...had destined me to play jazz on the B3 but God kidnapped me for musicasacra ...and now you're stuck with me ...for eternity. (sitting here drinking a fine red, and my homemade killer red clam sauce over linguini and "the Duke" all the way up... and thinking of you all. (ching, ching to my brothers and sisters in CMAA cyberspace... I am dying to meet all of you one day, and that may be the only way I finally do!)
If it just happens that I hear jazz incidentally or by accident, I do find it of interest and somewhat engaging (depending of what kind of jazz it is). This is likely due to its Baroque-like improvisatory style and, in some cases, texture. Otherwise, there isn't anything that wouldn't be called 'classical' that I find tolerable... nor is even everything that would be called 'classical' worthy of the name.
MJO, You should listen to Marcel Dupre's organ Prelude and Fugue in B major. The influence of jazz deeply felt. But jazz was very "in" in Paris in the 1920's.
I listened to a couple of pieces by him. I didn't hate it, but it's not something I would listen to over and over. Background music? Sure. Background music is something that won't make me pause to listen (for the most part) but also won't make me notice it because it's bad. I guess I'd say I'm rather indifferent to it overall. Come to think of it, it almost seems very fitting for an animated cartoon. Program music... that's what it is!
Kevin - You are totally right. And, I do play the B-Major. To me, it's something of a lark... though a somewhat formidable lark? I've yet to program it for a recital. For me, L and A and M and T are far, far more rewarding.
Others - Um, What does 'who r ur favorite [sic} composers?' mean?
MJO, The B major is formidable. Its on my list after this latest round of recitals this fall. That and the Vierne 3rd. Yeah, I love those bloody French romantics.
I look forward to our organist doing the B major every year. Always thrilling! And it stays in my head for days afterward. I do hear the jazz, or at least the dancy-ness.
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