Indeed! Modern music (which is nothing at all new to the Church's worship) is the likes of Stravinsky, Poulenc, Britten, Howells, Lauridson, Whitacre, and so on. These, or music in their class, are 'modern music', and they can easily be in the same room with Tallis and Gibbons - and in the same mass.Needs to define modern music
It's not that the characteristics of sacred music are meaningless today, it's that the ritual purpose of music is also now regarded as an essential characteristic of music for liturgical use.
You have to take good old Pius with a grain of salt and apply his writings to the historical context in which he lived.
same world, same adversaries... world, flesh and devil.While I am not a fan of much so-called "contemporary" music in liturgy, I realize Pius X was living in a different world fighting different adversaries.
different form, same enemy... forms of music alien to sacred music are a constant bombardment on the church reaching way back. Don't be fooled by the form (theory, instrumentation, etc.) If you look back at opera, it contains not only secular dimensions foreign to the sacred, but have many elements that exalt: pride, lust, gluttony, greed, etc.His battle was against European operatic music. He had no Haugen/Voldemort composers to deal with.
"baby" and "bathwater"You have to take good old Pius with a grain of salt and apply his writings to the historical context in which he lived.
"[1] And you, when you were dead in your offences, and sins, [2] Wherein in time past you walked according to the course of this world, according to the prince of the power of this air, of the spirit that now worketh on the children of unbelief: [3] In which also we all conversed in time past, in the desires of our flesh, fulfilling the will of the flesh and of our thoughts, and were by nature children of wrath, even as the rest: [4] But God, (who is rich in mercy,) for his exceeding charity wherewith he loved us, [5] Even when we were dead in sins, hath quickened us together in Christ, (by whose grace you are saved,) [6] And hath raised us up together, and hath made us sit together in the heavenly places, through Christ Jesus." Eph. 2:1-6when did you ever witness the worship of Baal?
opposition to religious liberty and freedom of the press
Hammond B3, baby! Roland D 50, Oberheim OB-8, Fender Strat, Rickenbacher and much, much more!Then you don't deny that you actually played organ for the Canaanites?
My Baby is still in the manger... sorry to hear about yours.The baby and bathwater have both headed down the drain long ago. I am not sure either can ever be retrieved.
Pius X's writings about sacred music cannot be simply and directly applied to the reformed liturgy without adaptation because Pius X was not writing about music in the reformed liturgy.
To say the characteristics of sacred music "have had" their role to play historically does not entail that that role is over nor that the role is merely of historical interest. As in my first paragraph, the historical role must be understood in its own context and then adapted to a different context.
those who accept the liturgical reforms of Vatican II and those who reject them
Given all the strife and dissension in the Latin church, I have no difficulty understanding why several of my friends have become Orthodox. They tired of all the agendas, posturing and disagreements and left.
As for CharlesW's comments, seems like trotting out all the time-worn cliches about the trads
We have multiple orthodox churches, including a ukranian and russian which are literally across the street from one another like competing gas stations or rite aid vs. wallgreens. It's sad.
As someone I know refers to the TLM: The liturgy you love with the people you hate.
The Catholic Church is an institution I am bound to hold divine — but for unbelievers a proof of its divinity might be found in the fact that no merely human institution conducted with such knavish imbecility would have lasted a fortnight.
Hilaire Belloc
I don't know why the TLM makes people so obnoxious.
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