Am looking for an SATB motet for Trinity Sunday. On CPDL the settings of the propers don't fit SATB, and the Victoria setting of O lux beata Trinitas is not "speaking" to me, which is, of course, quite unusual. Dr. Mahrt's choir did Sancta Trinitas by Antoine de Fevin at the Colloquium in 2011 but I can't find this on CPDL or TheCatholicChoirbook.com which is shown in my Colloquium book as the source. My notes say we took it up a step; altos have to transpose down the octave. Anyone know of a perhaps better edition of this piece, or another SATB piece good for Trinity Sunday? Many thanks for your thoughts.
An early source for the Févin is here, with an attempt at an index table whose code can be seen if you hit the edit button.
There are of course some SATB Propers on CPDL. Schubert's Tres sunt is a piece that caught my fancy and I mean to hunt up an organ accmpt someday; this year we're going with KV 117. If you don't get to sing choral Ordinaries, this Sunday of course is also a chance to sing a Sanctus as an apt anthem.
Trinity was celebrated here and there spottily in the mediaeval era, but it was Becket, who was raised to the episcopacy on Trinity Sunday, who made the feast universal in England. After his murder, it was made universal for the whole Church. Why Trinity Sunday, the one meagre Sunday of the year devoted specifically to the Trinitarian Godhead, God himself!, is not a holy day of obligation is, like certain other priorities on our kalendar, 'beyond me'. (Of course, every mass is addressed to God himself, though the lectoral and homiletic focus is elsewhere most of the time.)
Would it be inappropriate to sing the beautiful bilingual chant of the Trisagion that occurs as part of the Reproaches (Improperia) on Good Friday? The Byzantine Rite sings it thrice, followed by the "Glory be…", a repeat of the last phrase of the Trisagion, and the whole Trisagion once again.
I couldn't seem to find what mode the Good Friday Trisagion is in, but it seems to fit with the Gloria Patri in Tone VIII.
Do let me know if this would or would not be appropriate. Perhaps ought it be sung only in Latin? (I would be using this at an EF Missa cantata.)
PS Initially I had thought to make use of the Tone VIII doxology for long responsories, but then realised that this only includes "Gloria Patri, et Filio, et Spiritui Sancto" and not the "Sicut erat…".
Thanks for these suggestions which will get filed with my Trinity Sunday Mass propers. We did the EF Good Friday liturgy once by special request for a priest who is no longer here. What a wonderful liturgy; thanks for the idea of using the Trisagion.
I don't have the personnel for Victoria's SSAA Duo Seraphim, but hope that will be an option someday.
There's a polyphonic Alleluia, by Heinrich Isaac at CPDL. (As is usually the case, the Alleluia is its own separate phrase, preceding the verse, and can be omitted, if so desired.)
It's not a motet in the strict sense, but I have always liked Tchaikovsky's Cherubic hymn, which has been rendered in English as the "Hymn to the Trinity" with a rather loose, but nonetheless beautiful translation.
Gloria Patri by Palestrina. Found in the Pius X Hymnal (the one edited by Dr. Marier). There's also the Cor Jesu Trinitatis and De Trinitate from the same hymnal, by anonymous authors.
I have an arrangement of Victoria's Duo Seraphim/Tres Sunt arranged for SATB. PM me if you'd like a copy.
The Pius X Hymnal, a great resource. I checked it earlier but didn't catch these titles. Very serviceable music we will surely use regularly. Many thanks!
As we need to stay with Latin, the Tchaikovsky won't work, but many thanks for making me aware of this piece.
The melody of the Wood version is the same as that of a Christmas carol found at no. 105 in the Oxford Book of Carols. It is featured in numerous older Lessons and Carols services. The text is 'Lord Jesus Hath a Garden, Full of Flowers Gay'. The tune and text are of Dutch origin, first found in Geestlijke Harmonie, 1633. I had never heard it with the 'Uzziah text', but the pairing is quite nice! Many thanks to Liam and Charles Wood, Father of the Proms.
I don't have my OBoC handy, but I am confused - the meters of the texts are quite different. Twas in the Year has a Spenserian sonnet-ish form (in meter but not rhyme, which just march directly through in 7 couplets - if there is a volta, it is after line 12), with 3 sets of 10.10.10.10. followed by a 10.10. couplet. The Dutch tune seems hard to match to that form.
Mea culpa! It isn't the Dutch tune, after all. But there is a carol set to this same tune - its words do not come to me just now. Thanks for questioning me on this!
(After more reflection - it is Liam's Wood setting that I have heard on a CD of Kings or St John's. I now remember the imagery and smoke. There is a superficial resemblance to the Dutch tune - but they are not related. Sorry for the false alarum.)
The Wood setting is classic, and often gets mixed into Advent-y music, though frankly it is really a Trinitarian praise text that need not be imprisoned in the Incarnationtide ghetto (I believe it would be interesting to do on the Baptism of The Lord, which is really a Trinitarian Theophany...).
Now the [Whoever] Hath A Garden text is a metrical oddity in English, ungainly but lovely in a strange way, because it's basically 12.12. with refrain (but the refrain being way longer, which is untypical).
It's a bit late, but Voces angelorum is wrapping up Trinity Sunday with Compline doing Victoria's O lux beata Trinitas, SSAA as the hymn, and an SSA trio as the anthem/antiphon with the same text. It's an anonymous Medieval organum. Not for everyone, but our orthodox Anglican Parish likes the delving into antiquity. Also find below the opening Gregorian Chant the Ladies will chant for Compline onTrinity Sunday.
3O lux beata Trinitas SSAA Victoria - Full Score.pdf
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