Actually it is horror compounded when we often hear of chant being exiled, choirmasters being fired, organs being silenced, etc., all because people walked out, withheld offerings, and so on. They never seem to walk and withhold, however, over anything that is truly a horror. Weird!If the congregation walked out... and withheld offerings... would stop.
One of those priests, encouraged by his success, decided to sing the words of the Consecration to a melody of his own making. He continued this strange practice for several years, if I'm not mistaken. I later discovered the melody was from the traditional sung Compline, which made no sense at all in that context. The tragedy of it all was that he had a lovely voice and was trying very hard to inject more solemnity into the Novus Ordo, and it would have been wonderful if he could have been taught to sing the official celebrant chants of the EF and OF.
we remember.....we observe.
We get even!
As our president, Mahrt, has consistently and prolifically reminded us, the entrance chant (of whatever form) is an accompaniment, an adornment of the entrance and presence of alter Christus among us.
...entrance of the Church into the Heavenly Sanctuary.
The Musical Shape of the Liturgy.The propers, with the possible exception of the gradual and the alleluia, are not the action; the best way for the people to unite themselves with these actions is, in most cases, to observe them, unfettered by hymn books or the details
of reading musical notation. They can see the colors of the vestments and the hierarchical order of the participants of the liturgy; they can be moved by the rhythmic quality of the actions to contemplate the order being projected, and to realize that this order is a depiction of a sacred order, “a foretaste of that heavenly liturgy which is celebrated in the Holy City Jerusalem.
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