The current distancing requirements have forced me to space my singers much farther apart than previously. An advantage of the current (and temporary) configuration is that it makes right/left alternation more noticeable and effective. I have two new guys starting before the end of the month and am considering more rearrangement of the voices. We'll have an equal balance of four tenors and four baritones. A couple of questions: 1. Is it preferable to place all tenors on one side and all baritones on the other, or a mixture of both on each side? 2. Should the two cantors/precentors be on the same side, or one on each side? We only sing the Mass, not the Office, in case that makes any difference to how you would answer the second question.
I agree with Nihil. Mixing tenors and basses is the best solution - and, after all, this would be the case in a monastic situation. I've even known several choirmasters who arranged their entire choirs in quartets, not in the usual SATB sections. This can result in a quite different and lovely blend if one has enough choristers to carry it out.
To participate in the discussions on Catholic church music, sign in or register as a forum member, The forum is a project of the Church Music Association of America.