Deon Irish in South Africa posts his lists and comments each week as do other Anglican Church musicians on their lists. Here is his latest:
Sunday, 13 December, 2009 Advent III 10.30am High Mass: Corporate Mass of the Military and Hospitaller Order of St Lazarus of Jerusalem (The Rector)
Propers : Gaudete Service : Mass for four voices - Byrd Anthem : O Thou, the central orb - Wood
Int : Hark! a thrilling voice is sounding - Merton Grad : On Jordan's bank the Baptist's cry - Winchester New Off : O come, O come, Emmanuel - Veni Emmanuel Com : Thy Kingdom come, O God - St Cecilia Rec : Hills of the north, rejoice - Little Cornard
Reger : Introduction und Passacaglia in D moll
I have always thought the Byrd 4 part one of the most difficult masses we do. It is really tricky - full of possible "wrong turns" for choristers, that lead to pretty instant damnation!
Well, I think today was the first time we romped through it without problem: singers sounded really confident, and it had a lovely relaxed feel to it. The more surprising, since we haven't sung it for over a year now.
Choir members were really on tremendous form for the Wood. A little "big" for post-Communion, I suppose; but we had the Knights of St Lazarus with us this morning, in all their black and greeen glory - vying with the pink high mass vestments - so it seemed appropriate.
It's a week for special services: Tuesday we sing a pontifical high mass in clebration of the jubilees of ordination of 16 priests from around the Province: a total of 664 years of ministry between them. The Bishop of False Bay (40 years) will celebrate. I have decided to haul out the Mendelssohn "War March" for the occasion. Haven't had occasion on which (I dared) to play that for years!
I suggest that we consider this here on this list as well. It would be of much interest to all now in the Christmas season....but also throughout the year.
Entrance: Phil 4:4-5 chanted to Byzantine chant tone, alternating with Ps 85:2 and the Glory Be sung to Tone 6 (no offertory at pastor's request) Communion: "On Jordan's Bank" Recessional: Richard Proulx' "Litany for the Season of Advent," verses sung to Tone 2 Comments: I wish I had more than two other people in the choir with me so we could learn the Gaudete....
Prelude: Improv. on Puer Nobis
Procession: On Jordan's Banks (Puer Nobis)
Kyrie XVI
Psalm: Guilmont
Alleluia: Norah Duncan
Offertory: O Come, O Come Emmanuel
Sanctus XVIII
Anamnesis: "Missa Emmanuel"
Amen: "Missa Emmanuel"
Chanted Our Father, English
Agnus Dei XVIII
Communion: Eat this Bread (Taize)
(Handbell piece on Picardy at one Mass)
Recessional: People Look East
Postlude: Wachet auf! ruft uns die Stimme, Bach
The minor propers (In-Of-Co — antiphon only in all cases) are sung by a single cantor (usually myself), preceded or followed by choral pieces (usually out of the hymnals at the moment — RitualSong at one parish and Gather Comprehensive (first ed.) at the other).
Hymnal selections are limited to the repertoire common to both.
The musical selections at the Liturgy of the Word (responsorial psalm and gospel acclamation) are completely a cappella.
The offertory thus far has been a 1980s–era psalm paraphrase out of the hymnal, taken from the same psalm as the offertory proper for the week. It's just worked out that way.
Choral selections for Offertory and Communion are usually "softer" pieces in keeping with a more contemplative approach to the liturgy.
The priest is not, as a rule, waiting for music to be completed before continuing with the liturgy.
Mass is usually completed in an hour, sometimes less. At no point does it feel rushed, and there are plenty of opportunities for pregnant silence.
I would encourage others to share to what extent the Mass itself was sung; that's where the most impact will be felt, I believe. Even more than the singing of the propers, in many cases.
