We did nothing special, only adding on to what we did for Lent.

Asperges Me (mode IV)
Mass XVII (Kyrie, mode I, with Benedicamus Domino, mode VI for the ease of the celebrant)
Propers for the blessing of palms as in the Liber Usualis. We sang the Hosanna, Filio David; In Monte Oliveti; Sanctus XVIII; the two antiphons Pueri Hebraeorum; Occurunt turbae (the procession was inside in our chapel); Gloria Laus et Honor (three or four verses only); Ingrediente.
Mass propers (due to the Passion being sung with assistance from the schola, we did the psalm tone for the verse of the Gradual and the tract. Next year, we'll hopefully do the full tract of Lent I, Palm Sunday, and Good Friday)
Ave Regina Caelorum (simplex) with verse and collect.

I'm not a fan of hymns on Palm Sunday, but the people love "O Sacred Head, Surrounded," and they sing it well.

We've been doing the mode I Kyrie, and I need to remember that singing it up an octave from what the organist thought was best is the way to go. The people will be more participatory next year; we do mode VI in Advent, but I suggested doing the mode I for Lent. This is what the ICRSP does at the seminary; in a perfect world, we'd do the simpler mode VII Asperges in Advent as well.

At the principal Mass (Novus Ordo)

Prelude: Toccata in C Major (Pachelbel)
Entrance of the ministers: Hosanna to the Son of David (Weber), with Ps. 117(118): 1
Procession: All Glory, Laud, and Honor
Entrance Responsory: As the Lord Entered (Weber)
Kyrie: Simplex Ordinarium II, setting ii
Psalm: Ps. 21(22); R/. Lord, come to my defense (By Flowing Waters, P. Ford)
Gradual: Christus factus est (Graduale Romanum)
Offertory: My heart expected reproach (Weber)
Hymn: Jezu Chryste Panie mily
Sanctus: XVIII (Deus genitor alme)
Agnus Dei: XVII (Kyrie salve)
Communion: Father, if this chalice cannot pass (Weber)
Hymn: Piesn sie rozlega
Anthem: The Palms (J.-B. Faure)
Hymn (after communion): O Sacred Head Surrounded
Recessional Hymn: Ludu, moj Ludu
Postlude: Duet for Crying Babies (Anon.) (I.e., no postlude)

choir mass (adult and children’s choirs)

Preludes by cherub choir, k-2
Hosanna to the son of David (childrens choir, grades 3-8)
Blessing of Palms: improv on hosanna filio David
Procession: All glory laud and honor
Psalm: Alstott with verses to chant by Matthew Camidge
Offertory: Glory be to Jesus (childrens choir)
Hymn: O Sacred Head
Sanctus and Agnus XVII
Communion: my song is love unknown (adult choir anthem)
Hymn: What wondrous love is this
Recessional: Lift High the Cross

St David of Wales, Richmond Calif.

8:00
Hosanna to the Son of David (a curious simplification of CCH version)
All Glory, Laud, and Honor
My God, my God/Ps. 22 (Parish Book of Psalms)
Tract Christ became obedient (American Gradual)
read Passion
Off. Improperium (American Gradual)
Sanctus & Agnus XI (Latin)
Comm. Pater si non potest (American Gradual) & O Sacred Head

11:00
Hosanna Filio David (Schubert, w/ a single chant by Ann Callaway for verses)
All Glory, Laud, and Honor
My God, my God/Ps. 22 (Parish Book of Psalms)
Tract Christ became obedient (American Gradual)
Luke Passion with Lassus turbae
Off. Improperium (American Gradual)
Sanctus & Agnus XI (Latin)
Comm. Pater si non potest (American Gradual) & O Sacred Head

St Bede's Clapham Park 11am Mass
Two sets of Male cantors for the Propers and one set of Lady Cantrix? for the Ordinary, 10 men, 4 ladies, and 3 children in the choir

Blessing of Palms (all Chant sung in full according to the G.R. 1924)
Asperges mode 7
ANT. Hosanna filio David.
GRAD. In Monte Oliveti.
SANTUS. XVIII
ANT. Pueri Hebraeorum (alternated with Ps. 23)
ANT. Pueri Hebraeorum (alternated with Ps. 46)
The above 2 Antiphons are set this way in a 1962 chant book.
ANT. Cum audisset.
ANT. Ante sex dies.
ANT. Occurrunt turbae.
ANT. Cum Angelis.

HYMN. Gloria Laus.
RESP. Ingrediente.

Mass (all Chant sung in full according to the G.R. 1924)
INT. Domine ne longe.
KYR. XVII first version
GRAD. Tenuisti.
TRACT. Deus deus. (alternated Cantors 1, choir, Cantors 2 etc.)
PASSION. Victoria setting
GOSPEL. Solemn ancient tone
CREDO. I
OFF. Improperium
OFF. Hymn Magnum Salutis Gaudium
SAN. XVII
AGNUS. XVII
COM. Pater si, Chant setting alternated with the Isaac polyphonic setting, with psalm verses.
BENE. XVII first version
Domine Salvum fac.
Marian Anthem. Ave Regina Caelorum, De la Rue

This took 2h 40 mins...

Kind of surprised that no one did the Malcolm Ingrediente or the Weelkes Hosanna... two of my all-time favourites.
Ours was fairly simple as my choral forces were fairly limited.
Hymns All Glory Laud and Honour (with improvised fanfare), Holy Jesu by thy Passion, My Song is Love Unknown, When I survey the wondrous Cross. Missal chant Hosanna (Latin), Gregorian Communio.
I had to stay and thurificate for the next Mass as well which was sadly a guitar Mass. But man, did I ever get the thurible going... a beautiful haze lasted in the church for over an hour after that Mass. The incense blend was one I made myself.

St. Vincent de Paul - Elkhart, IN (NO)

ICEL Hosanna
Procession: Hosanna (Taize), All Glory Laud and Honor (ST THEODULPH)
Psalm: Guimont
Gospel Acc: Peter Latona
Passion according to GIA - at choral Mass, turba choruses by Viadana from CPDL, adapted by me with the correct Lectionary text
Offertory: WONDROUS LOVE or My Song is Love Unknown
Jubilate Deo S/A, Mysterium fidei, Pater noster
Communion: from Source and Summit
Choral pieces: "My Jesus Mercy" (Kwasnieski), "Adoramus te" (Dubois)
Recessional: Ride On, Ride on in Majesty (TRURO)
Postlude: O Haupt voll Blut und Wunden (Reger)

Caleferink,

Can you explain your choice of Were you there, since it seems to be not in keeping with the other selections you've made?

Chris: It's the proverbial bone thrown. I think if I didn't do it, I would be crucified myself.
@NihilNominis: If I did it at a time other than the end, I probably would have included that verse. Since it was the closer and people tend to flee faster than Jesus' disciples at the Mount of Olives, I had to pick and choose. I'm doing Were You There again on Good Friday during Communion, and I include it there.