there is an example essentially identical to the figure at aqua, which the commentary explains "is not a Pressus preceded by a punctum, but a Distropha followed by a Clivis."
My own opinion is that the repercussions are an absolutely essential aspect of performing chant - without them, in my experience, the rhythm and energy just dies.
I'm not sure what this means. Are you saying that notes marked with the horizontal episema should not be lengthened? Here's what the Rules for Interpretation say:too many people don't know not to do this
Mocquereau says that in the episematic torculus, all three notes are lenghtened, but I have noticed a tendency among some of our seminarians to ignore the episema over the third note and let it regain its normal value, even more so in the pes subpunctis with the first three notes marked, e.g. at eorum in the introit Cogitationes—the same figure as at satiemini in the introit Laetare, where the first three notes indeed form a long torculus in both Laon and Einsiedeln. Singing the third note short is apparently what they're learning at the seminary; they're not getting it from me.The horizontal episema . . . indicates a slight lengthening of the note. This stroke may also cover a whole group, but in such cases, the lengthening must not be too marked, in order to maintain the rhythmic unity of the group. As regards the value of the lengthening, a good rule is: the oftener it occurs, the less we must mark it and vice versa.
Repercussion can be rendered with a glottal attack (not recommended), voiceless glottal fricative (aspirate h), or simply with the breath, but all three of those involve some break in the sound. Apart from adding an auxiliary note, which is not part of the Solesmes style, how does one rearticulate without a break in the sound?the repercussion does not involve a break in the sound
Is rebowing typically indicated with tied notes?As with a rebowing—the sound is tapered and then re-energized without the voice being disengaged.
No, but articulation is rarely indicated in the score in vocal music since the text already implies so much.Is rebowing typically indicated with tied notes?
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