Entrance - On Jordan's Bank (Winchester New) Kyrie - Canedo Mass of Glory Psalm and Gospel Acclamation - Respond and Acclaim (I'm ducking to avoid the flying tomatoes at this point) Offering - O Come, Divine Messiah Service music - Mass of Creation, except the Amen, which is chanted Communion - Rejoice Greatly, O Daughter of Zion (Handel, from Messiah) - soloist with piano accompaniment (The Handel served to lift up the quality of the other music and also avoided exposure to "Christ, Be Our Light") Recessional - Lift Up Your Heads, Ye Mighty Gates (TRURO)
I have finally made peace with the fact that it isn't my job to force the treasures of the Church onto the truculent masses -- from now on, they get the music they want and deserve. Something Jesus said about pearls and swine comes to mind. So I am looking a better "day job" so I can afford to do without the church job and choose where to go for Mass without being otherwise obligated. Including going to the 0h-dark-thirty Mass with no music and going out for pancakes. Offering the highest and best music to the ungrateful, hostile and willfully ignorant is corrosive to my soul, and I need to get away from it. Maybe forever.
I made the decision to continue using Respond and Acclaim after I encountered a near-riot from changing to some service music by Jeff Ostrowski. It was very good. I liked it. The choir initially said they liked it. Even the folk group liked it. Then the complaints started rolling in, and I decided they could have their hot dogs back. So it's Mass of Creation until the new translations are put into force.
Saint Mary’s Parish, California Order of Music-, 2009 Third Sunday in Advent; Dec.13, 2009 S=8:30/E=10am Antiphon: S “Rejoice in the Lord always…” (Gaudete/Simple Choral Gradual/Rice.) Entrance: SE MARANATHA! COME LORD JESUS (Sullivan-Whitaker)
Opening Rites: S Misa Oecumenica “Lord Have Mercy” (Proulx) E Kyrie (Sleeth)/no Gloria
Responsorial: SE Respond & Acclaim
Gospel Accl.:S Chant Mode VI E Alleluia (Sleeth)
Offertory: S ADVENT CRY (Winter Rose-Joseph Martin) E RIVER OF GLORY (Schutte)
Eucharistic Accl.: S Misa Oecumenica (Proulx) E Holy/Christ/ Amen /Lamb (Sleeth)
Antiphon: S “Say to the anxious, be strong….” (SCG/Rice) Communion Procession: S BEHOLD THE LAMB (Willett) E PATIENCE, PEOPLE (Foley)
Communion Anthem: S EVERY VALLEY (Winter Rose) E LIKE A SHEPHERD (Dufford)
Recessional:S THE ADVENT OF OUR KING 513 (St. Thomas) E LET THE KING OF GLORY COME 297 (Joncas)
Psalm: Cry out with joy and gladness, Marty Haugen
Preparation: People, Look East - Arr. Clemens, published by WLP. Not a bad little piece.
Communion: Be strong, fear not - Thomas Keesecker, Concordia Publishing house. To see the refrain, google the cathedral of st. john the evangelist in Cleveland. Find their bulletin for the 3rd Sunday of Advent in PDF form. It is based on the Communion proper; the people will love to sing it. It is "upbeat" - and quite appropriate with a joyful tune for this Gaudete Sunday.
Recessional - People, Look East
Mass parts: Kyrie, Gospel Acc., Prayer of the Faithful response, Holy, Memorial Acc., Amen, and Agnus Dei all based upon the chorale "Nun Komm, Der Heiden Heiland"
Procession: The Advent of Our King
Kyrie XVI
Psalm: Fr. Weber
Alleluia: Based on "O come o come Emmanuel"
Offertory: Benedixisti Domine
Ordinary: Missa Deus Genitor alme
Communion: Dicite Pusillanimes
O come o come Emmanuel, arr. by Mary Berry for SA
Recessional: People Look East
Not a typical Sunday for us, but under the circumstances we could have done worse:
Prelude - Improvisation on the Circle of Fifths (or, rather, "Veni Emanuel") by Yours Truly
Entrance - Entrance Antiphon I "To You, O Lord", from By Flowing Waters (verses sung by choir women's and men's voices in alternation -- we do these entrance antiphons for all English Masses, every week)
Kyrie - (not called for, malheuresement)
Lectionary Response - Columba Kelly (the antiphon this week was so long, we chose to have the choir alone sing it at the beginning and end only, with verses sung straight through by cantor and choir in alternation -- highly unusual, as the antiphon is usually sung by the congregation, otherwise why not just sing the gradual?)
