I hope that this question will soon be more fully explored, now the archives of Pius XII have been opened.What was he thinking?
I can't think of anyone worse that could have been put in that job.
I know well Cranmer's traitorous shortcomings. He was burned at the stake because of them. Yet, I am inclined to believe that his BCP, which is widely revered (even by Catholics) even to this day, goes quite a ways to earn him respect. He was gifted by God with a particular genius for crafting an hieratic English. Just how is he made a 'model' for the likes of 'Bugsy and Monty'? If these wolves in sheep's clothing had really followed in Cranmer's footsteps we would likely have an English missal that was beyond praise. Burning at the stake was, in Cranmer's day, perceived as a cleansing from sin and heresy. So Cranmer has paid his debt. Not so 'Bugsy and Monty', who ought to have been burned at the stake....and Cranmer....mobels for...
You people know one of these is a canonized saint, right?Bugsy and Monty
I don't think so. Marini's narrative is called A Challenging Reform. Paul VI was deeply troubled by liturgical chaos in Germany and the Low Countries following VII. Many priests there took the prospect of a relaxation of the obdurate immobility of SRC to go off devising and using their own liturgies. I have read of more than two score unauthorised "Eucharistic Prayers" having been published and used, who can say how many other unpublished initiatives there may have been. Bugnini and Paul VI did succeed in patching together something that kept schism at bay.carefree havoc
the Acclamation [...] which says "Christ is risen...&c....Christ will COME AGAIN"
O Lord, we remember your death,
we witness to your resurrection,
we await your second coming,
we implore your compassion,
and we ask for the forgiveness of our sins.
May your mercy come upon us all.
O God, we remember your death,
we witness that you rose from among the dead,
we await your return.
That rubric pertains to Gregorian chant. As has already been noted, in polyphonic Masses, the Benedictus is sung after the Elevation. A motet is expressely allowed afterward in TLS but discouraged in DMS. It's unlikely that there would be time for a polyphonic Benedictus plus a motet in the few minutes from after the Elevation until the end of the Canon. It is unrubrical and incorrect to split the Gregorian Sanctus and Benedictus, regardless of which Missal one is using.The custom of waiting till after the Elevation and then adding the Benedictus, once common, is now abolished by the rubric ("De ritibus servandis in cantu missæ, VII) of the Vatican Gradual. It was a dramatic effect that never had any warrant. Sanctus and Benedictus are one text.
Pope Benedict XVI favoured moving the sign of peace to the beginning of the Liturgy of the Faithful. CDWDS said no.
during the Synod of Bishops there was discussion about the appropriateness of greater restraint in this gesture, which can be exaggerated and cause a certain distraction in the assembly just before the reception of Communion.
Forse sarebbe utile valutare se il segno di pace non vada collocato in un altro momento della celebrazione, anche tenendo conto di consuetudini antiche e venerabili.
Perhaps it would be useful to evaluate if the sign of peace should not be moved to another moment of the celebration, also taking account of ancient and venerable customs. [my translation]
Bugnini and Paul VI did succeed in patching together something that kept schism at bay.
Pius X says it is fitting to sing a motet to the blessed sacrament following the elevation
It's unlikely that there would be time for a polyphonic Benedictus plus a motet in the few minutes from after the Elevation until the end of the Canon.
Fine and well, @gsharpe34, but none of that seems to take into account the chant itself. As @a_f_hawkins suggested, perhaps returning to the earlier arrangement of singing Sanctus and Benedictus together was envisioned by the Solesmes monks and/or the members of the commission that prepared the 1908 Gradual. Solesmes-style chant was not being sung at all in the 1500s or even most of the 1800s. The somewhat corrupted chant was sung slowly in that entire era, for example: https://www.youtube.com/watch?v=fWlwr_GvBMwAs for the separate Benedictus, Jungmann has it as early as 1600 in the CE and apparent in Paris as early as 1512.... Current and even less recent scholarship also suggests that the Sanctus-Benedictus separation goes back beyond the 1500s.
Formally this could be justified as not a change by pointing out that the 1908 Gradual is an aithoritative Vatican publication, while the subsequent Solesmes editions are "private" publications, tolerated rather than authorised.it seems opportune that the principal sections on sacred liturgy and sacred music and their pastoral efficacy be taken from these aforementioned documents and set down concisely in one special Instruction, so that their content may be more easily and surely put into practice.
The most controversial element of the ceremony was the Coronation Mass and Elizabeth's participation in it, since the three surviving eye-witness reports are either obscure or contradictory.
Speaking of the Church of England, I recall that the 1662 BCP does not include the Benedictus in the Lord's Supper liturgy. I see that it was included in 1549 and removed in 1559. Does this reflect the Catholic practice of the time in any way?Elizabeth I was, as many will know, very 'high church', as was her Chapel Royal.
Accompaniment in Church documents doesn't necessarily mean what we musicians think of.
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