I am wondering if anyone knows about any recordings/performances of chant pre-Solesmes? Even historical reconstructions would be good (probably better). I will be leading a day-long chant workshop in a couple of weeks, and would like to have some examples of chant prior to the Solesmes reforms to play for the attendees. (BTW, I'm not talking about what the chant sounded like at St Gall or Metz in ca 900, but what it sounded like in Paris in 1830.)
"Perhaps the most interesting recordings easily available are those of plainchant from Picardie recorded in a parish church in Vaudricourt, in 1971. This should sound close to plainchant sung in churches during the 19th c., before Solesmes' restotation of "medieval" chant. Here is one example. You could find several more on dailymotion.com.
There are also the baroque alternatim masses. A recording of Louis Marchand mass is available in several segments on youtube, though the interpretation of plainchant seem to me a little too "plain".
I have Marcel Pérès' Plain-Chant Parisien: XVIIe et XVIIIe siecles, with some not too shabby organ improvisations to season the ancien régime chanting, and some of it is on youtube. His discography has other intriguing items as well, and the interview in Performing Early Music is worth tracking down.
Thanks for the serpentine Marchand chant! Vaudricourt will have to wait for me to get a newer browser...
I recall some post somewhere on here that spoke of a man who timed the singing of a lauds antiphon(?), and when we did the math it turned out they were taking an entire second per note. Anyone remember that thread?
This Marcel Pérès disc of 17th- and 18th-century Corsican chant is in my CD collection, and sounds extremely impressive to my untutored ear, although I haven't a clue as to how it would strike experts in the field:
Just sang the simple tone Salve from "The Roman Hymnal - Part Third" (Fr. Pustet & Co.) at Mass tonight, doubling the chant on the swell oboe. Very interresting... I now know first hand why the serpent/ophecleide was needed!
One of the things I loved about the Vaudricourt recording was the harmony added by (I think) one of the Schola. Perhaps it's an illustration of how organum began.
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