Alleluia - Dom Gregory Murry, with verse sung SATB from Cantor's Book of Gospel Acclamations (GIA - I know!)
Offertory - Conditor alme siderum, chant with polyphony of Praetorius in alternation (because we performed the complete chant propers for Our Lady of Guadalupe in our concert of Machaut's "Messe de Nostre Dame" this weekend, we neglected to prepare polyphony for the Offertory proper this week. Shame! Highly unusual)
Sanctus - "Missa Emmanuel" (Proulx) or Sanctus XVIII
Agnus - XVIII
Communion - Dicite: Pusilanimes (With the lovely accompaniment from NOH -- another unusual practice for us, who usually chant unaccompanied with verses from Communio -- followed by a simple organ meditation on the chant tune by Eugene Lindusky)
Saint Edward Catholic Church, Newark, CA
10:00 AM Missa Cantata (OF)
Choral Prelude: Hymn: Rorate caeli desuper ... Tone 1
Gregorian Proper for Gaudete Sunday from Graduale Romanum
Missa XVII for Sundays of Advent (with Kyrie C)
Responsorial Psalm setting by Rev. Jeffrey R. Keyes, CPPS
After Offertorium, the anthem: "This Is the Record of John" ... Orlando Gibbons
After Communio with Psalm verse, the motet: "Cum audisset Ioannes: ... Diego de las Muelas
After Dismissal: "Alma Redemptoris Mater" ... Tone 5
Introit: Rorate caeli (Gregorian Missal)
Mass: Missa XVII (w/ Credo III)
Graduale: Prope est Dominus (Chants Abrege)
Acclamation: Veni Domine (Chants Abrege)
Offertory Motet: Franz Biebl: Ave Maria
Communion Chant: Ecce virgo concipiet (Gregorian Missal)
Communion Motet: William Byrd: Rorate caeli
Recessional Hymn: O Come O Come Emmanuel (Collegeville Hymnal)
Prelude: Nun Komm, Der Heiden Heiland - Bach Entrance Hymn: People, Look East Sequence Hymn: Blest be the King Offertory: There Shall a Star - Mendelssohn Communion Hymn: Prepare Ye the Way of the Lord - Moore Closing Hymn: Hark the Glad Sound, the Savior Comes Postlude: Venez, Divin Messie - Franck
9:30 AM (OF) 3rd Sunday of Advent
Choral Prelude: Rejoice in the Lord from Simple Choral Gradual by Richard Rice
Entrance Hymn: On Jordan�s Bank (Winchester New)
Kyrie: XI Orbis Factor
Responsorial Psalm: Gelineau
Gospel Acclamation: Alleluia in G minor by Richard Proulx
Intercessions: chanted with response from By Flowing Waters
Offertory: Rejoice in the Lord (anonymous)
At 5:30 PM Children�s Choir sang Rejoice in the Lord by Gieseke
Sanctus: XVIII
Acclamation and Amen: Missa Emmanuel by Proulx
Agnus Dei: XVIII
Communion: Psalm 85 Text from Graduale Simplex, Setting by Charles Thatcher WLP
Followed by Creator Alme Siderum
Hymn of Thanksgiving: When the King Shall Come Again (Gaudeamus Pariter)
Postlude: Improvisation on Hark, the Glad Sound (Chesterfield/Richmond)
St. Thomas Aquinas Church, Palo Alto (OF in Latin; lessons sung in English)
Third Sunday of Advent
Celebrant, Augustine Thompson, O.P.
