Starting with November / month of All Souls: * Ye Souls of the Faithful (Italian, trans. Fr. Caswall) * O Turn to Jesus, Mother, Turn (Slavic melody, text by Fr. Faber) * Help, Lord, the Souls (Samuel Webbe Jr, John Cardinal Newman text)
GOTTSCHALK: "Holy Ghost, with Light Divine" HAYDN: "All Glory Laud and Honor" RIGBY: "Hail Redeemer, King Divine" SAWSTON [the "soccer match tune']: "Faith of Our Fathers"
SAWSTON was included in the 1939 Westminster Hymnal, but only in an Appendix, where (to put it ever so gently) "a certain number of tunes whose merits lie chiefly in their associations have been retained." The Preface to the hymnal that "many tunes of the latter part of the nineteenth century are lacking in that virility and rhythmic interest which are so essential to a hymn-tune," offering the sturdy COLERAINE as the principal tune for "Faith of Our Fathers" (one I wouldn't mind seeing revived as an alternate to the familiar ST CATHERINE).
Evidently SAWSTON was popular (or at least familiar) enough that Richard R. Terry, editor of the 1912 Westminster Hymnal, included it in the main part of the text. But he, like the editors of the 1939 edition, also included a more "virile" tune for the text (no tune name given) - evidently to no avail, judging from the later edition of the hymnal.
Speaking of Terry, he has at least two tunes that I think would merit reviving at least as alternates to some old chestnuts. Both were included in the 1939 Westminster Hymnal. CORONA (for "Crown Him with Many Crowns," for over-used DIADEMATA) and HIGHWOOD, with its Elgarian breadth, for "O, Perfect Love" (in place of Barnby's rather maudlin O PERFECT LOVE).
The appendix of the New Westminster hymnal contains a lot of tunes which have since been reinstated. The editors were pretty high handed. From the Church of Scotland hymnal I like Wiltshire for The Lord’s MyShepherd instead of overused Crimond. I’ve never heard Sawston sung at a soccer match in the UK but I have heard it played on bagpipes (bizarre)
I second Jacob's offering! One thinks of 'O Come, All Ye Faithful' at Christmas One thinks of 'Jesus Christ Is Risen Today' at Easter One thinks of 'Oh, What Their Joy and Their Glory Must Be' at All Saints
I wish I could hear "Hark! an awful voice is sounding" somewhere other than BBC broadcasts of Lessons and Carols. I don't remember the name of the tune.
Deus tuorum militum is much fun, but I imagine that it could grow old.
Assuming that Chris is referencing 'Hark! A Thrilling Voice Is Sounding', as in the 1940, or 'Hark! A Herald Voice Is Sounding', as in The English Hymnal, the tune is Merton, which is an exemplary tune. I've never encountered '...an awful voice...'.
I did a little research by checking my collection of specifically Catholic hymnals and "awful" does seem to be the most widely used. It appears this way in the Book of Hymns (Ould), Parochial Hymn Book (Police), Arundel, Catholic Church (Tozer), Catholic Youth, St. Basil's, and Hymns for the Ecclesiastical Year.
"Thrilling" is used in St. Cecilia's, St. Mark's, and Armagh. It is also used in the recently published St. Paul's Hymnal with the Merton melody (St. Paul's Choir School, Cambridge).
"Herald" is used in the Parish Hymn Book and Westminster, both with the Merton melody.
"Mystic" is used in St. Gregory's, Parochial (Rossini), and American Catholic Hymnals.
and finally "Prophet's" is used in the Manual of Select Catholic Hymns and Devotions (Colonel).
A fine recording of this hymn with the melody from St. Gregory's Hymnal has just been posted to www.catholicdevotionalhymns.com
It's a 5th or 6th century Ambrosian hymn. I've seen two different versions of the Latin, but the one that appears to be getting used in these translations begins "Vox clara ecce intonat, obscura quaeque increpat", the 'title' being up to the comma ("Lo! A clear voice thunders").
The translation in question appears to be from Edward Caswall in the 19th century. In his day, the word 'awful' could mean "inspiring reverential fear', which works.
There are numerous translations. The hymn is traditionally used for Lauds during Advent.
It is, indeed, awful what has happened to the word 'awful'. I frequently think it in its original and logical sense, but quickly remember that it won't be taken in that sense.
'Awful' isn't the only word to have suffered a transmogrification into awfulness. Even some awfully nice and fine words are no longer awful, but have become awful.
Here are a handful of music pieces that I think could use rediscovery as they are quite rare. These were sung by St. Mary's Choir in Akron Ohio till about the 1990's. The music director Ralph Jordan died in 1996. Other than Praise Ye the Father and O Salutaris Hostia they were never sung again. The church closed in 2010.
