At my parish we ordinarily use chant the offertory and communion. We use Fr. Weber's book and began with the simple ones and are slower moving into the more difficult chants. We switch in and out of singing the entrance antiphon, but we are using it more and more and singing less hymns. We sing the Creed, too.

The NO parish I attend occasionally on Sundays, when their choir sings, has at the very least, the Communion from Fr. Weber's propers. If the directrix has had ample time (or I do) we sing the introit before mass. We chant responses. ICEL mass. Spoken Credo. It's meh but it's honestly the best our diocese has.

Our schola only sings on solemnities due to work-related travel, so I wouldn’t call it “regularly”. That said, we chant all the propers, the ordinary except the credo, and various Latin hymns/chants.

For all of the masses with music (5 out of 7 each weekend) we sing:

- the Introit, Offertory, and Communion chants in Latin, with verses for the offertory and communion;
- Kyrie, Sanctus, Memorial Acclamation (#1), Agnus in Greek / Latin (Mass VIII), with the Gloria and Credo in Latin at one of the Sunday masses (English Gloria and recited Credo at the other masses);
- all the responses (except before /after the readings and the dialogue before the gospel, and the prayer of the faithful) as well as the Our Father / Pater Noster.

Schola and choir are all-volunteer; no cantor in the usual sense (mic’d soloist singing everything), so we are a bit limited as I am the only musician to be had.

Saturday vigil mass, Sunday late mass:
-Hymn at entrance and offertory
-ICEL/RM English chant for K/G/S/A
-Psalm/Alleluia, I trek downstairs from the organ and we sing unaccompanied.
-Communion, lector reads Missal antiphon; I improvise on it with allusions to the Graduale antiphon if it matches, or related hymns, and generally try to expound it musically. In times of penance when the organ is silenced, I sing the antiphon.

Sunday 7a mass:
-Missa lecta, no singing, organ improvisation before gospel, at Offertory, during communion. No organ in times of penance.

Sunday “high mass”, e.g. smoke and song:
-Choir sings weekly; +Schola on feasts/solemnities.
-Gregorian introit if schola present
-Hymn
-All dialogues and everything noted for the celebrant in the missal is sung, including English Credo I, excepting lessons (lay lectors). Gospel dialogues sung; Gospel itself on feasts
-ICEL/RM ordinary or choral mass on some feasts
-Responses to universal prayer sung
-If schola, Gregorian offertory and Communion are sung; if not, choir sing polyphonic setting, or some vernacular anthem with congruent text.

On holy days of obligation or in Holy Week/Christmastime, at the high mass, the schola sing all the propers, including Gradual and Alleluia, and the congregation sing a Gregorian ordinary (VIII usually, IX for Our Lady) with Creed III.

At the high school masses, my students sing the Gregorian introit and communion+verses, from the GR and proper to the feria (when applicable); the priest sings the preface, and the Marian antiphon is sung for the procession out. There is a hymn at the Offertory, really the only place where there’s enough time for one.

We only chant the Kyrie. I am wondering what it would be like to go to a mass where it is all chanted at this point. I went once a few years back and thought, "So this is what non catholics feel like when the go to a catholic mass for the first time," and it evoked a great range of emotions that I, a lifelong catholic who has a degree in liturgical music from a catholic college, could go to an EF mass and feeling totally like an outsider. It was so sad. I wish there wasn't such a divide. //hijack of post over//

Dialogues — usually
Propers — always
Creed — never

We chant the dialogs. During Lent and Advent, we chant the Kyrie in Greek and the Angus Dei and Sanctus in Latin. Starting with Easter Vigil, we will have one Mass where we will chant the Kyrie, Angus Dei, and Sanctus in English, along with some of the Propers (we will start with communion and gradually work for an entirely chanted Mass). And hopefully, work towards the Ordinaries and Propers in Latin.

We use Latin chant during Advent and Lent... and also during the Easter season.

Chris -
TCJ said that he also uses Latin during Eastertide.
This is nothing but laudable - and lets him 'off the hook'.

