For reference, here's Hymnary's index for all 7.7.7.7D tunes (though I guess that technically, Hail Redeemer is a "7.7.7.7 with refrain" text, it's just that its refrain is 7.7.7.7);it would be lovely to have a sort for the trochaic subset, though if memory serves 7-foot meters have a higher incidence of being trochaic rather than the otherwise much more abundant iambic:
Cet. par., I'd love to do it to "Humility" by John Goss, composed for "See Amid the Winter's Snow" (Caswall). There's a similar lift in intensity (elan?) from verse to refrain in both melody and text. Unfortunately, I think the proximity of the Feast of Christ the King to the Christmas season precludes this selection.
That is a *brilliant* suggestion for a tune! While I loves me "See Amid The Winter's Snow", I suspect it's fairly rare as a congregational hymn in Catholic churches in the USA (there's just too many more popular traditional Christmas hymns to compete with for programming), so it would be a *great* way to get a congregation familiar with an unfamiliar tune....
IMO that would be an infelicitous marriage of text and tune. HUMILITY has been paired almost exclusively with "See Amid..." When a text and a tune have been paired in a Christmas offering, it is best not to try to use the tune for another text.
And, contrary to what Hugh has written, I do not think the musical shape of "Hail, Redeemer, King divine" fits the contours of HUMILITY. Those opening words call for a fanfare of sorts, and that is ST. GEORGE'S WINDSOR.
kevinf, are you sure about that tune being named RIGBY? It's not listed on hymnary.org. There are three tunes named RUGBY, but none have a 7777(D) meter.
I have mixed feelings about pairing HUMILITY with HRKD.
It is a tune and text "marriage," so to speak. And yet on the other hand, it is a rather clandestine marriage, at least in the US, where SATWS is usually ignored in favor of Christmas carols--the season being so short. Few know the hymn.
As far as suitability goes, HUMILITY seems aptissimus for the spot designated by the GIRM for a "hymn of praise" at Mass, i.e. post-Communion.
HUMILITY strikes me as a more contemplative tune that blossoms/unfolds, and while HRKD at first blush might seem only to be an emphatic praise hymn text from the get-go that seems destined for a marching tune, its fuller stanzas betray greater complexity that might benefit from a more contemplative tune. YMMV.
And I love My Country 'Tis of Thee to MOSCOW - not that I will ever hear it other than myself singing it. It reveals other dimensions of the text. And I adore DANBY for any suitable text. (Having had to sing FESTIVAL CANTICLE from the pews this past Sunday, I can say that I am no fan of tunes that endear themselves to organists but are more like vocalises for pew singers. Thisss iz thuh fee-ye-ye-YEAST ov-ICK-ter-ee!)
I do have a more squares-and-contra-dancing approach to matching texts and tunes, and see it less as wedded pairs than a larger suitable company of agreeable possibilities that reveal different aspects of the personalities of the texts and tunes.
The name of the original tune is KING DIVINE and yes, it was written by Charles Rigby. We sing it to that tune, and I have never heard it sung to any other (here in the UK). It's a particularly rousing tune, so very suitable.We sang it for Christ the King last week and the organist gave it full blast and the congregation responded. The hymn was written for the new cathedral in Liverpool, dedicated to Christ the King, back in the 1930s I believe. The outbreak of war in 1939 called a halt to the original grandiose scheme, and when they eventually got round to finishing it they had insufficient money to complete it, so settled for what is now known locally as 'Paddy's lampshade' placed on top of the original crypt. You can see it at https://upload.wikimedia.org/wikipedia/commons/2/2f/Liverpool_Metropolitan_Cathedral_at_dusk_(reduced_grain),_corrected_perspective.jpg Do try the tune KING DIVINE, it's wonderful and is only associated with that hymn. Here it is https://www.youtube.com/watch?v=1drtim65OA0
Humility and 'See Amid the Winter's Snow' - What God hath joined together let not man put asunder! _______________________________________________________________
'See Amid...' was traditionally sung at the Christ Mass at St Ambrose, Houston. throughout the late sixties when I was organist there. I introduced a lot of English hymnody and choral literature there at that time, having been sought out because i was Anglican and would know what to do with English liturgy. I've not encountered 'See Amid..' at any other church since then. It is a wonderful carol and deserves to be more widely known in the US. (Hmmm - maybe I'll mention it to our choirmaster at Walsingham!)
I agree with the sentiments expressed above re. not allowing "Humility" to flirt with other texts - I think that's what I meant by "cet. par." But from behind the proverbial veil of ignorance, I'd join "Humility" with HRKD in a heartbeat.
I agree with MJO: "See Amid" is a great Christmas hymn and yet almost totally unknown - I tear up every time I read the words, and "Humility" is such a brilliant tune for it. This is definitely sung by the angels in heaven. I've been annoying people at work and in the car recently by singing it over and over. RIP Fr Caswall & Goss.
