...we'll be celebrating Holy Week in York, Pa., in the traditional (pre-1956) form...
I'm genuinely curious: why will the praying of the office, even not at the canonical hour, hurt people?
I personally do not hanker after the pre-VII Triduum, but it is permitted, even in the pre-1955 form. And the forum does not exclude people who are not in communion with the Pope, or others who are clearly wary of "competent ecclesiastical authority".The CMAA’s purpose is the advancement of musica sacra in keeping with the norms established by competent ecclesiastical authority.
(I've never heard of anyone attending any old rites, regardless of how far outside of "communion" with the Catholic authorities - even the extreme sedevacantists - on the basis of that motivation, and in any process possessing even a modicum of due process I submit that it would be almost impossible to prove absent compelling extrinsic evidence.), but were, in point of fact, motivated by precisely the opposite.motivated by a desire to be disobedient or disrespectful of legitimate Church authority
these services. If the latter point is dispositive, then the whole event is "off the books" - and provided we are paid as non-Catholic musicians (per the other thread's logic), there's no harm done!no layman is required by law to attend
is slightly skewed insofar as you claim that people "would insist" on remaining aloof. There's another way to look at it - the people who want the old, unadulterated liturgy have no choice but to do so, given the current posture of the local authorities. As I said elsewhere, it comes down to one simple question: can any authority on earth, even an otherwise legitimate ecclesiastical one, deprive Catholics of their liturgical traditions? On the answer to that questions depends resolution of all the rest. The few faithful in York answer the question in the negative, and the burden of proof is arguably on those who would answer otherwise.It is sad that a group of people would insist on remaining aloof from living in peace with the Church, and present as their justification their position about the pre- and post-1955 Holy Week differences.
Fellow chant and liturgical-music enthusiasts:
…intended to solicit singers from around the National Capital Region and DC-Philly-Harrisburg-Baltimore (etc) metro areas whose interests range from simple psalmody to melismatic chant and even classical polyphony.
… to solicit another voice (or voices) for at least the male side (we alternate male-female voices for the psalmody of Tenebrae).
… with the hope that there may be one or more individuals who are interested in experiencing the fullness of the old Holy Week and not otherwise engaged or, perhaps not having any other viable options, looking for a place to go this year.
All are welcome
andWith the exception of the melodies proper to the celebrant at the altar and to the ministers, which must be always sung in Gregorian Chant, and without accompaniment of the organ, all the rest of the liturgical chant belongs to the choir of Levites, and, therefore, singers in the church, even when they are laymen, are really taking the place of the ecclesiastical choir.
and, finally[S]ingers in church have a real liturgical office
Are these prescriptions no longer taken for granted in Catholic musical circles, such that liturgical music is not, in actuality, official, public prayer -- which would imply (rather obviously) that anyone taking a leading role in religious worship is a likewise a member of the religion (true, as it happens) engaging in the worship? Apologies if I am somehow really missing the point.[O]nly men of known piety and probity of life are to be admitted to form part of the choir of a church.
This people honoureth me with their lips: but their heart is far from me. And in vain do they worship me . . . .
but as far as I can see there's no requirement on the membership form that one be a Catholic. The forum has a wide assortment of members and perspectives on our common interest in sacred music and chant and, wisely I think, does not scorn the contributions of Anglicans, Orthodox, or purely academic enthusiasts.is an association of Catholic musicians and others
taken for granted in Catholic musical circles
Because in the case you cite we are talking of participation in a professional forum, not of participation in public religious worship where the role a singer (in the context of schola member, not pew-sitter who can "observe" and "sing along" as, in effect, a religious "outsider," strictly speaking) takes on is a formal, official, and canonical one.forum has a wide assortment of members and perspectives on our common interest in sacred music and chant and, wisely I think, does not scorn the contributions of Anglicans, Orthodox, or purely academic enthusiasts.
- with the regrettable term "tradie" for (presumably) Catholics attached to tradition (there is no such thing as Catholicism without tradition, insofar as that is the unique source of our - I assume our - faith which Protestants deny) - begs the question, or mixes what should be distinguished. A workshop is one thing - arguably delimted by the question of art, i.e., the technique of rightly making music (in this case). Worship is another - and, without meaning to offend, if one accepts that the schola fills a liturgical role, I will answer your question with another question (which I don't expect you to answer, but which may be useful for anyone still hanging on in this sadly sidetracked series of posts...) - if it became apparent that non-Catholic persons insinuated themselves into liturgical roles such as acolyte or MC or subdeacon, is that something which (to use your overly melodramatic term) should be "denounced" with "horror" and reported to proper authority? Bottom line: does one have to be a Catholic to perform an official role in Catholic liturgy? (I hope there are some who are wondering why the question even has to be asked....)Should I have reacted to a sincere interest in the music I love with horror and denounced him to our tradie hosts?
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