The standard hymns, "Hail, Holy Queen," "Immaculate Mary," and such. There was a good communion antiphon that someone posted on this forum a day or two ago. A soloist is singing the Arcadelt Ave Maria. I will play the Flor Peeters "Choral: Ave Maria" from "Four Improvisations on Gregorian Melodies" during Offertory, or perhaps as a bit of filler after communion.
Entrance: all sing the antiphon text from the Missal: Meinrad tone 7 Offertory from the 4 th Sunday of Advent : Ave Maria Communion: OCP " O Holy Mary" refrain and " Ave Verum" as the verses Recessional: Salve Regina Oridnary: ICEL (except the "Lamb of God" - "Orbis Factor." Meinrad)
Communion: OCP " O Holy Mary" refrain and " Ave Verum" as the verses
I apologize for my ignorance, but how is this done: cantor (we don't have a choir yet), congregation or combination? I see "O Holy Mary" in the Music Issue but where are you getting the "Ave Verum" verses?
I just got and printed the music I'll be singing at the Mac (immaculate Conception, Cleveland) so it looks like: Gesualdo: Maria mater gratiae Escribano: Paradisi porta Ortiz: Dignare me laudare te Handl: Missa super Sancta Maria
Entrance: A great sign appeared...(chant) Offertory: Mary's Song (Magnificat to the tune of Amazing Grace (yuck)) Communion: Magnificat (Worship III no. 87) Recessional: Hail Holy Queen
Entrance: Un gran signo (chant) Offertory: Dios Te Salve Maria Communion: Canto de Maria Recessional: Adios Reina del Cielo
Entrance Hymn: Hail Holy Queen Introit: Mary has been taken up to heaven (By Flowing Waters 355) Offertory: Sing of Mary (set to HYFRYDOL) Communion: Newly-composed setting of communion antiphon (by myself. see posting elsewhere in forum.) Recessional: Tell out my soul
At Sainte Marie's, Manchester, NH the only thing missing will be the Gradual!
We will even have torchbearers coming out during the Sanctus!
Procession: Immaculate Mary (v. 1-3)
Introit: Signum Magnum (Gregorian Latin + English verse + Glory be...) Signum Magnum (Gregorian English)
Confiteor (English)
Kyrie IX (Greek) Gloria IX (English)
Resp. Psalm (Chabanel Response w/ custom tones for verses)
Alleluia (Hebrew + English verse)
Credo: Creed I (English)
Offertory: Assumpta Est (Gregorian Latin + 1st Psalm verse in custom tone in English) Assumpta Est (Simple English Propers Antiphon + remaining English verses as needed)
Sanctus IX (English) Mortem Tuam (English) Amen (Latin)
Our Father (English Snow) Agnus Dei IX (English)
Communion Chant: Beatam me Dicent (Gregorian Latin) Magnificat (English using Clayton Psalm Tones) Beatam me Dicent (Gregorian English)
Communion Meditations: Pange Lingua (v. 1, 5, 6) Let All Mortal Flesh Keep Silence (v. 1-4) Adoro Te (v.1 in Latin, then verses 1 and following in English)
Saint Edward, Newark, CA 7:30 PM Missa Solemnis in the Ordinary Form Full Gregorian propers from the Graduale Romanum Mass IX "Cum jubilo" with Credo I Offertory Motet: Ave Maria ... Anton Bruckner Communion Motet: Angelus Domini ... Franz Biebl Retiring Procession: Salve Regina in Bb, D 386 ... Franz Schubert
I think I've settled on the following line-up of music for the Feast of the Assumption at the Chapel of Our Lady and St Bernard at Campion College.
Processional Hymn: "Hail Queen of Heaven, the Ocean Star." Confiteor: Recto Tono Kyrie: Mass St Boniface Gloria: ICEL Chant Mass Tone IV (with organ accompaniment) Psalm: Sung Alleluia: Chant VI (I think) Credo: Spoken Offertory: "Ave Maria" - Arcadelt Sanctus: ICEL Chant Our Father: ICEL Chant Agnus Dei: Mass St Boniface Communion: Simple English Propers Recessional Antiphon: Salve Regina (Simple Tone) Postlude: "Prelude in F" J.S. Bach BWV 556
*EDIT*
I have now attached a copy of the finalised Mass Leaflet for the day.
Church of the Holy Innocents, New York City Assumption of the BVM, 1st Class - Missa solemnis 6:00 p.m. Ordinarium Missae: Messe royale du premier ton (Henry Dumont, 1610-1684)
Prelude: Chanson d'Arcadelt: Ave Maria [1557] (Franz Liszt, 1811-1886) Hymn: Sing We of the Blessed Mother (Rustington) Ant. ad Introitum: Signum magnum (Mode VII) Kyrie & Gloria: Dumont Graduale: Audi, filia (Mode VII) Alleluia: Assumpta est Maria (Mode V) Credo: Dumont Ant. ad Offertorium: Inimicitias (Mode II) Additional Chant at the Offertory: Assumpta est Maria (Mode VIII, Offertoriale restitutum cum versiculis, ed. Anton Stingl jun.) Sanctus & Benedictus: Dumont Agnus Dei: Dumont Ant. ad Communionem: Beatam me dicent (Mode VI) Prosa: Induant justitiam (Mode V, Antiphonaire et graduel de Paris, 1788) Marian Antiphon: Salve Regina (Mode V) Hymn: In Splendour Arrayed (Laudate Dominum) Postlude: Sortie pour la fête de l'Assomption de la Sainte-Vierge en Fa majeur (Alexandre Guilmant, Op. 50, No. 4)
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