I am looking for a book of hymn tune preludes to use as preludes before mass. I already own the 100 hymn preludes published by Kevin Mayhew. They are great arrangements. Does anyone know of any other companies to try for hymn tune preludes that are easy to moderately easy??
Also, I am looking for a book of postludes that are roughly one or one/two pages max in length. I worked on the great prelude and fugue in g major(little eight preludes and fugues) by Bach for my postlude last week. The congregation talked over me and acted like I was not even there. It was very disheartening to have that happen. Good riddance on good postlude music for my congregation. I'm now on the hunt for simple one/one-two page postludes. I would prefer them to be hymn tune based but they don't have to be.
A friend mentioned the Carlos Rossini Liturgical Organist series to me but I find them very sappy romantic and nonsense arrangements of non-organ music.
I'm also looking for organ arrangements on these following hymn tunes: Prospect Woodlands Morning Song Land Of Rest Columcille- (Irregular-Gaelic, Those Who Love and Those Who Labor text (found in red catholic worship book) The Summons (Kelvingrove)
I'm a big fan of Charles Callahan (I met him in May of this year and he's awesome. His organ music is top notch!)
Would someone possibly be willing to writing a partita in Charles Callahan style on "The Summons"? That tune is a favorite of my congregation and I would love to have an organ partita written on that hymn in Callahan style.
Please message me back with suggestions on any of these topics/items?
Don't worry about the congregation. My organ professor told me to put on the sforzando and put my elbows on the great manual for postludes. He said no one would know the difference. LOL. I have used pieces from the Montreal Organ Book but I don't think it is in print. It was available online, but all the instructions are in French.
I have a few pieces by Charles Callahan that I enjoy, though I haven't looked into anything specifically for preludes. I have a couple collections of Victorian and French music that has a number of pieces (some short) that are decent for preludes, but I don't remember the publisher. Pachelbel's collection of fugues I find very useful, too.
As far as the congregation, I've learned that, based on attitudes, people don't pay attention to the postlude. A good share of them converse with each other and will talk louder and louder if you raise the volume. Those who don't talk will just walk out immediately. Typically by the time I'm finished with a postlude that is two pages long, the church is empty aside from a couple of people who actually find praying after Mass to be a good idea. Don't take it hard that people don't listen though... there will always be the one or two who enjoy it, plus you're honing your skills. I never think of myself as playing for people because if I did, I'd just stop doing it.
I don't think that you should despair of playing nice things for postludes. It would be an unusual Catholic church in which there were a coterie of organ fans who attended respectfully and eagerly to the postlude. This doesn't mean that it's unimportant or pointless. Anything connected to or attendant on the mass is very important. Even if people are talking, they are still being imbued with something good, and! God is still being praised with beautiful sound in thanksgiving for the mass.
In addition to the other good suggestions above, you might want to invest in the organ chorals of J.G. Walther (a cousin of Bach): there are quite a few, they vary from very easy to moderately difficult, and are appropriate as preludes, postludes, hymn introductions, or (many of them) as sets of variations on hymn tunes.
To participate in the discussions on Catholic church music, sign in or register as a forum member, The forum is a project of the Church Music Association of America.