Children's choir and Cathedral Choir Televised Mass -
Prelude - Lambillotte Improvisation
Hymn - Come Holy Ghost LAMBILLOTTE
Entrance chant LCM
Kyrie, Mode I, Graduale Simplex
Gloria (Roman Missal)
Psalm LCM
Sequence GR
Alleluia LCM
Offertory LCM
Veni Creator, Ravanello
Sanctus XVIII
Agnus Dei XVIII
Communion LCM
Regina Caeli, Lotti
Alleluia, Sing to Jesus HYFRYDOL
Improv (Gig) on HYFRYDOL

Solemn Mass, Cathedral Schola
Improvisation on Mode VIII
Introit GR
Kyrie, Mode I, Graduale Simplex
Gloria VIII
Psalm LCM
Sequence GR
Alleluia LCM
Offertory GR
Veni Creator, Ravanello and Mode VIII chant
Sanctus XVIII
Agnus Dei XVIII
Communion LCM
Regina Caeli, Lotti
Alleluia, Sing to Jesus HYFRYDOL
Improv (Gig) on HYFRYDOL

9pm Mass at ASU Newman Center, Newman Center Men's Choir
Prelude - Lambillotte Improvisation
Hymn - Come Holy Ghost LAMBILLOTTE
Entrance chant LCM
Kyrie, Mode I, Graduale Simplex
Gloria VIII
Psalm LCM
Sequence GR
Alleluia LCM
Offertory LCM
Veni Creator, Ravanello and Organ on mode VIII chant
Sanctus XVIII
Agnus Dei XVIII
Communion LCM
Regina Caeli, Lotti
Alleluia, Sing to Jesus HYFRYDOL
Improv (Gig) on HYFRYDOL

Introit - Pluth (DUKE STREET)
Sprinkling Rite - RM
Gloria - Bartlett (VIII)
Psalm - LCM
Sequence - LCM
Alleluia - GS
Offertory - O Breathe On Me (ST COLUMBA)
Communion - LCM
Alleluia, Sing to Jesus (HYFRYDOL)
Come, Holy Ghost (LAMBILLOTTE)

St. Peter’s, Steubenville OH:

Missa Cantata, TLM:

Entrance: “Come Holy Ghost,” LAMBILLOTTE
Vidi Aquam: plainsong
Plainsong propers for the Sunday
Mass I
Credo IV
At the Offertory: Veni Creator Spiritus, plainsong
At Communion: “O Filii et Filiae”
At the conclusion: Regina Caeli, simple, and Te Deum, simple.

The Te Deum was appropriate as it was the last Mass for several of us, myself included, following commencement. While the principal organizer for the musicians is staying for his MA, it’s definitely the end of an era, because there has been a core group of students serving and singing for the traditional Mass at Franciscan University and in the area, and we’ve now basically all been replaced by new undergraduates! So, pray for them please. It’s been very good. Who would have thought Pontifical High Mass with Cardinal Burke would be sponsored by FUS even though it wasn’t in Christ the King? Not I! It was a pipe dream three years ago. It’s also been incredibly challenging. The people are mostly in place. It just takes an act of the will to overcome the fears. So, pray for my alma mater.

SOLEMNITY OF PENTECOST
St. Michael the Archangel Catholic Church
Leawood, Kansas

PRELUDE - Komm Heiliger Geist, BWV 651 (Johann Sebastian Bach)
HYMN - Come, Holy Ghost (LAMBILLOTTE)
INTROIT - The Spirit of the Lord... (Columba Kelly, OSB)
PENITENTIAL ACT - Missal Chant
GLORIA - Mass in Honor of Saint Michael (Kevin Vogt)
PSALM - Psalm 104 (Michel Guimont)
SEQUENCE - Veni Sancte Spiritus (Kevin Vogt)
ALLELUIA - Mass in Honor of Saint Paul (Kevin Vogt)
OFFERTORY - Draw Us in the Spirit's Tether (Harold Friedell)
SANCTUS - Mass in Honor of St. Michael (Kevin Vogt)
AGNUS DEI - Mass in Honor of St. Michael (Kevin Vogt)
COMMUNIO - They were all filled... (Columba Kelly, OSB)
ANTHEM - Alleluia (Randall Thompson)
HYMN - Go Make of All Disciples (ELLACOMBE)
MARIAN ANTIPHON - Regina Caeli (simplex)
POSTLUDE - Komm Gott, Schoepfer, BWV 667 (Johann Sebastian Bach)

followed by Tournemire L'Orgue Mystique (believe it was the next to last piece, from the set for Pentecost)

Il s'appelle "la communion". It is called the communion. A beautiful piece.

