Not at all. Ostrowski's own is probably the closest in style. I didn't examine each of them carefully, but I think versions 3-12 are all going to follow and reinforce the old Solesmes rhythm, with chord changes only on ictic notes. NOH usually favors the tonic accent/word stress. I have noticed discrepancies in the various Solesmes books in the use of bar lines and dots vs. horizontal episemata in this particular chant, so the organist might want to compare the accompaniment selected to whatever edition the choir or people will be singing from, although it wouldn't make a huge difference one way or the other. I believe the only monastic/secular variant in this chant is distropha vs. tristropha at the beginning of the last "O," and perhaps the bar line and lengthening mark discrepancies mentioned above. NOH doesn't appear to include any of the simple tone Marian antiphons. Can anyone fill us in on the history of the simple tone Salve?Are the Bragers versions close in style to the NOH?
Can anyone fill us in on the history of the simple tone Salve?
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