This comports well enough with the Hymnary.org description, but provides more details and context.Daniel C. Roberts, the 35 year-old rector of St. Thomas Episcopal Church, a small rural church in Brandon, Vermont, wanted a new hymn for his congregation to celebrate the American Centennial in 1876. He wrote "God of Our Fathers" and his congregation sang it to the tune RUSSIAN HYMN.
In 1892, he anonymously sent the hymn to the General Convention for consideration by the commission formed to revise the Episcopal hymnal. If approved, he promised to send his name. The commission approved it, printing it anonymously in its report. Rev. Dr. Tucker, who was the editor of the Hymnal, and George W. Warren, an organist in New York city, were commissioned to choose a hymn for the celebration of the centennial of the United States Constitution. They chose this text and Warren wrote a new tune for it, NATIONAL HYMN, including the trumpet fanfare at the beginning of the hymn.
It was first published in Tucker’s Hymnal, 1892, with this tune, then in 1894 in the Tucker and Rosseau’s Hymnal Revised and Enlarged. These lyrics were also set to the hymn tune PRO PATRIA in Charles Hutchins’ The Church Hymnal. But NATIONAL HYMN prevailed and it is the tune to which "God of Our Fathers" is always sung today.
It turned out to be not so good for France, Spain and Bourbon/Borbon monarchs.
It was also not good for First Peoples, but neither side was going to be a good victor for them, the French already having lost the Seven Years' War.
Indeed, French and 'American' motives were quite different in this regard. For 'Americans, it was a cause shared by less that 10% of the population to set up an elective aristocracy, and call it a republic, in place of a monarchy that wasn't all that bad. For the French it was a grand opportunity to poke its arch-rival in the eye.Most French officers...were ardent royalists themselves.
Indeed, French and 'American' motives were quite different in this regard. For 'Americans, it was a cause shared by less that 10% of the population to set up an elective aristocracy, and call it a republic, in place of a monarchy that wasn't all that bad. For the French it was a grand opportunity to poke its arch-rival in the eye.
When I was young I considered 1789 as the end of civilisation. I still more or less do.
We did "Thee, O Christ, the Prince of Ages"
The origin and author of this hymn are unknown, although the language in the 2nd verse suggests some European background. The third verse is Australian - it's not clear if this was original, or was added later.
It is suggested for Christ the King is in "The Hymnal of Pius X a collection of masses and hymns for the use of parishes and schools in the Catholic Church", published in Melbourne, Australia in 1952 and edited by Rev Percy Jones (ref), where it is set it to the tune LAUDA ANIMA by J Goss 1800-1880, with the lyrics being credited to Anon.
The first two verses were used in New Zealand in the 1970s, alongside other traditional hymns like "Holy God we Praise Thy Name" and "Now Thank we all our God", and assumed to be of similar origins. A 1979 recording made in New Zealand refers to it simply as "traditional".
The film puts forward the hypothesis that Louis spent so extravagantly because he knew his courtiers would feel that they had to do so also, and if they were busy being extravagant (so goes the theory) they couldn't plot his overthrow. Remember that both Louis XIII and Henri IV came to a bad end.
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