Organ Prelude: Pachelbel, Ich ruf zu dir
Introit: Gaudete
Kyrie XVII (congregation)
Gradual: Qui sedes
Alleluia: Excita
Credo IV (congregation)
Offertory: Benedixisti
Motet: Tallis, Euge caeli porta
Sanctus XVII (congregation)
Agnus XVII (congregation)
Communion: Dicite, pusillanimes alternating with psalm verses and with the polyphonic setting of Heinrich Isaac
Organ Postlude: J. S. Bach, O Lamm Gottes unschuldig, BWV 1095
Fourth Sunday of Advent
Fr. Thierry Geris, celebrant
Introit: Isaac, Rorate caeli
Kyrie XVII (congregation)
Gradual: Prope est Dominus
Alleluia: Veni Domine
Credo IV (congregation)
Offertory: Ave Maria
Motet: Leonel Power, Beata progenies
Sanctus XVII (congregation)
Agnus XVII (congregation)
Communion: Ecce concipies alternating with psalm verses and with the polyphonic setting of Heinrich Isaac
Choral postlude: Paolo Bivi, Verbum caro factum est
Oooh, where can I find the Isaac Dicite? Is there a performing edition other than in the Works? We do the Jerusalem, surge and Ecce virgo and they're both fantastic.
We use the old edition from the Denkmäler der Tonkunst in Oesterreich; my singers all sing chant from chant notation, and it is a natural progression to singing from the old clefs of that edition. I would say that it takes no longer to get used to the clefs than it did to get used to the square notation in the chant. We use editions in modern clefs when they are available, but much of Isaac is only available in the old clefs. I sometimes set pieces using Finale, but I do not always have the time to do that.
A real piece of progress, however, is the new edition of the Lasso motets: now we have all of Lasso's motets in modern clefs in some twenty-two volumes. If you or your institution owns the volumes, you have free use of copyright material. This has allowed us to survey the pieces anew and to find some wonderful pieces. This has included a complete compline service using Lasso's music.
Saint Edward Catholic Church, Newark, CA
10:00 AM Missa Cantata for ADVENT IV (OF)
Choral Prelude "The Prophecies: Regem venturum Dominum venite adoremus" ... Tones V-VII
Proper of Advent IV ... Graduale Romanum
Mass XVII for the Sundays of Advent (with Kyrie C) (Accompanied by 12 yr old organ student)
Psalm 80 set by Rev. Jeffrey R. Keyes, CPPS
After Offertorium: Motet: "Ave Maria a 4" ... once attrib to Tomas Luis de Victoria
After Communio w/ Psalm verses: "Ecce virgo concipiet" ... Heinrich Isaac
After Blessing: "Alma Redemptoris Mater" ... Tone 5
Sortie: "Toccata in C" ... Johann Pachelbel (Played by organ student)
Saint Mary’s Parish, California Order of Music-, 2009 Fourth Sunday in Advent; Dec.20, 2009 The first number references the Breaking Bread hymnal; the next number is the accompaniment page; hymnal.S=8:30/E=10am Antiphon: S Let the clouds rain down..” /Simple Choral Gradual/Rice.) Entrance: SE O COME, O COME EMMANUEL vs.1-4 (Veni, veni..) cp
Opening Rites: S Misa Oecumenica “Lord Have Mercy” (Proulx) E Kyrie (Sleeth)/no Gloria
Responsorial: SE Respond & Acclaim
Gospel Accl.: S Chant Mode VI E Alleluia (Sleeth)
Offertory: SE THE ANGEL GABRIEL FROM HEAVEN CAME (Gabriel’s message)
Eucharistic Accl.: S Misa Oecumenica (Proulx) E Holy/Christ/ Amen /Lamb (Sleeth)
Antiphon: S “The Vigin is with Child…”(SCG/Rice) Communion Procession: S O HOLY MARY (Alstott) E CHRIST, CIRCLE ‘ROUND US (Schutte)
Communion Anthem: S DIXIT MARIA ( Hans Leo Hassler) E THERE IS NOTHING TOLD (C.Willcock)
St. Thomas Aquinas Camas, Washington
11:30 Novus Ordo
Processional: Hark a Herald Voice is Calling (Merton)
Kyrie XVI
Psalm: Fr. Weber
Alleluia based on O come o come Emmanuel
Offertory: Ave Maria, Mode VIII
Ordinary: Missa Deus Genitor alme
Communion: Ecce Virgo, Mode I
Lo, How a Rose e'er Blooming
Recessional: Rejoice, Rejoice Believers (Llangloffan)
I'd suggest that those willing post every week...this is very interesting. It's encouraging to those who have been able to implement programs that approach the sublime...but just as inspiring to read of musicians who are obviously working hard to make a dent in dry lands.