St. Mary's in Independence, MO
Our Three Ordinary Form Masses:
Entrance Hymn: Come Holy Ghost (Lambilotte)
Introit: from Lumen Christi Missal
At two of the Masses we used the complete Mass VIII (Missa de Angelis) and at our "High Mass" we did Mass I (Lux et Origo). Missa de Angelis accompanied by organ; Lux et Origo a cappella
We did the Latin Sequence from the GR.
Responsorial Psalm and Alleluia from Lumen Christi Missal.
Offertory Hymn: O Breathe on Me, O Breath of God
Communion Hymn (at the two non-"High Masses"): Come Down, O Love Divine
Communion Choral piece (at "High Mass"): Beata Nobis Gaudia, by Lajos Bardos
Communion Proper - full Latin Proper from Graduale Romanum (used Communio from this site)
At our parish we sing the seasonal Marian antiphon right before the closing hymn, so we did Regina Caeli (simple tone).
Closing Hymn: Holy, Holy, Holy
Organ Postlude - an abbreviated version of Bach's Prelude in D major, BWV 532.

At our evening Extraordinary Form Missa Cantata:
Propers: all of the full Latin propers from the Graduale Romanum
Mass I (Lux et Origo)
Offertory choral piece: Confirma Hoc by C. Rossini - got it from Rossini's Exaltate Deum from 1940s. We also got through five verses of the Latin Vespers hymn Veni Creator Spiritus.
Communion choral piece: same as for Ordinary Form Masses - Beata Nobis Gaudia (Bardos). Which I just discovered yesterday is, in its original form, a Latin chant hymn for Lauds on Pentecost.
We also sang Regina Caeli, followed directly by the same postlude. So no English hymns for us at this Mass.

Cathedral of Saint Joseph, Sioux Falls

Prelude: Durufle (first four Veni Creator variations)
Opening: Lambillotte
Gloria: Ostermann
Sequence: English plainchant
Offertory: Veni Sancte Spiritus (Mozart)
Communion: They were all filled... (Ostermann)
Communion 2: If Ye Love Me (Tallis)
Closing: Come Down, O Love Divine
Postlude: Durufle (Final Variation of Veni Creator)

This was the 11 AM Mass - 9:15 was with Men's chant schola singing the sequence, Graduale Offertory and Communio. Top tenor was absent, so we didn't get to sing If Ye Love Me with the men.

The only problem with Pentecost is having to chose between the Bach prelude/postlude (including the 10 minute ornamented chorale as prelude) and the Durufle. Whichever I pick, I miss the other!

what is it exactly that makes it so wonderful?

Interesting.
Perfect marriage between opening text, subtext represented through "so/so/so DO____" Think of all the works that use a three "quaver" propulsion into a strong beat one....Beethoven 5th, The strife is o'er...., "and I will raise.....(oops that just slipped out) and so forth.

Our Lady of Grace, Maricopa, AZ

Entrance Hymn: Come Holy Ghost, Creator Blest - LAMBILLOTTE
Entrance Antiphon: The Spirit of the Lord - LCM
Sequence: English
Offertory Antiphon: Confirm, O God - LCM
Communion Antiphon: They Were All Filled with the Holy Spirit - LCM
Communion: Veni Creator - Asola
Meditation: Regina Caeli - Chant
Recessional: Come, O Holy Spirit - HYMN TO JOY
Post Lude: Immaculate Mary

Ordinary Mass of the Resurrection - Debruyn

...and it is based on the tune Veni Creator Spiritus.

Jackson,

There isn't much rhythmic variety, BUT I've always enjoyed the way all those long TAs are ripe for flourishes, descants and fanfares.

A little...inspiration...goes a long way toward increasing the interest of that tune.

...Landler...

Or a Polonaise?

MJO

For another tune, perhaps, but LAMBILOTTE's tune is more folksy than courtly.

Now, it would be quite fun to tease a *mazurka* out of the thing. (come Ho-LEE Ghost....cre-a-TOR blest....) - we could say avoiding the tonic accent was an homage to chant...

https://www.youtube.com/watch?v=c6wmrQ_YWvM

For you guys who don't like it, would you prefer "Eagle's Wings?" Sometimes it is good to count your blessings and be thankful you are not worse off.

St. John's Cemetery Chapel, Middle Village, NY
EF Missa Cantata
Entrance: Come Down, O Love Divine (with descant) (DOWN AMPNEY)
Gregorian Propers and Sequence
Mass II, Missa Fons Bonitatis
Offertory Motet: Confirma Hoc, Deus (Aichinger)
Communion: Veni, Creator Spiritus (Asola) w/chant
Antiphon: Regina Caeli
Closing: The Church's One Foundation (AURELIA)

St. Sebastian, Akron OH
EF Mass, 1 PM
Opening hymn: Come thou holy Paraclete (Samuel Webbe/ John Neale)
Mass 1, Credo 4
Offertory: Confirma hoc Deus (Jef Tinel); Beata nobis gaudia (Gregorian; hymn for Lauds of Pentecost)
Communion: Verbum supernum prodiens (J.G. Rheinberger, from Op. 62)
Closing hymn: Veni Creator Spiritus (collect your indulgence)