First some background. Published posthumously in 1633, George Herbert's collection The Temple contains several marvelous poems that have become hymn texts or otherwise have been set to music - notably, Ralph Vaughan Williams's Five Mystical Songs and the hymn "King of Glory, King of Peace" which, at least in England is usually sung to the tune GWALCHMAI (although in the U.S. it is perhaps just as often set to GENERAL SEMINARY or REPTON REDLAND). I don't know if this represents a certain dissatisfaction here with GWALCHMAI (or perhaps that it is sometimes used here with the text "Christ the Lord is Ris'n Today"), but GWALCHMAI strikes me as being just about perfect for the George Herbert text.
Be that as it may, I have set "King of Glory, King of Peace" to my tune GRAF (repurposed from 76. 76. D to 74. 74. D), and I think it is a good fit. GRAF is itself based in part on Johann Rosenmüller's STRAF MICH NICHT (or WÜRTEMBURG). Here then is the setting, in which the Alto part, transposed up an octave, becomes a descant for the second stanza, while a separately composed descant is supplied for the third stanza.
One final comment is in order. The hymn is set from the seven two line stanzas of Herbert's poem, taken in pairs & omitting the sixth stanza. That sixth stanza is itself quite poignant and it is unfortunate that it gets omitted in these settings (including my own):
Thou grew'st soft and moist with tears, Thou relentedst: And when Justice call'd for fears, Thou dissentedst.
I have been contemplating a workaround that I may post here soon. In the meantime, I hope the present setting to GRAF is pleasing both to the ear but also to the voice.
Here (as alluded to above) is my setting of all seven stanzas of George Herbert's "King of Glory, King of Peace" to my hymn tune GRAF. The descant structure remains basically the same: Alto part up an octave for the first descant (stanzas 3&4), and a through composed descant (more or less patterned on the one given the earlier setting) for the final 3 stanzas.
This is wonderful. Beautiful text set to beautiful music. I'm glad you found a way to put all seven stanzas in. I think having the second half of the verse repeated at the end is a nice way to finish it. Well done.
I highly recommend investing in software instruments that come much closer to the real deal. The trombone is very dominant in the mockup. However, I also think that an instrument as boisterous as the trombone would also dominate in a real performance considering the instrumentation. I also realize this is meant to be for a vocal rather than wind ensemble. Nonetheless, high-quality software instruments are DEFINITELY worth it in the long run despite the price-tag. Check out spitfireaudio.com for high-quality sounds. Food for thought. God bless you and the music you create for the Church!
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