Dare I post what is done in a small village in Montana? (for Midnight Mass, Dec. 24)
For the prelude: La Nativite by Jean Langlais, 2 Sonatas for organ and strings by Mozart, Bach (?) Cantata # 142 with choir, strings, & organ, Weihnachten by Max Reger, Gregorian propers, Gloria by William Mathias, Psalm (Anglican Chant), Offertory Anthem: Bell Carol by William Mathias, Mass for the City by Proulx, during communion: Pastorale by Vivaldi for violin, cello and organ, Bach Choralvorspiel (Rejoice Beloved Christians), Come Redeemer of the Earth arr. by Willcocks, and Bach Prelude In c major (9/8). (volunteer choir) and usual hymns: Adeste Fidelis and Silent Night.
This would be very interesting to put together something which made this format really easy to access regularly: either that people can just put up, "what did you hear" or even where people can put up, "what are you going to do?" I know some people post it on their blogs, or people might update this thread on this forum...but what if there could be a single place where lots and lots of people could and would post that every week?
Maybe there could be a particular discussion category dedicated to that on this forum, and every week someone could just start a new discussion... Or there could be a new website altogether devoted to that. (Canticanova's doesn't seem to be updated all that often.)
I can't really describe why--but I just love reading and skimming through these (obviously other people do too, or else no one would bother typing them up!)
(I second Noel's post, but he doesn't seem to have finished his first thought--what about those willing to post every week?)
What do people think; should a new discussion category be created for lists like these?
I'd love a website dedicated to these lists; in fact, I toyed with incorporating this idea on my own site almost six years ago. The issues I see are development time (who has it?) and method of organization (e.g., I'd want such a website to be searchable by parish, Sunday of the year, form of the Roman Rite, etc.)
I definitely think that an "Sunday/HDoO Order of Music" category ought to be part of the forum. But, unlike the ones still currently functioning such as RPInet's, CCM's, etc., I suggest a couple of parameters: 1. Orders only can be posted. Commentary/Criticisms +/- should center upon general principles, not upon the actual choices. There are too many circumstances, political realities, and issues surrounding those general principles that specificity could prove a disincentive to further posts from any interested parties. This is a haven of charity. People can get nasty elsewhere, even if it's over at NLM comboxes or Catholic Sen....well you know where! ;-) 2. There should be an established archive of this "category" so that at a certain point, the order/data will shift to the upcoming or current Sunday/HD in question.
I agree, who has the time? BTW, how's my ANIMA CHRISTI coming? (Inside joke, folks!) Artwork almost assembled.
I don't often have opportunity to post here, but I thought I'd chime in to say that this is an excellent idea, one well worth pursuing. I agree, Aristotle, that the ability to search would be quite helpful, though preferably without the need for each author to engage in excessive tagging. Charles' caveat about the need to commentary relatively at bay is a good and, I think, necessary one!
Perhaps there would be a way to cross-post onto such a site for those of us running WordPress? I use it for the music portion of the St. Mary's website: http://stmarynorwalk.net/music/
Solemnity of St Mary, Mother of God
January 1st, 2010 – 6 pm
St Benedict’s Monastery [Priorate], Jundiaí-SP, Brazil
Introit – Salve, sancta Parens [Ratisbona 1871]
Confiteor – spoken in Portuguese
Kyrie – sung in Portuguese (Kyrie Santa Paulina [Alfredo Votta]).
Gloria – sung, responsorial, in Portuguese [Alfredo Votta]
Responsorial Psalm – sung, Meinrad first tone [Father Columba Kelly]
Alleluia – Post partum [Ratisbona 1871]
Credo – spoken in Portuguese
Offertory – Felix namque es [Ratisbona 1871]
Sanctus – Sanctus IX, Latin
Doxology – chanted in Portuguese
Great Amen – [Jeff Ostrowski]
Agnus Dei – Agnus Dei IX, Latin
Communion – Exsulta, filia Sion [Graduale Romanum]
Communion – Dialogue de voix humaine [Jean-Adam Guillain (1680-1739)] from Suite du troisième ton. Instrumental.
