The one known from the Chartres pilgrimage, although not actually sung as written by the late Gérard de Rosny.

@MatthewRoth, yes, it does have a catchy pilgrim feel to it.

Maybe but they often do that in the Francophone context.

Are there standard chants for the rosary?

Q. Did medieval people sing the Rosary in Gregorian chant?

Evidently they did. Historical literature abounds with references to “singing” or “chanting” the Rosary, as distinct from “saying” or “reciting” it. For example, St. Louis de Montfort writes, “There are several ways of saying the Holy Rosary, but that which gives Almighty God the greatest glory… is that of saying or chanting the Rosary publicly in two groups (c’est de le psalmodier ou réciter publiquement à deux choeurs).” (10) Significantly, De Montfort does not use the verb chanter (“to sing”) in this passage, but rather psalmodier, a term of art specific to the singing of liturgical chant. Its literal meaning is “to Psalmodize” or to sing Psalms.

Cantus Selecti
https://media.musicasacra.com/books/cantus_selecti.pdf
has antiphons for the mysteries of the rosary (pre-dating the Luminous mysteries).

@Roborgelmeister: I see they're on pp. 147* - 157* (PDF pp. 161-71). Grazie!

@OMagnumMysterium: Kwasniewski's

aren't the antiphons from the feast's nocturns:
Joyful Mystery #1: Annunciation

Joyful Mystery #2: Visitation

Joyful Mystery #3: Nativity

etc.
⋮

These antiphons introducing each mystery have been transcribed into GregoBase under Cantus Mariales, Solesmes, 1906, p. 125 ff.:

Annuntiatio


Visitatio


Nativitas Domini


Nativitas Domini (Alia antiphona)


Purificatio B. M. V.


Purificatio B. M. V. (Alia antiphona)


Inventio Jesu in templo


Agonia in horto


Flagellatio


Impositio coronae spineae


Bajulatio Crucis


Bajulatio Crucis (Alia antiphona)


Crucifixio


Crucifixio (Alia antiphona)


Resurrectio


Resurrectio (Tempore paschali)


Ascensio


Ascensio (Tempore paschali)


Pentecostes


Pentecostes (Tempore paschali)


Pentecostes (Alia antiphona)


Assumptio B. M. V.


Assumptio B. M. V. (Alia antiphona)


Impositio diadematis B. M. V.


Impositio diadematis B. M. V. (Alia antiphona)

Yes. And I have his original score somewhere which also has SATB. I am not competent in trying to transcribe what people actually sing in parts though.

I have been away from my machine so getting the files to the forum is something that I keep forgetting about. And there is also the Arouca Press rosary book for which I did the scores.

@tomjaw:

The Divine Office Hymns for the Feast have verses for each mystery, and there are a set of chant antiphons to introduce each mystery. Of course these are for the Dominican Rosary.

Are you referring to the nocturn antiphons? There only appear to be 9 of the 15 mysteries:

In I Nocturno

Joyful Mystery #1: Annunciation


Joyful Mystery #2: Visitation


Joyful Mystery #3: Nativity



In II Nocturno

Joyful Mystery #4: Presentation


Joyful Mystery #5: Finding in the Temple


Sorrowful Mystery #1: Agony in the Garden



In III Nocturno

Sorrowful Mystery #2: Scourging


Sorrowful Mystery #3: Crowning with Thorns


Sorrowful Mystery #4: Carrying of the Cross

Are there Latin antiphons for the Luminous Mysteries?

@Roborgelmeister The Luminous mysteries are so recent (2002) there won't be a tradition for it. That said, I imagine you could find antiphons for each event without too much trouble - three of the mysteries have their own feasts.

@tomjaw that would be my approach too. @Roborgelmeister I had a flick through Antiphonale Romanum II, and these are my picks:

1. Baptism in the Jordan: In columbae specie
2. Wedding at Cana: Nuptiae factae sunt
3. Proclamation of the kingdom: Agite paenitentiam
4. Transfiguration: Assumpsit Iesus
5. Institution of the Eucharist: Cenantibus autem

The Pater is usually the usual tone. The French use the ton royal du VIe mode to chant the doxology. The Aves depend on who is leading and their choice, but it’s usually not the Gregorian melody in my experience.