I had a King's College vinyl recording years ago that I played so much it ended up terribly scratchy. That effect only added to its poignancy! I think it was this one: https://www.youtube.com/watch?v=fPgo-UfyJgc
BTW, time to open another thread perhaps, unless it's been done already: what other Advent/Christmas hymns/carols evoke tears for you, and at what point? Another one for me is "O Babe Divine" (Rolle(?)/Pettman) - I, a toffy director, invariably choke up at the words "When I fly north, south, east or west"! Have no idea what the factors are, but I'm not denying. As for "Come Thou Redeemer", I'm a write-off from the outset.
Right after the General Judgment, let's make a date for those of us who get through, God willing: we'll all gather and sing through every contesting tune for the great hymns, angels assisting, and make a decision there and then as to what tune goes with what hymn for the rest of eternity.
Of course, the Blessed Trinity and Our Lady will have the final say, but you know ... subsidiarity!
Hail Redeemer is the perfect example of why we should not be messing with tune/text pairings.
Even among my musically untrained volunteers, there are two (at least!) distinctly different schools of thought about the correct tune. However they don't have training to realise this, and just assume that the other is playing it wrong. Result = I am too scared to programme HRKD except when there is exactly ONE musician playing and singers who I know will cope with the difference.
For a good text, choose a choone, and stick with it.
Thanks, Hugh, for that link. I will enjoy it many times over. I think that I had the same record. I donated all my LPs to the Fondren Library at Rice U many years ago. Some, I wish that I had kept.
Hugh brings up a great point - some hymn texts have more than one good tune associated with them.
Case in point, from the polar opposite end of the liturgical calendar: "All Glory Laud and Honor". I grew up with ST THEODULPH and still prefer it that way. But leafing through the English section of the St. Gregory Hymnal (a rare occurrence, as I tend to dislike Montani's tendency to reassign tunes to texts arbitrarily) I must admit that I fell in love with his setting of it to the tune by Michael Haydn.
Or, on the other hand - some good hymn tunes have more than one text!
e.g. AURELIA. "The Church's One Foundation" is passable, but always read like a laundry list to me. However, applying the tune to Caswall's "O Jesus Christ, Remember", I think, brings out the spirit of a plaintive, yet hopeful, cry to the Almighty.
BTW, if the text given at https://believersportal.com/hail-redeemer-king-divine-hymn-lyrics/ is what Fr. Brennan originally wrote - or something close to it - very little of it is used in the USA: just the first stanza, a slightly altered refrain, and a couplet from a later stanza that is included in a newly-fashioned second stanza. (Only two stanzas seems to be par for USA hymnals.)
All versions published in the USA seem to have slightly altered the original refrain's Lord of life, earth, sky and sea to read: Lord of earth and sky and sea "Life" really does not fit with earth, sky, and sea, and it also makes the line clumsy and lacking in euphony.
Interesting thread. O Jesus Christ remember and Aurelia always go together here. I find it a very emotional setting. There is also a very prayerful setting of Caswall's 'O Godhead hid' by Sir Richard Terry, which always takes me back to Benediction in a darkened, incense-filled convent chapel when I was at school, with Sr Angela cranking out the harmonium. Is this the tune used in the US for this hymn? Also, 'Lord of life, earth, sky and sea,' IS indeed the original penultimate line for Hail Redeemer, but I suppose that doesn't mean it can't be changed. The hymn originally had lots of verses, presumably for use as a processional. Perhaps some of the ones sung in the US are from the original but are not used here, where we seem to stick to the same four verses. And finally, there is another tune occasionally used for See amid (a very popular carol here) but it's a jaunty French noel, so not as fitting as Humility.
Christmas Morn. We sang it at primary school. The nuns said that 'Humility' was the Protestant tune; I suppose it is the Anglican one, but we'll be singing it at Midnight Mass at the cathedral.
Hmmm... do you think that Humility knows that it's the Protestant tune??? Did the dear nuns think that one would turn into a Protestant by singing it???
Actually, Fr, I do understand. I used to feel the same about Anglican stuff. And, in some ways, still do. Especially about Ordinariate stuff. But I recognise the ultimate folly of such attitudes.
Hmmm... I wonder how many Catholic churches have been built with 'Protestant' bricks? Protestant workmen? Why some might even have 'Protestant' wiring.... or 'Protestant' roofing... and.... Shame! Shame!
In older hymnals you'll find the 1st, 7th, 3rd and 4th stanzas (in that order), and the 2nd stanza (Angels, saints...) as the refrain.
In newer hymnals which are afraid of "archaic" language, the words are edited: the throne is thine becomes the Lord of Time (whatever that means), lowly becomes wayward, etc.
And it seems REX is less universal than I thought. Indeed, the Hymnary listing has only two sources, both Australian.
Here in Singapore, we use Hail Redeemer sung to DIVINE MYSTERIES, or #307 in the New English Hymnal. It is adapted, of course, to fit the text, with the first note split into a (double?)-dotted crotchet and a semiquaver.
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