Any tips one can please give about realisation of the continuo for Caterina Assandra's Motets Op 2? Looking at it I think I can nut out the harmony just fine it's about how elaborate/not elaborate I can play and sing at the same time at this stage. I have a bass singing with me. The recordings I can find of Haec Dies etc include MANY instruments instead of the instrumentation we will have. ie. just organ and two voices.
Looking into this style more as I hope to acquire a portative soon.
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