There's a passing reference to him (pp. vii-viii) in the 1999 edition of the Greenfield / Layton / March Penguin Guide to Compact Discs, but almost every other Signoretti-related document I've been able to locate via either Google Books or Google Scholar is in Italian.
There are 2 publications on Worldcat by him (but not of the Mass) . Sacra cantica concinenda una, duabus, & tribus vocibus, cum litanijs B. Mariae Virginis quinque vocibus simulque cum basso generalis pro organa. (Venice: Vincenti, 1611) RISM A/I,; P 1037; RISM B/I,; 1611-04. Original in Bologna Civico Museo; microfilms at Harvard and Brandeis Cantus vespertinae omnium solemnitatum psalmodiae quinis, seu nouenis vocibus concinende ; una cum bassus ad organum / (Venice, Vincenti 1629) Is in Germany. (UNIV BIBL JOHANN CHRISTIAN SENCKENBERG)
I would suspect that the Tactus recording is a custom and unpublished edition. These are just the databases that I can access from home; I'll try to do more at work tomorrow.
Both publications show up as citations (but not digitizations, alas) on the Internet Culturale, as well as this: La cappella musicale della Cattedrale di Reggio Emilia all'epoca di Aurelio Signoretti (1567-1631) / Giancarlo Casali Firenze : Olschki, [1973] Yeah, I know, it's Italian. Get interested in obscure Italian composers, and that's what happens.
Thanks, Jeffrey. Can you interpret the citation, as to where this might appear? I'm familiar with RISM, but it's been a long time since my library-scouring days. I have an email in to the conductor, but who knows if that will yield anything. Signoretti
the author says that Missa ‘Loquebantur’ "is a parody, often quite strict in its contrapuntal technique, of Palestrina's four-voice motet Loquebantur variis linguis Apostoli..."
Listening to the recording now, thanks to Naxos Music Library. The piece seems to have a lot of energy and clarity. The performance is more than a little manic though; off to the races, then slam on the brakes at the cadences.
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