Organ Accompaniment for Missa De Angelis
  • adjpanderson13
    Posts: 23
    Making a big switch over to singing Mass VIII at my church soon. The choir and congregation will know it well, I only have to find good accompaniment for the organist. I know there are a number of options on CCWatershed, but I don't have time to look through them all. Can anyone make a recommendation? Or maybe describe these accompaniments, or ones that you have done yourself?
    Much thanks.
  • Chris Garton-Zavesky
    Posts: 6,902
    AdjpAnderson13,

    I haven't written down what I play, but I play it predictably nearly every time I play it, which is as infrequently as I can get away with. In our parish, the Ordinary is always accompanied (except when we're singing a polyphonic setting, or when Organ is forbidden), but we use Mass VIII only on special occasions.
  • irishtenoririshtenor
    Posts: 1,295
    I've used the accompaniment from the St. Michael Hymnal 4th Edition with success. I don't have it in front of me, but I believe it's by Fr. Rossini and it's not particularly challenging.
  • StimsonInRehabStimsonInRehab
    Posts: 1,916
    Irishtenor - it is, and it's not.
    Thanked by 1francis
  • irishtenoririshtenor
    Posts: 1,295
    You're a man of few words, Stimson ;-)
    Thanked by 3StimsonInRehab francis stulte
  • francis
    Posts: 10,668
    If you would like to try there are the modal accomps of the NOH, otherwise, there is the usual Liber Cantualis Comitante Organo

    I am attaching my printable version of the NOH here with my edits of the dotted punctum in place.
    missaDeAngelisNOH.pdf
    194K
  • Marc Cerisier
    Posts: 517
    I went through all of them a few years ago (listed on CCW's site) and settled on Sister Euphemia M. Bank's setting—which I still use. It's quite lovely.

    http://www.ccwatershed.org/media/pdfs/10/10/10/20-41-33_0.pdf
    Thanked by 2CHGiffen rich_enough
  • Joseph Michael
    Posts: 254
    In Hymns, Psalms, and Spiritual Canticles, one can find Theodore Marier's accompaniment to the Gloria from Missa VIII. It was his gift to create a harmony that reflects the words and keeps the momentum of the music moving forward.
    Thanked by 1rich_enough
  • CGM
    Posts: 683
    There's also this nice setting by Feliks Rączkowski, from the Msze Gregorianskie, published by the Instytut Wydawniczy Pax (Warsaw, 1957).
    MissaDeAngelis_PolishHarmonization.pdf
    287K
    Thanked by 1rich_enough
  • ronkrisman
    Posts: 1,388
    I've always favored Achille Bragers' accompaniment:

    http://www.ccwatershed.org/media/pdfs/10/10/10/20-36-27_0.pdf
  • Cantus67Cantus67
    Posts: 207
    Has anyone considered Maestro Torsell's videos on accompanying the Kyriales?
    https://youtu.be/oWdLHXX427Q
    Thanked by 132ContraBombarde
  • 32ContraBombarde32ContraBombarde
    Posts: 131
    Thanks for the shout-out there, Rick.

    When accompanying from square notes, I don't usually write any chords in to leave me with tons of flexibility to accompany according to the ability and range of the singers, the occasion, the instrument, etc. But in case anyone finds it of value, I just wrote in some chords for Kyriale VIII that I might use. Exact chord voicings and voice leading will depend on your circumstances. Remembering that chant is a primarily vocal music, keeping the accompaniment simple and focused on supporting the voices is generally a good practice.
    Kyriale 8 - Chords.pdf
    953K
    Thanked by 2Incardination CHGiffen
  • Incardination
    Posts: 832
    Remembering that chant is a primarily vocal music, keeping the accompaniment simple and focused on supporting the voices is generally a good practice.


    From your lips to the organist's ear. :)
    Thanked by 4a_f_hawkins francis Liam CHGiffen
  • francis
    Posts: 10,668
    the organ should not 'drive' the worship, but should be subsurviant... i like to use a principal or flute 8' alone and truly 'accompany' the chanter(s), following closely their rubato. even when i am the 'director', i always have my ear to the tempi set by the singers... words dictate the music.
    Thanked by 3Liam 32ContraBombarde CHGiffen
  • 32ContraBombarde32ContraBombarde
    Posts: 131
    the organ should not 'drive' the worship, but should be subsurviant... i like to use a principal or flute 8' alone and truly 'accompany' the chanter(s), following closely their rubato. even when i am the 'director', i always have my ear to the tempi set by the singers... words dictate the music.


    Yep. There are plenty of moments when the organ can sing and worship on its own merits, But accompanying chant is not that time. When accompanying the schola, I tend to select an 8' flute and an 8' string to create a "cushion" for them to sing over. When the congregation is also singing, then I add a bit more bite, often with the addition of an 8' principal and a 4' flute.
  • Juan AndrésJuan Andrés
    Posts: 36
    This is my own transcript (produced in MuseScore).
    The transcription is the same of the Solesmes. The chords are based on the harmonization of the NOH.
    Missa_VIII._de_Angelis_–_Kyrie.pdf
    47K
    Credo_III.pdf
    65K
    Missa_VIII_de_Angelis_–_Sanctus.pdf
    44K
    Missa_VIII_de_Angelis_–_Agnus-Dei.pdf
    39K
    Missa_VIII._de_Angelis_–_Ite_missa.pdf
    34K
    Missa_de_Angelis_Sacra_para_el_sacerdote.pdf
    458K
    Missa_VIII._de_Angelis_–_Gloria.pdf
    54K
  • Chris Garton-Zavesky
    Posts: 6,902
    keeping the accompaniment simple and focused on supporting the voices

    can include doubling the voices, especially when those voices are unsure of themselves.

    I sometimes wonder if having the organ sing its own part is a good thing. I know (for example) that rosaries accompanied by music are harder to pray, precisely because of the music, but I also (on the other hand) that mere blocking chords reminds me of a guitar.
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