The Cathedral of Our Lady of Walsingham Houston PATRONAL FEAST -
Solemn Pontifical Mass 11.15am
(All three readings sung.)
Organ Voluntary - Praeludium, in G-Major (BWV 541) - - - J.S. Bach At the Procession - Hymn: 'Hail Thee Festival Day...When We in Mary's Praise' - - - Salve festa dies
The Introit - Rorate caeli - - - Mode I (Palmer-Burgess) Kyrie - Mass in F-Major - - - Harold Darke Gloria - Missa Sancta Maria Magdelene - - - Healey Willan
Psalm - Magnificat anima mea - - - Chant, William Jacobs Alleluya and Verse - Et ingressus angelus - - - Mode (P-B)
The Nicene Creed - - - Recto tono, with organ embellishments The Prayers of the People - - - Byzantine Chant
At the Offertory - The Antiphon: Ave Maria gratia plena - - - Mode I (P-B) Anthem: Ave maris stella - - - Edvard Grieg
Sanctus - Mass in F-Major - - - Harold Darke The Our Father - - - Mode VII Agnus Dei - Mass in F-Major - - - Harold Darke
At the Communion - The Antiphon: Ecce virgo - - - Mode I (P-B) Motet: Ave verum corpus - - - William Byrd Hymn: 'Let All Mortal Flesh Keep Silence' - - - Picardy
At the Procession to the Outdoor Shrine - The Litany of Our Lady of Walsingham: The Angelus - - - Anglican Chant Hymn: 'Sing of Mary, Pure and Lowly' - - - Raquel ____________________________________________________________________________________
Solemn Choral Evensong 4.00pm
Organ Voluntary - Cortege et Litanies - - - Marcel Dupres
Introit - 'A Hymn to the Virgin' - - - Benjamin Britten
Preces and Responses - - - David Jernigan The Office Hymn - 'Ye Who Own the Faith of Jesus' - - - Den des Vaters sinn geboren Psalm CXI - Confitebor tibi - - - Chant, Percy Buck Psalm CXXVII - Nisi Dominus - - - Chant, Thomas Attwood
Magnificat - Evening Service in G - - - Francis Jackson Nunc Dimittis - Evening Service in G - - - Francis Jackson
The Suffrages - - - David Jernigan
The Anthem - - - Ecce virgo concipiet - - - William Byrd
The Marian Antiphon - Salve Regina - - - Diego Dias Melgas
It's a shame that version of Salva festa dies is not included in most modern hymnals. I believe that I may have seen it in HPSC, but that's about it.
So, all your instituted acolytes have to come down to Houston's shrine to get instituted. That shows real dedication on their part. Wish the altar servers/acolytes in most dioceses had that dedication...
They came down here today. I don't think that they always necessarily have to. Bishop Lopes does a lot of traveling in his rather spacious 'diocese'. This is the second time, though, that we have had a 'mass institution of acolytes' - we had one last year for about 35 or 40 candidates. Bishop Lopes really takes seriously the matter of only instituted persons fulfilling their proper roles in the sanctuary. Plus, we have a corps of very well trained servers. Ditto lectors. The two of us who are instituted lectors are charged with singing the the lesson and the epistle on all solemnities.
The sub-deacon at our high masses must be an instituted acolyte. Ditto the historic English 'clerk' (or 'clark') at our low masses. ('Clerk' being a brief form of 'cleric'.) The clerk, in addition to several servers, two torches, and a crucifer, attends the priest at all low masses.
We did everything today. We had a verger at high mass and evensong. The crucifer, true to Sarum usage, wore a tunicle. The cathedral choir were outstanding, and our people were not bashful in their singing. A contingent from San Antonio came on a bus, and there were visitors from all over the Ordinariate. Oh, and we now have five resident Dominican sisters fulfilling roles in education, etc.
Heath - The creed is simply sung recto tono with an improsived chordal underlay to keep the pitch. The underlay usually gets more interesting at points of particular importance or drama in the creed. There is no music. It's different at every mass.
I do think that written-out versions exist, for this is quite common in Episcopal churches - but I don't have one.
Doing the creed this way can be nice, but, if sung recto tone, my preference is for a capella. I really don't think our people need it, but 'someone' started doing this and so now we can't stop.
Nothing compares with one of the actual Gregorian melodies. But anything is better than not sung at all.
@Heath. Here is a pdf with a few organ accompaniments to recto-tono singing of the Our Father and both Creeds. I've taken this from "The Village Organist: Volume 6" edited by Woods, which I'm fairly sure is public domain.
I've used the Apostles Creed and Lord's Prayer by Bridge on a single occasion when I was organist for an Ordinariate Evensong. They certainly did the job.
Theodore Marier came up with an accompaniment for a recto tono singing of the Nicene Creed with some rather interesting chords. I think I found it in this forum adapted to the current Roman Missal. I'm sure it would be easily adaptable to the translation of the Creed used in Divine Worship.
To participate in the discussions on Catholic church music, sign in or register as a forum member, The forum is a project of the Church Music Association of America.