More Love to Thee O Christ - Oley Speaks, Elizabeth Prentiss Grand Magnificat in C - Vincent Novello, arr by Emmerig Emmitte Spiritum tuum - Fr. Jos Schuetky Praise ye the Lord - J.B. Molitor, arr by B. Hamma Christ Our King - H. Maery Cantate Domino - F.J. McDonough Laudate Dominum - Cantate Domino - Montani Lauda Sion - G.T. Jouve, arr B. Hamma Ave Maris Stella - A.H. Rosewig Ave Maria - A.H. Rosewig Ave Maria - H. Millard Praise Ye the Father - Ch. Gounod, arr W. Rhys Hebert Juravit - William Card. O' Connell O Salutaris Hostia - J. Lewis Browne
I wonder if the hymnal from St. Paul's in Cambridge MA available for purchase? I was there a few years ago for Britten's Lessons and Carols and was tempted to take a hymnal home with me, but I resisted the impulse. The boy's choir was magnificent, of course!
At this point, The St. Paul's Hymnal, published by the St. Paul's Choir School in Cambridge, is available for use only by the parish. Who knows?--this could change in the future since it is a great resource for a wide variety of hymns for all occasions.
Well, I suppose that any composer/author of an unpublished work can make the claim that his or her work is under-used (the original subject of this discussion). But such claims invariably appear to be self-serving.
I am serving the One Holy (Roman) Catholic and Apostolic Church... God hath made meself for the purpose and I am much obliged. BTW... I have DOZENS of hymn tunes that sit in a box... that's as underused as it gets.
Yes, NihilNominis, O'Connell's Juravit is still used in Boston from time to time. I've sung it at the cathedral, and one of our colleagues included it in a parish concert a few years ago: https://www.youtube.com/watch?v=FubNKGWMcH0
But I don't think it's really authentic unless the organ interlude in the middle is performed in the style of a circus calliope.
is one of the most charming tunes ever written and could be considered underused, except for the fact that it's only sung once a year, on Epiphany, to the only text which anyone ought ever to sing it.
without a 'p', is found with the text, 'In the Cross of Christ I Glory', at no. 442 in TheHymnal 1982. It's really rather good, though as happens with a very few tunes it is in two keys. The first half is in F, and the second half in A.
Where have you encountered this tune, Chris. (I'm assuming guardedly that with or without the 'p' it's the same tune.
You're quite right about the spelling. My memory failed me -- not that this is an unusual occurrence.
The man who wrote the tune, Bruce Neswick, was an early organ teacher of mine. I was impressed very early on when I encountered the tune, thinking it much more clearly represents an introspective approach to "In the Cross of Christ I glory". The other tune (whose name I forget) always strikes me as a bald attempt at pageantry, and an unsuccessful one at that.
I noticed this treatment of 'In the Cross...' some years ago. It is far and away better than the maudlin and saccharine sing songy old Rathbun to which it is usually sung. Rathbun might well be also known as Old Hiccough.
Here is another seldom (if ever) sung tune: it's Toc H, 88.88.88, by Martin Shaw, and is found at no. 500 in Hymns A & M Revised. The text is 'Go Forth With God! The Day Is Now'. The tune fits the text so well that it seems probable that it was written for it. Toc H certainly qualifies for a spot in a list of very unusual tune names. (Probably an interesting story behind it!) With just the right text it deserves to be sung.
SCIENTIA SALUTIS This tune by J. Steiner was paired with the text "Christ Is the World's Light" by Ted Marier in HPSC It is an odd Victorian tune that only grows stronger as the verses progress.
Any of the French diocesan hymn tunes--especially COELITES PLAUDANT which, at first glance, might seem outrageous, but those grand sweeping intervals and leaps really sing.
I have so many tunes I'd like to hear more of (or at least hear) - quite a number from The Pius X Hymnal (the hymnal edited by Theodore Marier; not the Australian version)* and later related source. From Anglican sources, I love DANBY, which is lyrical and somewhat ambiguous in terms of metrical foot (that is, it's not emphatically iambic/trochaic), which can be magical when put in the service of a lovely text.
That said, my judge of this is entirely from a congregant's point of view, not an instrumentalist - instrumentalists often itch for things that are interesting for them, but that act more like vocalises for singers (I am looking at you, FESTIVAL CANTICLE, among many others like you) that are not well-prepared and suited for the human voice.
* E.g., Thou Art The Star of Morning set to JE SAIS VIERGE MARIE.
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