@MJO - You'd have to take that up with my former pastor and former choir director (both retired for several years.)

TCJ,

My spectacles' prescription is (evidently) in need of an update.

Sorry.

Annunciation in Houston (my former parish) has an OF Latin Mass with full sung Propers, Ordinary (w/ Creed), and dialogues.

I usually attend OF Mass at the Benedictine abbey where I'm an oblate. Sung Latin Propers, Latin/Greek ordinary, all from the current Graduale Romanum. The rest except the homily is in French plainchant, every day except on ordinary weekdays, the universal prayer is read, not chanted. I usually attend twice a week, on Sundays of course, but also on Wednesdays as I do volunteer work at the abbey's library. I do sing along with the monks.

In the small schola that I sing with, we do the Gregorian propers/ordinary once a month at different parishes in the small city in which we are based, but we recess for the summer.

Ora

Saturday evening "Low Mass" OF: organist/cantor: Hymns at Entrance and Communion; organ music or silence at Offertory, the only "Proper" sung is the Gospel Acclamation from the Lectionary. Only Sanctus and Agnus chanted (Mass XVIII), the rest recited.

Sunday early morning "Missa Cantata" OF: organist/schola: All processional Propers (Introit, Offertory, Communion) sung without verses, followed by hymns/motets. Gospel Acclamation from the Lectionary. Kyrie, Gloria, Sanctus, Agnus chanted, usually in simplex settings or Mass VIII. Pater chanted, along with Mystery of Faith & Doxology. Dialogues & Psalm recited.

Sunday "High Mass" OF: organist/choir & choristers: proper Hymn Tune Introit (by Kathy Pluth). Offertory & Communion chanted (Fr. Weber)---Communion with verses, followed by hymns/motets/anthems. Responsorial Psalm chanted (Pew Missal) or occasionally the Gradual. Alleluia: one of the Melismatic settings in PBC2, verse (music based on solemn psalm-tone with opening and closing melismata) from Gregorian Missal; replaced by the Tract in Lent. Mystery of Faith, Doxology, & Pater chanted. Kyrie, Gloria, Sanctus, Agnus chanted, with congregation (Masses VIII, and XVII, are sung complete during Christmas/Easter and Advent/Lent; in Ordinary Time movements are taken from Masses XI, XV, XVI, XVII, and Ad libitum chants); occasionally choral Mass settings are employed. No dialogues or orations are usually chanted (yet), nor the Creed (yet).

Weekdays (Tuesday thru Friday p.m., Saturday a.m.) Sung Mass, OF: Introit, Offertory, and Communion chanted (Fr. Weber), without verses (except Comm. With verses), followed by hymns. Sanctus and Agnus chanted (simplex settings), Kyrie recited (part of Paenitential Act III). Psalm recited. Alleluia: melismatic setting from PBC2, verse (simple psalm-tone) from Lectionary. Mystery of Faith, Doxology, and Pater chanted. Seasonal Marian Antiphon (simple tone) chanted after Mass, Tues. thru Fri.

Sunday afternoons, fully chanted EF Sunday Vespers, including dialogues and orations. Marian Antiphon at end.

Every First Friday and 5th Sunday of the month, at an archdiocesan shrine in the Philippines, we sing the Mass, giving Gregorian chant the "main place":

Our schola sings the full propers from the Graduale Romanum — ideally including the Gradual.

If there's enough time at the Preparation of the Gifts, we include a melismatic psalm verse from the 1935 Offertoriale.

For the Ordinary, we've been using the De Angelis Kyriale. We sing the Pater Noster. We just recite the Creed in English, although we'd love to sing it in Latin.

After the Dismissal, we sing the seasonal Marian antiphon (Sunday- solemn tone; Friday- simple tone).

We've also sung the chants from the Graduale Simplex if we don't have enough time to prepare the music from the Graduale Romanum.

We distribute liturgy booklets that contain the Latin texts and English translations, along with the notation for the Kyriale and Marian antiphon.