Communion/Post-communion – 3 versets of the fourth tone [Abraham van den Kerckhoven(1618-1701)]. Instrumental.
Final – Plein Jeu [Jean-Adam Guillain (1680-1739)] from Suite du quatrième ton. Instrumental.
Sexagesima Sunday:
Introit: Exsurge
Gradual: Sciant gentes
Tract: Commovisti, Domine
Offertory: Perfice gressus meos
Motet: Ave Regina Caelorum (Solemn Tone)
Communion: Introibo ad altare Dei
Ordinary: Mass XVII
After Last Gospel: Ave Regina Caelorum (Simple)
4th Sunday of the Year
10:00 Missa Cantata, OF The Visit of Most Rev. Salvatore J. Cordileone, Bishop of Oakland
Prelude: Toccata in D Major ... Pachelbel (Played by HS student)
"Ecce Sacerdos Magnus" ... Sir Edward Elgar
Proper: Laetetur cor ... Graduale
Mass VIII
Psalm setting by Rev. Jeffrey R. Keyes w/ Fauxbourdon by Ludovico Viadana (Tone 1)
Offertorium, followed by motet "Domine, Deus noster" ... Orlando di Lasso
Communio, followed by motet "In te speravi" ... Hassler
After the Blessing: Anthem "Alma Redemptoris Mater a 4" ... attr. G. P. Palestrina
Procession: Toccata in F Major ... Pachelbel (Played by student)
January 31st, Patronal Feast Day of St. Thomas Aquinas, Camas, WA
11:30 Novus Ordo
Entrance: I sing the mighty power of God
Mass VIII
Psalm setting by Richard Rice
Offertorium: Bonum est confiteri; followed by "With all the powers my poor soul hath"
Communio: Illumina faciem tuam
Ave Verum - Mozart
Ecce Panis, plainsong
Recessional: To Jesus Christ Our Soveriegn King
Monday, 1 Feb School Mass, Bishop Cordileone, Celebrant
Prelude: Toccata in D ... Pachelbel (Played by JH student)
Procession: "Father, We Praise You" ... CHRISTE SANCTORUM
Introit: "Laetetur cor" (Sung by Children's Choir)
Kyrie XVI, Gloria from "Congregational Mass" ... John Lee
Psalm setting by Rev. Jeffrey R. Keyes
Offertory Hymn: "I Want to Walk As a Child of the Light" ... HOUSTON
Sanctus XVIII
Memorial Acclamation & Amen from "Festival Eucharist" ... Richard Proulx
Agnus Dei XVIII
Communion Procession: "Psalm 31: Lord God, Be My Refuge and My Strength" ... Randolph Currie/Gelineau
Procession: "Fugue in G Minor" from "Eight Little Preludes and Fugues" ... attrib. J. S. Bach (Played by student)
Saint Edward, Newark, CA
21 February 2010 10:00 AM Missa Cantata OF, Children's Choir & Adult Choir
Mass XVII
Introit: Invocabit me, Graduale
Responsorial Psalm: Setting of Psalm 91 in Tone 8 by Rev. Jeffrey Keyes, CPPS
Gospel Acclamation in English, Tone 2 by Fr. Columba Kelly, OSB
Offertory: Scapulis suis, Graduale; followed by "Parce Domine", S/A & T/B alternating verses.
Communio: Scapulis suis, w/ verses from "Communio" ... Richard Rice
After final blessing & Dismissal: "Ave Regina Caelorum" ... Simplex
28 Feb: Lent II 10:00 AM Missa Cantata OF, Adult Choir
Mass XVII
Introit: Tibi dixit cor meum, Graduale
Responsorial Psalm setting by Rev. Jeffrey Keyes, CPPS
Gospel Acclamation, Mode 2 by Fr. Columba Kelly, OSB
Offertory: Meditabor in mandatis tuis, Graduale; followed by "O Nata Lux" ... Thomas Tallis
Communio: "Visionem quam vidistis" w/ verses from "Communio" ... Richard Rice
After final Blessing & Dismissal: "Ave Regina Caelorum" ... Antonio Lotti
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