With the first choir I've done in quite some time, we had a beautiful Mass this evening for Our Lady's feast.
Introit Gaudens Gaudebo (Mode III) Gloria from Missa Secunda - Hassler RP from New Cathedral Gradual - Cichocki/Ku Alleluia - Full Gregorian (I've been doing full gregorian Alleluias throughout Advent - they're my favourite propers) Offertory - Ave Maria - Handl Sanctus - Mass IX (which was actually a little mistake on my part - I thought I'd put in XVII which my people knew, but they sight read IX very easily) Agnus - Mass XVII Communion - There is no Rose - Joubert Rorate Coeli (English) Immaculate Mary (with the loudest congregational singing I've ever heard)
Live streamed solemn high mass at the Cathedral of Our Lady of Walsingham may be viewed at olwcatholic.org.
First use of our new Mary Blue solemn set of vestments.
Complete Palmer-Burgess propers Psalm - Anglican chant (Goss) Cum jubilo mass (in English), as in the back of The Hymnal 1940. Motet at the Offertory - Alma redemptoris mater, Palestrina (?) Motet at the Communion - 'Adam lay y-bounden' - Ord Hymn at the dismissal - 'Immaculate Mary' - Lourdes Hymn (Too bad the lectionary and creed were not sung, perhaps because of the virus from China.)
We had to make rather humble music since we are currently only a tiny schola who couldn't have a dedicated rehearsal for the solemnity, but I did record this in honor of Our Lady. https://www.youtube.com/watch?v=edKVQwmjWcs&t=1s
We sang Weber propers, the plainchant Ave Maria, and Immaculate Mary (Lourdes Hymn) after the communion antiphon.
Opening Hymn "Hail Mary, Only Sinless Child" (Caddell/EISENACH) Propers from the Liber usualis Missa IX cum Jubilo Credo III Offertory chant "Dies iste celebratur" from Cantus varii Communion chant "Immaculatam" from Cantus selecti Marian Antiphon "Alma Redemptoris Mater" (solemn tone) Final Hymn "O Purest of Creatures" (Faber/PADERBORN)
Since I'm still not allowed to have any sort of (vocal) choir/ensemble, it was a solo cantor and me as organist as it has been on Sundays since reopening on Pentecost.
Introit: Gaudens gaudebo - Simple English Propers Kyrie: XVI Gloria: Congregational Mass (Lee) Psalm 98: Batastini/Gelineau Alleluia: VI + plainchant Ave Maria up to "mulieribus" for the verse Credo: III Offertory: Ave Maria (Schubert) Sanctus: ICEL chant Mystery of Faith: ICEL chant Amen: Danish Agnus Dei: XVIII Communion: Gloriosa dicta sunt - Simple English Propers + "Magnificat" (Chepponis) Recessional: "Immaculate Mary" - since there are no books in the pews, the cantor sang the stanzas by him-/herself while the congregation joined in the refrain.
Solo me with organ, first time singing in a mask as the boss has cracked down. Mass IX, Credo I, Gregorian propers (psalm toned verses on Gradual and Alleluia) Offertory motet: Ave maris stella (L. Perosi) Communion: Tota pulchra es (E. Gigout), Tota pulchra es (Perosi)
I have watched some Masses at OLW Cathedral, including that of the Immaculate Conception. Is the use of Blue vestments something customary in the Ordinariate for the feasts of Our Lady?
Blue has a very old pedigree in the Anglican sphere. It was prominent in the Sarum use where it sometimes was an alternative to purple - though another alternative to purple was the 'Lenten array', the altar vestments which were entirely of unbleached linen). The use of blue has been associated with Marian feasts for quite a long historical time, blue being thought of as a particularly Marian colour, hence our Lady in much art being clothed in blue. I don't, though, think that blue as a liturgical colour had much usage outside of England.
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