Sorry to all of you guys who wanted to see and hear it. I got scared I'd get too prideful of my work. It's something I've struggled a lot with. Below are the links to the audio and score.
I don't know that it's unorthodox to write a text for existing music, even if one is the author of both. That prompts my second question: what use do you envision for it: large diocesan gatherings, struggling parishes, concerts, CMAA colloquia?
I'm sorry to see your change to the OP. I couldn't pull up the score, but was listening to the recordings, and found them fascinating and compelling. I think you should be a composer.
@NihilNominis and @Chris Garton-Zavesky, I reposted the links to both the score and audio. The piece is most definitely a concert work, Chris. Thanks for the support y'all.
Achoyce91, just as a word of caution: you have organ notes that don't exist (ie- out of range, particularly in the pedal). I presume you just wanted to hear a lower octave sound in your mockup, but you will need to edit your score if you ever have the opportunity to put it in front of players.
@ServiamScores No... I thought I corrected it. I know the sounding pitch is playable, otherwise, Vienna Symphonic Library wouldn't have included it in the sounding range. How should it be notated? I thought including the stops and bumping the written range up an octave would have done it. Not so?
I will say that the transition from page 3 into page 4 you have the manuals very low and also marked 16'. This wouldn't work in real life (although it may trick your VST into the sound your looking for). You'd want to keep the manuals on 8' stops there, or else it will get too muddy. Also, playing an open 4th that low, especially with 16' on the manuals would have an effect similar to a 32' pedal resultant (fake 32' tone which manipulates harmonics). But just going that low in the range will already create quite a full sound, especially with the manuals already doubling the low D in the pedals.
No third hand needed; it will just sound like a muddy mess.
With pistons and toe studs, modern organs can facilitate stop changes very easily. The bigger issue is the tonal effect that adding a 16' stop to the manuals will have. Perhaps you DO want that, but I would personally question the marking when you're already playing so low. It's a bit like piano: you can certainly play chords that low, but the lower down you get, the muddier the chords get the more notes you have and the more closely those notes are spaced.
Adding 16' pitches there is the equivalent of transposing that already-low chord down another octave. The effect can be mitigated if you use a light stop such as a 16' quintadena or 16' bourdon that is a bit anemic, but if you used a 16' principal or bombarde/fagott, for instance, the effect would be a bit much, IMHO.
Dear Alex, I like your music a lot! I would like to get in touch to talk about it. I have a small ensemble (tenors and basses) and would love to sing your music (at liturgy). Dirk Maes Belgium
Hi @VocesCapituli Thank you for your kind words! The only way I can see this music used is in the hymn sections of Novus Ordo Masses. This piece is meant to be used as a four movement work for concert, but I can definitely discuss further uses for the movements. Send me a private message and we can discuss this further! Thanks again! - Alex
@VocesCapituli I would love to write a new piece since you only have tenors and basses. Since you liked my piece, I'm assuming you're traditional, but which Mass: Novus Ordo or Tridentine?
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