Should we remove George Washington from our currency because he was a slaveowner? Play no more Wagner because he was an anti-semite?
I have a few questions about the new Gather edition. Was it created mainly to exclude all of Haas's music? Because the Gather edition before it is only a few years old.
Also, my opinion is that although the man may be a disgrace, his music is appealing to many including myself. Although some Catholic publishers will not print his music, other denominations aren't so quick to come out with new editions. His music will be around for a while. BTW, are we going to remove "Pescador De Hombres" from any new editions? Because Father Cesario Gabarain was credibly accused of sexual abuse.
The whole thing feels creepy to me. Should we remove George Washington from our currency because he was a slaveowner? Play no more Wagner because he was an anti-semite?
I'm sure this has been discussed before in these forums. I'm new, and apologize if I'm rehashing old material. I'm genuinely upset about this issue. I would appreciate other opinions.
I have a few questions about the new Gather edition. Was it created mainly to exclude all of Haas's music? Because the Gather edition before it is only a few years old.
BTW, are we going to remove "Pescador De Hombres" from any new editions? Because Father Cesario Gabarain was credibly accused of sexual abuse.
What hasn't happened - yet - is a transparent accounting of the colleagues and people who helped promote and publish his music while being aware of matters such as these. I would encourage David Haas to encourage those people to account for such transparently.
Are you David Haas, or one of his close friends?
In 1971 the Congregation for Divine Worship and the Sacraments actually forbid the use of Wagner's "Bridal Chorus" in Catholic weddings
Does "de jure" status make an abuse go away more quickly?
Notitiae, the monthly newsletter of the Sacred Congregation for Divine Worship, the Vatican's liturgical department, suggested yesterday that more “sacred” music replace such widely used selections as the wedding marches by Mendelssohn and Wagner, the Ave Marias of Schubert and Gounod, Handel's Largo and Stradella's Church Aria.
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The Congregation did not issue a formal ban on the “undesirable” music, but rather urged national conferences of bishops around the world to establish the music that should be sung or played at weddings and other functions. The statement on music was, it explained, part of a continuing implementation of the reforms of Roman Catholic liturgy enacted by the Ecumenical Council Vatican II, 1962‐1965.
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“The new rites of marriage, introduced in March, 1970, reiterated and reaffirmed that the whole marriage rite should be a congregational effort,” he said. “The liturgical ideal would be to have the congregation singing all the parts of the mass and all accompanying parts of song, except the particular parts designed for choirs. In reality, it can't always be done at marriage services.”
After the Ordo celebrandi Matrimonium entered into force, which restored a straightforwardly liturgical setting to the celebration of marriage by various parts of the world, regions, and peoples, the Sacred Congregation for Divine Worship has been asked what to think, within the framework of the liturgical renewal, of several musical selections still much used as quasi-"typical" elements in the wedding ceremony. These were listed in particular: the Mendelssohn "Wedding March", the Wagner "Wedding March", the "Largo" of Handel, the Gounod "Ave Maria", the Schubert "Ave Maria", and the "Church Aria" of Stradella.
The Sacred Congregation asked 13 experts, 9 musicians and 4 liturgists, of international reputation, about the topic.
From their answers, several indications emerged, which we consider useful to make known in summary form, for a general orientation on this problem.
1. In general, those asked expressed a negative opinion, not about the intrinsic artistic value of the selections, but because they were considered not suited for liturgical use. To accept these musical works without reserve would signify the continuance of an anachronistic past.
I have a few questions about the new Gather edition. Was it created mainly to exclude all of Haas's music? Because the Gather edition before it is only a few years old.
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