6. The abject, deliberate, and proudful failure to learn about vernacular liturgy from certain folk (you know who I mean) who had been at it for five hundred years.
The liturgy was rife with abuse prior to the reforms and many of the reforms were accommodations to keep large populations from perpetuating a culture of abuse. The vernacular, "active participation," and 4-hymn sandwich were inevitable.
inevitable
What do you think was the single most damaging "innovation" of past 60 years?
...learn about vernacular liturgy from certain folk (you know who I mean) who had been at it for five hundred years.
I believe the most damaging innovation was the dialogue Mass, which cultivated a Protestant mentality. As far as I can tell, speaking in chorus - not to be confused with congregational singing - was never a part of Catholic worship before the 20th century liturgical movement. Someone please provide a reference to prove me wrong!
.At Milan, Saint Ambrose was accused by heretics of attracting the crowds by means of liturgical chants. It was due to these that Saint Augustine made up his mind to become a Christian. It was in the churches, finally, where practically the whole city formed a great joint choir, that the workers, builders, artists, sculptors and writers gained from the Liturgy that deep knowledge of theology which is now so apparent in the monuments of the Middle Ages
(My emphasis)In order that the faithful may more actively participate in divine worship, let them be made once more to sing the Gregorian Chant, so far as it belongs to them to take part in it. It is most important that when the faithful assist at the sacred ceremonies or when pious sodalities take part with the clergy in a procession, they should not be merely detached and silent spectators, but, filled with a deep sense of the beauty of the Liturgy, they should sing alternately with the clergy or the choir, as it is prescribed. If this is done, then it will no longer happen that the people either make no answer at all to the public prayers -- whether in the language of the Liturgy or in the vernacular -- or at best utter the responses in a low and subdued manner.
Special efforts are to be made to restore the use of the Gregorian Chant by the people, so that the faithful may again take a more active part in the ecclesiastical offices, as was the case in ancient times.
As far as I can tell, speaking in chorus - not to be confused with congregational singing - was never a part of Catholic worship before the 20th century liturgical movement.
As far as I know, based on everything I've read about the history of the liturgy - which is a considerable amount
Low Masses, unless I'm mistaken, only became the norm in Masses for the people after medieval times, but I'm not prepared to concede that the people did not say the responses at Low Masses. If there was always silence at the Low Mass why did Pope Pius XI in Divini Cultus (in 1928) urge the faithful not to "utter the responses in a low and subdued manner"? Utter is not the same as singing or chanting, I think you'll agree.
In order that the faithful may more actively participate in divine worship, let them be made once more to sing the Gregorian Chant, so far as it belongs to them to take part in it. It is most important that when the faithful assist at the sacred ceremonies, or when pious sodalities take part with the clergy in a procession, they should not be merely detached and silent spectators, but, filled with a deep sense of the beauty of the Liturgy, they should sing alternately with the clergy or the choir, as it is prescribed. If this is done, then it will no longer happen that the people either make no answer at all to the public prayers -- whether in the language of the Liturgy or in the vernacular -- or at best utter the responses in a low and subdued manner.
I think it's a gigantic leap to claim that Protestant services were the inspiration for the Liturgical Movement's efforts to teach the people to say the responses at the Low Mass. What is far more likely, in my opinion, is that the monastic founders of the Liturgical Movement simply wanted the people to learn to respond to the prayers of the priest as written in their missals and prescribed as belonging to the people---in the same way that they wanted the people to learn to chant the responses at the Sung Mass and at Vespers and Compline.
Madorganist, I hope you can take a look at the video above which is of an EF Low Mass (La messe basse) at the SSPX seminary in Flavigny, France. This is a model demonstration of the "Dialogue Mass" and you can see how the priest in the video follows the prescriptions of De Musica Sacra exactly, saying the prayers in a clear voice and an unhurried manner so the faithful can respond properly. The congregation recites all the prayers said by the servers, including the Confiteor.
The recognition that ekklesia (Church) and adelphotes (brotherhood) are the same thing, that the Church that fulfills herself in the celebration of the Eucharist as essentially a community of brothers, compels us to celebrate the Eucharist as a rite of brotherhood in responsory dialogue---and not to have a lonely hierarchy facing a group of laymen each one of whom is shut off in his own missal or other devotional book. The Eucharist must again become visibly the sacrament of brotherhood in order to be able to achieve its full, community-creating power.
I'm sure you're aware of this, but the Last Supper did not start with Psalm 42 and was not said in Latin, nor was Jesus wearing a fiddleback chasuble and biretta,
I strongly prefer the traditional silent Low Mass.
Fortunately for me, I'm not being called upon to testify regarding my liturgical opinions ;)If we were going to submit this to a jury, I'm afraid your case would be considered a little light on substance.
Evaluating innovations requires a value judgment. Does the innovation in question add or subtract to/from the spirituality and beauty of the liturgy? Is it a distraction? Although I think it's prudent to view all liturgical innovations with suspicion, I would never adopt the attitude that something is bad solely because it's new. Let the thing be judged on its own merits.So if you want to play the "this is new and therefore bad" card, we might as well throw out most of the 1962 Missal and rubrics (since those were also "new" at one point).
If by "public acts of worship" you mean the liturgy, then I'm not sure what you're talking about. The only examples I can think of are either non-liturgical, such as the Stations of the Cross, the Rosary, a novena, or devotions such as the Divine Praises added after Benediction, or else not involving a congregation of laypeople in the sense under discussion here, e.g. clerics reading the Divine Office in common without chant. Would you mind elaborating?Catholic congregations have spoken in chorus in church in public acts of worship, which are not limited to the Mass.
You lost with Pius XI (Divini cultus); you lost with Pope Pius XII (De musica sacra); you lost with John XXIII (he codified De musica sacra into the rubrics of the 1962 Missal); you lost at Vatican II (Sacrosanctum Concilium); you lost with John Paul II (Vigesimus Quintus Annus)
where the Liturgical Movement had been strong prior to the Council, there was fierce protest when the traditional Latin Mass was taken away.
'...there is no continuing emphasis on the Teachings of the Church.'
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