1. An angel is standing before the altar of God when in spirit we bring our gifts to the altar to add them to the sacrificial gifts of the priest. In a mute way our gifts say, as once said St. Michael: "Who is like God!" They acknowledge God's infinite perfection and our absolute dependence upon Him. Would that we might offer our gifts with the purity and devotion of the holy angels! 2. The angel had a censer of great value. The gift we chanters bring, our compositions and their rendition, ought also to have artistic value. 3. "There was given to him much incense." Surely it would be ignoble if we were to be niggardly with God. 4. Practically at the same time that we are singing this phrase, clouds of incense are ascending at the altar during a solemn high Mass.Thus song and liturgical action are joined. The melody graphically describes how the sweet-smelling incense is wafted upward, how at the top of the canopy the clouds disperse and slowly settle, only to be borne aloft again by new clouds. From the angel's golden censer came rays of heat and the glow of fire. In a similar manner the soul of the creative or imitative artist must glow. That which proceeds from the soul must ascend upward to the presence of God, must seek to glorify Him. Only then will our chant lift the hearts of the faithful aloft to God. May the sentiment of the hymn for Terce be verified in us: Flammescat igne caritas, accendat ardor proximos—"Let love light up our mortal frame, till others catch the living flame." . . . The angel stood very near to the altar. Formerly that also was the place assigned to the singers. If in many instances they are now physically distant from the altar, they should strive the more to be very near it in spirit.
To participate in the discussions on Catholic church music, sign in or register as a forum member, The forum is a project of the Church Music Association of America.