding in his musicianship and artistry.

    There should be MANY MORE men and boy choirs in Catholic churches here in the USA and many of the current choirs and music programs would do well to strive toward this model of musical and artistic beauty and excellence! Just imagine setting in church with this kind of choir on one side and a rock and roll folk group on the other side. The sheer beauty and greatness of one would shame the other and make blatantly obvious the profane from the sacred!
  • Ahh! Yes, Ken of Sarum: one would think that where the good and bad are brought together that those performing the latter would out of embarassment realise that their pop and pseudo-folk musics are out of place. This does not happen, though. It is astonishing, dumbfounding, that the perpetrators and hearers alike do not at all have a clue as to the incongruity and presumptuousness of their performance with the sacred rites being celebrated. And, the priest, to top it off, is just as likely to tell those who are doing real liturgical music that their gifts (if he even thinks of them as gifts) belong somewhere else. He doesn't tell this to the 'contemporary' crowd because he is afraid of offending them.