We have been looking at this beautiful piece, but my choir has complained about the edition found on the excellent CPDL. Has anyone got a copy in a more singable format?
Is the problem that the word "Virgo" is missing from the end of the prayer, or the bar lines or the translation or something which the choir finds unsingable?
The missing "Virgo" isn't really a problem, since several of the earlier composers omitted it: Tye, Fayrfax, Cornysh, Browne, Dufay - just to name a few. At least one inserts "semper" after "Virgo" ("O Virgo semper dulcis Maria"). And there are other textual variants.
We see this also in the treatment of "Ave verum corpus": "O Iesu dulcis, O Iesu pie" - where others omit "Iesu".
I'll fight on this; now, I don't care if you sing the Sarum text or not, though, e.g. the Tye can be worked into the Roman chant just fine, which we did at the 2015 Colloquium. But the antiphon follows the last office in choir, which would be the Mass at this part of the day, until the reforms of the 1950s and early 1960s. It is therefore wise to treat it as more liturgical than anything else, even if Terce is of course not obligatory before the parochial sung Mass and I really like that our pastor does the verse and the collect.
I once simply explained Mensurstriche to my choir, noting that it's a fairly widespread convention since the 1920's in Renaissance music editions. If anyone had complained further I would have assigned them to blacken white notes and pencil-in tied ones, but my singers are pretty game to try new things.
I'm just being hyperbolic with respect to tomjaw's answer, since the Marian antiphon with its verse and collect is, if not strictly liturgical in a parochial setting, then very important (but as I said, I'm not gonna complain if someone wants to use a polyphonic setting or even the chant from a usage that didn't yet include the "right" words).
To expand upon those composers who have used a text other than the Tridentine text (and these don't all use a specifically Sarum text, either), mostly with the omission of "Virgo" or using "Virgo semper" -- here is a list of more of these composers whose non-Tridentine settings are at CPDL:
LaRue scholar William Kempster has prepared performing editions of the complete works of LaRue, available on a per-score basis at a nominal charge — so a clean score more to your liking is probably available there. Apparently LaRue composed six settings of the Salve Regina, and Dr. Kempster has helpfully provided audio files of all the pieces; the piece in question is Salve Regina VI. Judging from the audio, the score is pitched a whole-step lower than the Hetland edition on CPDL, so if you really like that key for your singers, you might ask the good Dr. to raise the score a whole-step for you. It appears that his scores were made with Sibelius, so transposition should be a snap.
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